Select Publications
Books
2017, Teaching Australian and New Zealand Literature, Moore NR; Birns N; Shieff S, (eds.), Modern Languages Association, New York
,2016, Australian Literature in the German Democratic Republic: Reading through the Iron Curtain, Moore N; Spittel C, (ed.), Anthem, London, https://www.jstor.org/stable/j.ctt1ffjq4z
,2015, Censorship and the Limits of the Literary: A Global View, Moore N, (ed.), Bloomsbury Academic, New York, http://www.bloomsbury.com/au/censorship-and-the-limits-of-the-literary-9781628920109/
,2012, The Censor's Library, University of Queensland Press, St Lucia, Qld., http://www.uqp.uq.edu.au/book.aspx/1174/The%20Censor's%20Library-%20Uncovering%20the%20Lost%20History%20of%20Australia's%20Banned%20Books
,, 2009, Macquarie PEN Anthology of Australian Literature, Jose N; Heiss A; Goldsworthy K; McCooey D; Minter P; Moore N; Webby E, (eds.), Allen & Unwin, Sydney
2008, Banned in Australia, AustLit, e-resource, http://www.austlit.edu.au/specialistDatasets/Banned
,Book Chapters
2023, 'The Novel at Arms: Rereading Australian Mid-century Realism', in Carter D (ed.), The Cambridge History of the Australian Novel, Cambridge University Press, Cambridge, UK, pp. 336 - 353, http://dx.doi.org/10.1017/9781009090049.021
,2022, 'Making a literary working class in the cultural Cold War: The Australasian Book Society', in Barnhisel G (ed.), The Bloomsbury Handbook to Cold War Literary Culture, Bloomsbury, New York, pp. 307 - 324, http://dx.doi.org/10.5040/9781350191747.ch-018
,2020, 'Australia', in Helgesson S; Neumann B; Rippl G (ed.), Handbook of Anglophone World Literatures, De Gruyter, Berlin, pp. 511 - 530, http://dx.doi.org/10.1007/978-3-319-56194-3_9
,2020, 'Print Censorship and the Cultural Cold War: Books in a Bounded World', in Hammond A (ed.), Palgrave Handbook to Cold War Literature, Palgrave Macmillan, London, pp. 43 - 61, http://dx.doi.org/10.1007/978-3-030-38973-4_3
,2019, ''Put on Dark Glasses or a Blind Man's Head': Poetic Defamation and the Question of Feminist Privacy in 1970s Australia', in Arrow M; Woollacott A (ed.), Everyday Revolutions: Gender, Sexuality and Society in 1970s Australia, Australian National University EPress, Canberra, pp. 295 - 312, https://www.jstor.org/stable/j.ctvq4c17c.15
,2017, 'Relocating Literary Sensibility: Colonial Australian Print Culture in the Digital Age', in Moore N; Birns N; Shieff S (ed.), Teaching Australian and New Zealand Literature, Modern Languages Association, New York, pp. 15 - 28
,2017, 'Introduction', in Teaching Australian and New Zealand Literature, Modern Languages Association, New York, pp. 1 - 14
,2016, 'Censorship and Literature', in Rabinowitz P (ed.), Oxford Research Encyclopedia of Literature, Oxford University Press, Oxford, http://dx.doi.org/10.1093/acrefore/9780190201098.013.71
,2016, 'Zola to Roth: Literature in the Dock in Australia', in Blume PF (ed.), Buch Macht Geschichte: Beiträge zur Verlags- und Medienforschung, De Gruyter, Berlin, pp. 311 - 328
,2016, 'Sedition as Realism: Frank Hardy's Power without Glory parts the Iron Curtain', in Moore NICOLE; Spittel C; Moore N (ed.), Reading Through the Iron Curtain Australian Literature in the German Democratic Republic, Anthem Press, London, pp. 93 - 116
,2016, 'South by East: World Literature's Cold War Compass', in Spittel ; Moore N (ed.), Australian Literature in the German Democratic Republic: Reading through the Iron Curtain, Anthem, London, pp. 1 - 32
,2015, 'Red Love as Seditious Sex: Bans on proletarian women's writing in Australia in the 1930s', in Barraclough R; Bowen-Struyk H; Rabinowitz P (ed.), Red Love Across the Pacific: Political and Sexual Revolutions of the Twentieth Century, Palgrave Macmillan, New York, pp. 39 - 58, http://www.amazon.com/Red-Love-Across-Pacific-Revolutions/dp/1137522003
,2015, 'Literary censorship internationally: Introduction', in Moore NR (ed.), Censorship and the Limits of the Literary: A Global View, Bloomsbury Academic, New York, http://www.bloomsbury.com/au/censorship-and-the-limits-of-the-literary-9781628920109/
,2015, 'Surrealism to Pulp: The limits of the literary and Australian Customs', in Censorship and the Limits of the Literary: A Global View, Bloomsbury Academic, New York, http://www.bloomsbury.com/au/censorship-and-the-limits-of-the-literary-9781628920109/
,2013, 'The Catcher in the Rye Gets Caught in the Net : Censorship and the Parliamentary Library', in Genoni P; Dalziell T (ed.), Telling Stories: Australian Literary Cultures 1935-2012, Monash University Publishing, Melbourne, pp. 180 - 187
,2012, 'Bobbin' Up in the Leseland: Australian Literature in the German Democratic Republic', in Kirkpatrick P (ed.), Republics of Letters: Literary Communities in Australia, University of Sydney Press, Sydney, pp. 113 - 126
,2012, ''Because They Were White, Baby, and they Ruled the World': Die australische Zensur von James Baldwins Another Country', in Laux C; Zeckert PF (ed.), Flachware: Fussnoted der Leipziger Buchwissenschaft, Plottner Verlag, Leipzig; London, pp. 147 - 168
,2010, 'Articulate Contraband', in Jaehrling S (ed.), Banned Books in Australia, University of Melbourne, Carlton Victoria Australia, pp. 9 - 15
,2009, 'Australian Literature 1900-1950', in Jose N; Heiss A; Minter P; Webby E; Moore N; Goldsworthy K; McCooey D (ed.), Macquarie PEN Anthology of Australian Literature, Allen & Unwin, Sydney, pp. 23 - 30
,2009, 'Introduction', in Capiello R (ed.), Oh Lucky Country, Sydney University Press, Sydney, pp. v - xi
,2008, 'Introduction', in Bullock M; Moore N (ed.), Banned in Australia, AustLit, e-resource, pp. N/A - N/A, http://www.austlit.edu.au/specialistDatasets/Banned
,2007, 'The Work of Dorothy Hewett', in Birns N; McNeer R (ed.), Companion to Australian Literature, Boydell and Brewer/University of Rochester Press, New York, pp. 321 - 334
,2006, '"Mother is, like, history"', in McMahon E; Olubas B (ed.), Women Making Time: Contemporary Feminist Critique and Cultural Analysis, University of WA Press, Perth, pp. 172 - 190
,1997, '“’Threatened People Don’t Breed’: The Maternal Strike in Australian Women’s Writing"', in Johnson A; Lee M; Schlunke K; Forward FS; Hodge B (ed.), Off The Sheep’s Back: New Humanities, School of Humanities, University of Western Sydney, Hawkesbury, NSW, pp. 27 - 42
,Journal articles
2022, 'Hidden Journey from Australia to the Second World: Asychronous Cold War poetics and transnational dissent', Journal of World Literature, 7, pp. 533 - 555, http://dx.doi.org/10.1163/24056480-00704004
,2021, '"'I'll Tell My Mother': Dorothy Hewett and Literary Feminism after #MeToo"', Journal of the Association for the Study of Australian Literature, 21, pp. 1 - 20, https://www.proquest.com/docview/2571493568/fulltextPDF/AC0524878F8943AFPQ/1?accountid=12763
,2017, 'Editorial', Journal of the Association for the Study of Australian Literature, 17, pp. 1 - 3, https://openjournals.library.sydney.edu.au/index.php/JASAL/article/view/12455/11479
,2016, 'Performing 1971: Dorothy Hewett's The Chapel Perilous - for Reading Australia', Westerly, 61, pp. 126 - 143, https://readingaustralia.com.au/essays/the-chapel-perilous-2/
,2016, 'Review of *The Red Professor: The Cold War Life of Fred Rose*', Australian Literary Studies, http://dx.doi.org/10.20314/als.cc901fe861
,2016, 'Roundtable: Message from Mungo and the Scales of Memory', Australian Humanities Review, pp. 247 - 259, http://australianhumanitiesreview.org/2016/08/30/roundtable-message-from-mungo-and-the-scales-of-memory/
,2016, 'Roundtable: Message from Mungo and the Scales of Memory', AUSTRALIAN HUMANITIES REVIEW, pp. 247 - 259, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000387207100015&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
,2015, ''A recognised trouble-maker wherever he goes': Narrated Surveillance, Redacted Recognition and the International Reach of Australia's Cultural Cold War', Australian Literary Studies, pp. 52 - 69
,2015, '‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold War', Australian Literary Studies, 30, pp. 52 - 69, http://dx.doi.org/10.20314/als.12d68b885a
,2014, 'Naming the Nation: A Poetic Retrospect', Antipodes, 28, pp. 263 - 266
,2014, 'Placing Sociality, Intimacy, Authority: Dorothy Hewett in the Biographical Frame', Hecate: an interdisciplinary journal of women's liberation, 40, pp. 35 - 51
,2013, 'Censorship is', Australian Humanities Review, 54, pp. 45 - 65, http://www.australianhumanitiesreview.org/archive/Issue-May-2013/AHR54_3_Moore.pdf
,2012, 'Review of Selected Prose of Dorothy Hewett', Transnational Literature, 4, pp. np - np, http://dspace.flinders.edu.au/jspui/bitstream/2328/25913/1/Dorothy_Hewett.pdf
,2011, 'Impossible Literary Histories', Australian Literary Studies, 25, pp. 49 - 60, https://www.australianliterarystudies.com.au/
,2010, 'Editorial', Australian Feminist Studies, 25, pp. 255 - 256, http://dx.doi.org/10.1080/08164649.2010.514322
,2007, 'Australian Feminist Studies: Editorial', Australian Feminist Studies, 22, pp. 1 - 2, http://dx.doi.org/10.1080/08164640601153222
,2007, 'Art Makes the World: Obituary for Mona Brand', Overland, 189, pp. 93 - 94
,2007, 'Betty Roland interviewed by Nicole Moore', Southerly, 67, pp. 362 - 376
,2005, ''National Parapraxis: Memory and Forgetting in Australian Censorship History.'', Australian Historical Studies, 36, pp. 296 - 314
,2005, ''Treasonous Sex: Birth Control Obscenity Censorship and White Australia.'', Australian Feminist Studies, 20, pp. 319 - 342
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