ORCID as entered in ROS
https://orcid.org/0000-0002-4996-616X
Select Publications
Books
, 2025, Dis-/Continuing Traditions: Interventions with Confucian Aesthetics by Chinese Contemporary Artists and Curators
, 2023, Introduction, http://dx.doi.org/10.4324/9781003435327-1
, 2023, Художественные группы "Авангард" в Китае - 1979-1989 [‘Avant-garde' Art Groups in China, 1979-1989], Academic Studies Press, Boston MA USA, https://www.academicstudiespress.com/contemporary-eastern-studies-books/9798887191966
, 2019, Contemporary Chinese Art, Aesthetic Modernity and Zhang Peili Towards a Critical Contemporaneity, Bloomsbury Academic, London, https://www.bloomsbury.com/au/contemporary-chinese-art-aesthetic-modernity-and-zhang-peili-9781350041974/
, 2016, Paul Gladston, Deconstructing Contemporary Chinese Art: Selected Critical Writings and Conversations, 2007-2014, Springer Verlag, Heidelberg
, 2015, Yu Youhan, 3030 Press, ShanghArt, Shanghai
, 2014, Contemporary Chinese Art: A Critical History, Reaktion Books, London
, 2013, 'Avant-garde' art groups in China, 1979-1989
, 2013, Avant-garde Art Groups in China, 1979-1989: The Stars - The Northern Art Group - The Pond Association - Xiamen Dada, A Critical Polylogue, INTELLECT LTD
, 2011, Contemporary Art in Shanghai: Conversations with Seven Chinese Artists, Blue Kingfisher Limited
, 2005, Art History after Deconstruction: Is There Any Future for a Deconstructive Attention to Art History?, Magnolia
Book Chapters
, 2024, 'Inside/Outside the Yellow Box: Toward a Poly/Cacophonic Displaying of (Chinese) Contemporary Art', in Gladston P; Howarth-Gladston L; Chang JT-Z; Kuo J (ed.), Rethinking Displays of Chinese Contemporary Art: Cultural Diversity and Tradition, Palgrave Macmillan, London and Singapore, pp. 1 - 32, http://dx.doi.org/10.1007/978-981-97-2906-7_1
, 2024, 'Humor/Youmo in Chinese Contemporary Art and Online Visual Culture: Oblique Resistances to Authority and the Traces of Confucian-literati Aesthetics', in Gieskes M; Williams GH (ed.), Humor in Global Contemporary Art, Bloomsbury, London, pp. 101 - 118, http://dx.doi.org/10.5040/9781350415850.ch-6
, 2023, 'Dis-/Continuing Traditions: Chinese Contemporary Art and the Polylogic Translation of Confucian-literati Culture', in Gladston P; Jin H; Yan H (ed.), Translation Studies and China: Literature, Cinema, and Visual Arts, Routledge, https://www.routledge.com/Translation-Studies-and-China-Literature-Cinema-and-Visual-Arts/Yan-Jin-Gladston/p/book/9781032563978
, 2023, 'Afterword', in Translation Studies and China: Literature, Cinema, and Visual Arts, pp. 235 - 236
, 2023, ''Reading Transcultural Aesthetics through Images'', in Coalter C (ed.), Bloomsbury Philosophy Library – Bloomsbury Contemporary Aesthetics/History of Modern Aesthetics, Bloomsbury, London and New York, http://dx.doi.org/10.5040/9781350892989-0001
, 2022, '‘Chinese Confucian-literati Culture and Post-Enlightenment Philosophical Aesthetics’', in Coalter C (ed.), Bloomsbury Philosophy Library – Bloomsbury History of Modern Aesthetics, Bloomsbury., London and New York, http://dx.doi.org/10.5040/9781350930377.001
, 2021, 'Rendering Frontiers: From China's Historical Dynastic-Imperial to Modern Republican Borders and the Changing Significances of Chinese Art', in Gladston P; Turner M; Kennedy-Schtyk B (ed.), Visual Culture wars at the Borders of Contemporary China: Art, Design, Film, New Media and the Prospects of "Post-West" Contemporaneity, Palgrave Macmillan, London and Singapore, pp. 105 - 130, http://dx.doi.org/10.1007/978-981-16-5293-6_5
, 2021, 'Foreword', in Hogan J (ed.), Survival Aesthetics © Interview Series: On Post-Contemporary Art Practice in Japan, Japan Foundation
, 2021, '‘#15 Change – Mountain in Full Bloom, Yicong Guo’', in UNESCO Art Collection: Selected Works, UNESCO, Paris, pp. 94 - 97
, 2021, '超越鄙视（当代性：论关于国际后现代主义艺术理论和中国当代艺术理论的多方对话 (Beyond Contemp(oranei)t(y): toward a polylogue of international and localized perspectives on the significances of Chinese contemporary art),', in Lu CY (ed.), China as an Issue: Artistic and Intellectual Practices Since the Second Half of the Twentieth Century vol.4, Inside-Out Art Museum, Beijing, pp. 61 - 85
, 2021, 'Introduction', in Contemporary East Asian Visual Cultures, Societies and Politics, Springer Singapore, pp. 1 - 23, http://dx.doi.org/10.1007/978-981-16-5293-6_1
, 2020, 'Case study: The work of Zhang Peili and the Pond Association (Chi she)', in CONTEMPORARY CHINESE ART, AESTHETIC MODERNITY AND ZHANG PEILI: TOWARDS A CRITICAL CONTEMPORANEITY, BLOOMSBURY ACADEMIC, pp. 137 - 170, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000607455800006&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
, 2020, 'Critical art and aesthetics within China and Euro-America before modernism', in CONTEMPORARY CHINESE ART, AESTHETIC MODERNITY AND ZHANG PEILI: TOWARDS A CRITICAL CONTEMPORANEITY, BLOOMSBURY ACADEMIC, pp. 43 - 74, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000607455800003&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
, 2020, 'Modernisms within and outside China', in CONTEMPORARY CHINESE ART, AESTHETIC MODERNITY AND ZHANG PEILI: TOWARDS A CRITICAL CONTEMPORANEITY, BLOOMSBURY ACADEMIC, pp. 75 - 104, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000607455800004&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
, 2020, 'Postmodernisms and contemporaneity within and outside China', in CONTEMPORARY CHINESE ART, AESTHETIC MODERNITY AND ZHANG PEILI: TOWARDS A CRITICAL CONTEMPORANEITY, BLOOMSBURY ACADEMIC, pp. 105 - 135, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000607455800005&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
, 2020, 'Prolegomenon Post-Enlightenment aesthetic modernity, postmodernity and contemporaneity', in CONTEMPORARY CHINESE ART, AESTHETIC MODERNITY AND ZHANG PEILI: TOWARDS A CRITICAL CONTEMPORANEITY, BLOOMSBURY ACADEMIC, pp. 11 - 41, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000607455800002&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
, 2019, '‘Rethinking Contemporaneity: Zhang Peili’s Video Installation A Gust of Wind (Zeng feng) as an Index of Polylogic Aesthetic Social Engagement’', in Sharing and Participating - 'The Commons': Art and Social Aesthetic Education, China Academy of Art, Hangzhou
, 2019, '‘Rethinking Contemporaneity: Zhang Peili’s Video Installation A Gust of Wind (Zeng feng) as an Index of Polylogic Critical resistance’', in Proceedings of the Conference Aesthetics, Society and the Travels of Critical Theory International Conference, Beijing Normal University, Beijing
, 2018, '‘A/n (Disjunctive) Encycling of Notes on the Work of the Artist Setsuko Ono’,', in Setsuko Ono, Parallax-Asia House, London
, 2018, '‘Critical Reflections on Yu Youhan’s Paintings as a Locus of Aesthetic Modernity’', in Yu Youhan: Representational-Abstract, Long Museum, Chongqing
, 2018, '‘Of Nühua (‘women’s painting’) and the Absenting of Ink: A Critical Meditation on Works by the Artist Fu Xiaotong’,', in Fan F; Wang C (ed.), New Debates on Ink Art: The Genealogy of Ink Art and Its Conceptual Changes – The Historical Identity Dimensions, Wuhan Art Museum – Hebei Fine Arts Publishing House, Wuhan - Hebei, pp. 432 - 488
, 2017, '‘Conversación con Paul Gladston and Lynne Howarth-Gladston’', in La Construcción de la(s) historia(s) del arte contemporáneo en China, Edicions Ballatera, Barcelona
, 2017, '‘Critical Reflections on Yu Youhan’s Paintings as a Locus of Aesthetic Modernity’', in Yu Youhan – PSA Collection Series, Power Station of Art, Shanghai
, 2016, '‘Besiege Wei to Rescue Zhao’: A Stratagem Towards a Post-crisical Art', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 65 - 77, http://dx.doi.org/10.1007/978-3-662-46488-5_6
, 2016, '‘Sound Can Be Seen and Form Can Be Heard’', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 139 - 145, http://dx.doi.org/10.1007/978-3-662-46488-5_18
, 2016, '“Beyond Contemp(oranei)t(y): towards a discursive polylogue of international postmodernist and Chinese contemporary art theory”', in Gao M (ed.), Criteria-Method-Context, Central Compilation and Translation Press, Beijing
, 2016, 'A Short Essay About the Work of Wang Xin and Chen Yongwei', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 183 - 184, http://dx.doi.org/10.1007/978-3-662-46488-5_24
, 2016, 'Answering the Question—‘What is the Chinese Avant-Garde?’', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 121 - 123, http://dx.doi.org/10.1007/978-3-662-46488-5_14
, 2016, 'Collaboration as Struggle and Non-cooperation', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 129 - 132, http://dx.doi.org/10.1007/978-3-662-46488-5_16
, 2016, 'Cultural Translation and Post hoc Intellectual Conceit', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 55 - 64, http://dx.doi.org/10.1007/978-3-662-46488-5_5
, 2016, 'Disjuncture—Tradition—Indirectness', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 125 - 128, http://dx.doi.org/10.1007/978-3-662-46488-5_15
, 2016, 'Inside the Yellow Box', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 95 - 104, http://dx.doi.org/10.1007/978-3-662-46488-5_11
, 2016, 'International Curatorial Practice and the Problematic De-Territorialization of the ‘Identity’ Show', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 17 - 29, http://dx.doi.org/10.1007/978-3-662-46488-5_2
, 2016, 'Low Resolution', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 115 - 120, http://dx.doi.org/10.1007/978-3-662-46488-5_13
, 2016, 'Objectless Desire', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 167 - 171, http://dx.doi.org/10.1007/978-3-662-46488-5_21
, 2016, 'Qianwei (‘Avant-Garde’) Art in Reform-Era China', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 31 - 41, http://dx.doi.org/10.1007/978-3-662-46488-5_3
, 2016, 'Silence and Recuperation', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 83 - 84, http://dx.doi.org/10.1007/978-3-662-46488-5_8
, 2016, 'The (Continuing) Story of Ai', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 89 - 91, http://dx.doi.org/10.1007/978-3-662-46488-5_10
, 2016, 'The 14th Month (After the Great Flood)', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 177 - 181, http://dx.doi.org/10.1007/978-3-662-46488-5_23
Filter by type
https://orcid.org/0000-0002-4996-616X