ORCID as entered in ROS
https://orcid.org/0000-0002-4996-616X
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Book Chapters
, 2024, 'Humor/Youmo in Chinese Contemporary Art and Online Visual Culture: Oblique Resistances to Authority and the Traces of Confucian-literati Aesthetics', in Gieskes M; Williams GH (ed.), Humor in Global Contemporary Art, Bloomsbury, London, pp. 101 - 118, http://dx.doi.org/10.5040/9781350415850.ch-6
, 2023, 'Dis-/Continuing Traditions: Chinese Contemporary Art and the Polylogic Translation of Confucian-literati Culture', in Gladston P; Jin H; Yan H (ed.), Translation Studies and China: Literature, Cinema, and Visual Arts, Routledge, https://www.routledge.com/Translation-Studies-and-China-Literature-Cinema-and-Visual-Arts/Yan-Jin-Gladston/p/book/9781032563978
, 2023, 'Afterword', in Translation Studies and China: Literature, Cinema, and Visual Arts, pp. 235 - 236
, 2023, ''Reading Transcultural Aesthetics through Images'', in Coalter C (ed.), Bloomsbury Philosophy Library – Bloomsbury Contemporary Aesthetics/History of Modern Aesthetics, Bloomsbury, London and New York, http://dx.doi.org/10.5040/9781350892989-0001
, 2022, '‘Chinese Confucian-literati Culture and Post-Enlightenment Philosophical Aesthetics’', in Coalter C (ed.), Bloomsbury Philosophy Library – Bloomsbury History of Modern Aesthetics, Bloomsbury., London and New York, http://dx.doi.org/10.5040/9781350930377.001
, 2021, 'Rendering Frontiers: From China's Historical Dynastic-Imperial to Modern Republican Borders and the Changing Significances of Chinese Art', in Gladston P; Turner M; Kennedy-Schtyk B (ed.), Visual Culture wars at the Borders of Contemporary China: Art, Design, Film, New Media and the Prospects of "Post-West" Contemporaneity, Palgrave Macmillan, London and Singapore, pp. 105 - 130, http://dx.doi.org/10.1007/978-981-16-5293-6_5
, 2021, 'Foreword', in Hogan J (ed.), Survival Aesthetics © Interview Series: On Post-Contemporary Art Practice in Japan, Japan Foundation
, 2021, '‘#15 Change – Mountain in Full Bloom, Yicong Guo’', in UNESCO Art Collection: Selected Works, UNESCO, Paris, pp. 94 - 97
, 2021, '超越鄙视（当代性：论关于国际后现代主义艺术理论和中国当代艺术理论的多方对话 (Beyond Contemp(oranei)t(y): toward a polylogue of international and localized perspectives on the significances of Chinese contemporary art),', in Lu CY (ed.), China as an Issue: Artistic and Intellectual Practices Since the Second Half of the Twentieth Century vol.4, Inside-Out Art Museum, Beijing, pp. 61 - 85
, 2021, 'Introduction', in Contemporary East Asian Visual Cultures, Societies and Politics, Springer Singapore, pp. 1 - 23, http://dx.doi.org/10.1007/978-981-16-5293-6_1
, 2020, 'Case study: The work of Zhang Peili and the Pond Association (Chi she)', in CONTEMPORARY CHINESE ART, AESTHETIC MODERNITY AND ZHANG PEILI: TOWARDS A CRITICAL CONTEMPORANEITY, BLOOMSBURY ACADEMIC, pp. 137 - 170, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000607455800006&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
, 2020, 'Critical art and aesthetics within China and Euro-America before modernism', in CONTEMPORARY CHINESE ART, AESTHETIC MODERNITY AND ZHANG PEILI: TOWARDS A CRITICAL CONTEMPORANEITY, BLOOMSBURY ACADEMIC, pp. 43 - 74, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000607455800003&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
, 2020, 'Modernisms within and outside China', in CONTEMPORARY CHINESE ART, AESTHETIC MODERNITY AND ZHANG PEILI: TOWARDS A CRITICAL CONTEMPORANEITY, BLOOMSBURY ACADEMIC, pp. 75 - 104, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000607455800004&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
, 2020, 'Postmodernisms and contemporaneity within and outside China', in CONTEMPORARY CHINESE ART, AESTHETIC MODERNITY AND ZHANG PEILI: TOWARDS A CRITICAL CONTEMPORANEITY, BLOOMSBURY ACADEMIC, pp. 105 - 135, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000607455800005&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
, 2020, 'Prolegomenon Post-Enlightenment aesthetic modernity, postmodernity and contemporaneity', in CONTEMPORARY CHINESE ART, AESTHETIC MODERNITY AND ZHANG PEILI: TOWARDS A CRITICAL CONTEMPORANEITY, BLOOMSBURY ACADEMIC, pp. 11 - 41, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000607455800002&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
, 2019, '‘Rethinking Contemporaneity: Zhang Peili’s Video Installation A Gust of Wind (Zeng feng) as an Index of Polylogic Aesthetic Social Engagement’', in Sharing and Participating - 'The Commons': Art and Social Aesthetic Education, China Academy of Art, Hangzhou
, 2019, '‘Rethinking Contemporaneity: Zhang Peili’s Video Installation A Gust of Wind (Zeng feng) as an Index of Polylogic Critical resistance’', in Proceedings of the Conference Aesthetics, Society and the Travels of Critical Theory International Conference, Beijing Normal University, Beijing
, 2018, '‘A/n (Disjunctive) Encycling of Notes on the Work of the Artist Setsuko Ono’,', in Setsuko Ono, Parallax-Asia House, London
, 2018, '‘Critical Reflections on Yu Youhan’s Paintings as a Locus of Aesthetic Modernity’', in Yu Youhan: Representational-Abstract, Long Museum, Chongqing
, 2018, '‘Of Nühua (‘women’s painting’) and the Absenting of Ink: A Critical Meditation on Works by the Artist Fu Xiaotong’,', in Fan F; Wang C (ed.), New Debates on Ink Art: The Genealogy of Ink Art and Its Conceptual Changes – The Historical Identity Dimensions, Wuhan Art Museum – Hebei Fine Arts Publishing House, Wuhan - Hebei, pp. 432 - 488
, 2017, '‘Conversación con Paul Gladston and Lynne Howarth-Gladston’', in La Construcción de la(s) historia(s) del arte contemporáneo en China, Edicions Ballatera, Barcelona
, 2017, '‘Critical Reflections on Yu Youhan’s Paintings as a Locus of Aesthetic Modernity’', in Yu Youhan – PSA Collection Series, Power Station of Art, Shanghai
, 2016, '‘Besiege Wei to Rescue Zhao’: A Stratagem Towards a Post-crisical Art', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 65 - 77, http://dx.doi.org/10.1007/978-3-662-46488-5_6
, 2016, '‘Sound Can Be Seen and Form Can Be Heard’', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 139 - 145, http://dx.doi.org/10.1007/978-3-662-46488-5_18
, 2016, '“Beyond Contemp(oranei)t(y): towards a discursive polylogue of international postmodernist and Chinese contemporary art theory”', in Gao M (ed.), Criteria-Method-Context, Central Compilation and Translation Press, Beijing
, 2016, 'A Short Essay About the Work of Wang Xin and Chen Yongwei', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 183 - 184, http://dx.doi.org/10.1007/978-3-662-46488-5_24
, 2016, 'Answering the Question—‘What is the Chinese Avant-Garde?’', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 121 - 123, http://dx.doi.org/10.1007/978-3-662-46488-5_14
, 2016, 'Collaboration as Struggle and Non-cooperation', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 129 - 132, http://dx.doi.org/10.1007/978-3-662-46488-5_16
, 2016, 'Cultural Translation and Post hoc Intellectual Conceit', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 55 - 64, http://dx.doi.org/10.1007/978-3-662-46488-5_5
, 2016, 'Disjuncture—Tradition—Indirectness', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 125 - 128, http://dx.doi.org/10.1007/978-3-662-46488-5_15
, 2016, 'Inside the Yellow Box', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 95 - 104, http://dx.doi.org/10.1007/978-3-662-46488-5_11
, 2016, 'International Curatorial Practice and the Problematic De-Territorialization of the ‘Identity’ Show', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 17 - 29, http://dx.doi.org/10.1007/978-3-662-46488-5_2
, 2016, 'Low Resolution', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 115 - 120, http://dx.doi.org/10.1007/978-3-662-46488-5_13
, 2016, 'Objectless Desire', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 167 - 171, http://dx.doi.org/10.1007/978-3-662-46488-5_21
, 2016, 'Qianwei (‘Avant-Garde’) Art in Reform-Era China', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 31 - 41, http://dx.doi.org/10.1007/978-3-662-46488-5_3
, 2016, 'Silence and Recuperation', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 83 - 84, http://dx.doi.org/10.1007/978-3-662-46488-5_8
, 2016, 'The (Continuing) Story of Ai', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 89 - 91, http://dx.doi.org/10.1007/978-3-662-46488-5_10
, 2016, 'The 14th Month (After the Great Flood)', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 177 - 181, http://dx.doi.org/10.1007/978-3-662-46488-5_23
, 2016, 'The Cult of Ai', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 85 - 87, http://dx.doi.org/10.1007/978-3-662-46488-5_9
, 2016, 'The Double Way', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 79 - 81, http://dx.doi.org/10.1007/978-3-662-46488-5_7
, 2016, 'Time, Life and Nature', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 133 - 137, http://dx.doi.org/10.1007/978-3-662-46488-5_17
, 2016, 'Track Changes', in Chinese Contemporary Art Series, Springer Berlin Heidelberg, pp. 105 - 113, http://dx.doi.org/10.1007/978-3-662-46488-5_12
, 2015, 'Overlit realm/inner world: A loosely articulated series of notes on the work of the artist Lu Xinjian', in Deconstructing Contemporary Chinese Art: Selected Critical Writings and Conversations, 2007-2014, pp. 161 - 166, http://dx.doi.org/10.1007/978-3-662-46488-5_20
, 2015, '‘A (Disjointed) Series of Notes on Works by the Artist Jia’', in The Chinese Version: Jia, Walther König, Köln:
, 2015, '‘A (Disjointed) Series of Notes towards a Reading of Lu Xinjian’s Series of Paintings, Constellations’', in Lu Xinjian: Constellations, Art Labour Gallery, Shanghai
, 2015, '‘Within and Between Floating Wor(l)ds: a (Disjointed) Series of notes on the Work of the Artist Paul Furneaux’', in Paul Furneaux: Outside-Inside, a Contemporary Use of Japanese Woodcut Printing, Edinburgh Printmakers Workshop, Edinburgh
, 2015, 'Entry on the artist Xu Bing', in Berkshire Dictionary of Chinese Biography, Vol. 4, Oxford University Press
, 2014, '‘(Re-)Constructing (Contemporary) Chinese Art: Towards a Polylogue between International and Chinese Theoretical Paradigms’', in Post-Conflict Cultures: Topographies of Reconstruction, CCCP
, 2014, '‘Immersion: Song Ling’s Early Development as an Artist in the PRC’', in Ghosts in the Mirror – Song Ling, 1985-2013, Today Art Museum, Beijing
, 2014, '‘International Curatorial Practice and The Problematic (De-)Territorialization of the International Survey Show: Critical Reflections on the Third Guangzhou Triennial, Farewell to Post-Colonialism and the Asia Triennial Triennial II’', in Triennial City: Localising Asian Art, Cornerhouse Manchester
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https://orcid.org/0000-0002-4996-616X