By Professor Paul Rowlands Thomas

Book Chapters

Thomas P; Cubitt S, 2024, 'Volume Introduction', in Thomas P (ed.), The Encyclopedia of New Media Art: Volume 2: Artists & Practice, Bloomsbury, London

Mandl S; Gemeinboeck P, 2017, 'The Resonance of the Document: Material Exchange, Assemblage, and the Productive Archive', in Aceti L; Thomas P; Colless E (ed.), Cloud and Molecular Aesthetics, LEA / MIT Press, Cambridge, MA, https://contemporaryarts.mit.edu/pub/resonanceofthedocument

Eastwood D, 2017, 'The Studio As Cloud', in Aceti L; Thomas P; Colless E; Fisher L (ed.), Cloud and Molecular Aesthetics, LEA / MIT Press, Cambridge, MA, pp. 64 - 71, https://www.pubpub.org/pub/the-studio-as-cloud

Thomas PR, 2014, 'Interference Strategies', in thomas P; Aceti L (ed.), Interference Strategies, Leonardo/ISAST, San Francisco, pp. 13 - 16, http://www.leoalmanac.org/volume20-no2-interference-strategies/

Thomas PR; Cubitt S, 2013, 'Introduction: The New Materialism in Media Art History', in Thomas PR; Cubitt S (ed.), Relive Media Art Histories, Mit Press, pp. 1 - 25, http://mitpress.mit.edu/books/relive

Thomas P, 2011, 'La philosophie du nanoart', in Sauvageot A; Boujeu X; Marie X (ed.), Images & Mirages @ nanoscience:Regards croisès, Hermann, Paris, pp. 121 - 133

Thomas P, 2009, 'Audionano - Vibrating Matter', in Hope C; Marshall JW (ed.), Sound Scripts, Australian Music Centre, Perth, pp. 26 - 32, http://www.australianmusiccentre.com.au/product/sound-scripts-proceedings-of-the-2007-totally-huge-new-music-festival-conference-vol-2-2009

Thomas P, 2008, 'Midas', in Hauser J (ed.), Sk-Interfaces: Exploding Borders in Art, Science and Technology, Liverpool University Press, Liverpool, pp. 144 - 147

Thomas P, 2008, 'Nano Vibrational Interfaces', in Sommerer C; Gestrich D; Mignnoneau L (ed.), Interface Cultures – Artistic Aspects on Interaction, Transcript Verlag, Bielefeld, pp. 81 - 91, http://www.ufg.ac.at/Interface-Cultures-Artistic-Aspects-of-I.3606.0.html

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