By Professor Paul Rowlands Thomas

Conference Papers

Thomas P; Cubitt S, 2023, 'New Media Arts: Autonomy and Exploitation', Venice, presented at Media Art History Conference, Venice, 20 September 2023 - 23 September 2023, https://www.mediaarthistory.org/

Thomas P, 2021, 'Quantum Flâneur Meandering in the Darkness', in Figshare, Figshare, http://dx.doi.org/10.6084/M9.FIGSHARE.16993390.V1

Thomas PR, 2015, 'The Disruptive Cloud and the Chaos of Uncertainty', Winnipeg, presented at CATASTROPHE, CATACLYSM AND THE SINGULAR ACCIDENT, Winnipeg, 15 November 2015 - 15 November 2015, http://ageofcatastrophe.com/symposium/symposium-abstracts/

Thomas PR, 2013, 'The probability of the diagram', in Fisher L; Cleland K; Harley R (eds.), ISEA International, Sydney, presented at International Symposium of Electronic Art, Sydney, 11 June 2013 - 13 June 2013, http://hdl.handle.net/2123/9742

Stevens G, 2012, 'Cutting on action : interference strategies in contemporary art practice', in Baker S; Thomas P; Varano A (eds.), Interference as a Strategy for Art Conference Proceedings, Transdisciplinary Imaging Conference 2012 Sydney, Australia, Victorian College of the Arts, Melbourne, pp. 261 - 269, presented at The Second International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture, Victorian College of the Arts, Melbourne, 22 June 2012 - 23 June 2012, http://blogs.unsw.edu.au/tiic/files/2013/03/Transimage_conference_proceedings2012.pdf

Thomas P, 2010, 'Art-Science - Curricular Models and Best Practices', in Funke J; Riekeles S; Broeckmann A; MedienKunstVerein H (eds.), Proceedings of the 16th International Symposium on Electronic Art, Revolver Publishing, Berlin, presented at ISEA2010 RUHR Conference., Dortmund, 20 August 2010 - 29 August 2010, http://www.isea2010ruhr.org/files/redaktion/pdf/isea2010_conference_proceedings.pdf

Muller L; Jones C, 2009, 'An indeterminate archive for David Rokeby's Giver of Names', in Thomas P; Cubitt S (ed.), Re: Live 3rd International Conference on Media Arts Histories, Melbourne, pp. 114 - 119, presented at Re: Live 2009, Melbourne, 27 November 2009 - 29 November 2009

Kenderdine S; Shaw J, 2009, 'The relocation of theatre: Making UNMAKEABLELOVE', in Thomas P; Cubitt S (ed.), Proceedings of Re:Live, The University of Melbourne & Victorian College of the Arts and Music, Melbourne, pp. 191 - 196, presented at Re:Live — Third International Conference on the Histories of Media Art, Science and Technology, Melbourne, 26 November 2009 - 29 November 2009, http://mass.nomad.net.au/wp-content/uploads/2011/01/relive09proceedings-copy.pdf

Thomas P, 2009, 'Nanoessence', in ACUADS Research 08/09, ACUADS, Adelaide, presented at ACUADS 2009 CONFERENCE Interventions in the Public Domain, Queensland College of Art Griffith University, 30 September 2009 - 02 October 2009

Thomas P, 2008, 'The Chemist as Flâneur in Intelligent Architecture', in Proceedings of ISEA2008, ISEA, Signapore, pp. 498 - 499, presented at 14th International Symposium on Electronic Art 2008, Singapore, 25 July 2008 - 03 August 2008

Thomas P, 2007, 'Immateriality and Materiality', in CADE 2007 : Proceedings of computers in art and design education conference: stillness, Curtin University of Technology, Perth, WA, presented at Computers in Art and Design Education 2007, Perth, WA, 12 September 2007 - 14 September 2007

Thomas P, 2007, 'i-500 Intelligent Architecture Project', in ACUADS (Australian Council of University Art and Design Schools Research 07/08, ACUADS, Sydney, Australia, pp. 14 - 15, presented at ACUADS 2007, COFA, UNSW

Thomas P, 2006, 'Contemplating contemporary architecture', University of Plymouth, UK, presented at Consciousness Reframed, 8th International Research Conference, University of Plymouth, UK, 21 July 2006 - 23 July 2006

Thomas P, 2005, 'The mirror as the primal space for new media', in Altered States: transformations of perception, place, and performance, Plymouth, UK

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