Select Publications

Book Chapters

Harley R, 2013, 'Airportals: The functional significance of stillness in the junkspace of airports', in Stillness in a Mobile World, pp. 38 - 50,

Harley R, 2013, 'Australian Video Art Histories: A Media Arts Archeology for the Future', in Cubitt S; Thomas P (ed.), Relive: Media Art Histories, MIT Press, Cambridge, Massachusetts, pp. 221 - 231

Harley RB, 2011, 'The Protocological Surround: Reconceptualizing Radio and Architecture in the Wireless City', in Foth M; Forlano L; Satchell C; Gibbs M (ed.), From Social Butterfly to Engaged Citizen: Urban Informatics, Social Media, Ubiquitous Computing, and mobile Technology to Support Citizen Engagement, edn. Original, MIT Press, Cambridge, Massachusetts, pp. 39 - 55

Harley RB, 2010, 'Distribution/Network/Configuration: A Photo Essay on Operating Control', in Thomas AR (ed.), Supply Chain Security: International Practices and Innovations in Moving Goods Safely and Efficiently, edn. 1, Praeger, California, pp. 211 - 227,

Fuller G, 2008, '> store > forward >: Architectures of a future tense', in Aeromobilities, pp. 63 - 75,

Harley RB, 2008, 'Australian Electronica; A Brief History', in Sounds of Then, Sounds of Now: Popular Music in Australia, edn. Original, ACYS Publishing, Hobart

Harley RB, 2008, 'Terminal Insecurity: A Photo Essay', in Aviation Security Management: The Elements of Aviation Security Management Volume 2, edn. First Edition, Praeger Security Internatinal, Westport, Connecticut, USA, pp. 187 - 194

Harley RB, 2008, '`From Open Circuits to Open Distribution: Can Video Artists Adopt FLOSS Stragies as their Own?``', in Mansoux A; Valk BD (ed.), Floss + Art, edn. First Edition, GOTO10 with Open Mute, France, pp. 170 - 179

Harley RB, 1998, 'Creating a sonic character:non-deigetic sound in the Mad Max trilogy', in Screen scores: studies in contemporary Australian film music, edn. Original, AFTRS, Sydney, pp. 16 - 28

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