By Professor Ross Rudesch Harley

Journal articles

Nakata NM; Hamacher DW; Warren J; Byrne A; Pagnucco M; Harley R; Venugopal S; Thorpe K; Neville R; Bolt R, 2014, 'Using Modern Technologies to Capture and Share Indigenous Astronomical Knowledge', Australian Academic & Research Libraries, 45, pp. 101 - 110, http://dx.doi.org/10.1080/00048623.2014.917786

Harley RB, 2011, 'Can Open Learning Have a Future in the University?', Leonardo - Journal of the International Society for the Arts, Sciences and Technology, 44, pp. 168 - 169, http://dx.doi.org/10.1162/LEON_a_00125

Harley RB, 2009, 'Cultural Modulation and the Zero Originality Clause of Remix Culture in Australian Contemporary Art', Fibreculture Journal, 2009, http://journal.fibreculture.org/issue15/issue15_harley.html

Harley RR, 2009, 'Light-Air-Portals: Visual Notes on Differential Mobility', M/C Journal, 12, http://journal.media-culture.org.au/index.php/mcjournal/article/viewArticle/132

Harley RB, 2008, 'Surf Club Craig Golding Book Review', Photofile, 83, pp. 77 - 77

Harley RB, 2007, 'Australian Electronica: A Brief History', Culture Machine, 9

Murphie AK; Harley RB, 2007, 'Rhythms and Refrains: A Brief History of Australian Electronica', Culture Machine, 9, pp. Online

Harley RB, 2007, 'Terminal Immersion', Visual Communication, 6:2, pp. 180 - 202

Harley RB, 2006, 'Alt Archive: The Remix', Photofile, 78, pp. 40 - 43

Fuller GM; Harley RB, 2005, 'SYD: the city as airport', SCAN - Journal of Media Arts and Culture, 2, pp. Online

Harley R, 2000, 'Convergence: Editorial', Convergence, 6, pp. 5 - 8, http://dx.doi.org/10.1177/135485650000600201

Harley RB, 2000, 'Roller coaster planet: kinetic experience in the age of mechanical transportation', Convergence-The Journal of Research into New Media Technologies, pp. 77 - 95

Harley R, 1999, 'Editorial: Before and after cinema', Convergence, 5, pp. 5 - 7, http://dx.doi.org/10.1177/135485659900500201

Harley RB, 1997, 'Cardoso Flea Circus Video', Cantrills Filmnotes, pp. 4 - 8

Harley RB, 1997, 'Entertainment of wonders and the conflux of apparent miracles: Magic, cinema and illusion in turn of the century performance', Metro, 113/114, pp. 48 - 54

Harley R, 1996, 'That's interaction!: Audience participation in entertainment monopolies', Convergence, 2, pp. 103 - 123, http://dx.doi.org/10.1177/135485659600200108

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