Select Publications

Journal articles

Nakata M; Hamacher D; Warren J; Byrne A; Pagnucco M; Harley R; Venugopal S; Thorpe K; Neville R; Bolt R, 2014, 'Using Modern Technologies to Capture and Share Indigenous Astronomical Knowledge', Australian Academic and Research Libraries, vol. 45, pp. 101 - 110, http://dx.doi.org/10.1080/00048623.2014.917786

Harley RR, 2011, 'Can open learning have a future in the university?', Leonardo, vol. 44, pp. 168 - 169, http://dx.doi.org/10.1162/LEON_a_00125

Harley RR, 2009, 'Light-Air-Portals: Visual Notes on Differential Mobility', M/C Journal, vol. 12, http://journal.media-culture.org.au/index.php/mcjournal/article/viewArticle/132

Harley RB, 2009, 'Cultural Modulation and the Zero Originality Clause of Remix Culture in Australian Contemporary Art', Fibreculture Journal, vol. 2009, http://journal.fibreculture.org/issue15/issue15_harley.html

Harley RB, 2008, 'Surf Club Craig Golding Book Review', Photofile, vol. 83, pp. 77 - 77

Rudesch Harley R, 2007, 'Terminal immersion', Visual Communication, vol. 6, pp. 180 - 201, http://dx.doi.org/10.1177/1470357207077181

Harley RB, 2007, 'Australian Electronica: A Brief History', Culture Machine, vol. 9

Murphie AK; Harley RB, 2007, 'Rhythms and Refrains: A Brief History of Australian Electronica', Culture Machine, vol. 9, pp. Online

Harley RB, 2006, 'Alt Archive: The Remix', Photofile, vol. 78, pp. 40 - 43

Fuller GM; Harley RB, 2005, 'SYD: the city as airport', SCAN - Journal of Media Arts and Culture, vol. 2, pp. Online

Harley R, 2000, 'Roller coaster planet: Kinetic experience in the age of mechanical motion', Convergence, vol. 6, pp. 77 - 95, http://dx.doi.org/10.1177/135485650000600206

Harley R, 2000, 'Convergence: Editorial', Convergence, vol. 6, pp. 5 - 8, http://dx.doi.org/10.1177/135485650000600201

Harley R, 1999, 'Editorial: Before and after cinema', Convergence, vol. 5, pp. 5 - 7, http://dx.doi.org/10.1177/135485659900500201

Harley RB, 1997, 'Cardoso Flea Circus Video', Cantrills Filmnotes, pp. 4 - 8

Harley RB, 1997, 'Entertainment of wonders and the conflux of apparent miracles: Magic, cinema and illusion in turn of the century performance', Metro, vol. 113/114, pp. 48 - 54

Harley R, 1996, 'That's interaction!: Audience participation in entertainment monopolies', Convergence, vol. 2, pp. 103 - 123, http://dx.doi.org/10.1177/135485659600200108


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