Select Publications

Books

Harley RR; Elias A; Tsoutas N, 2015, Camouflage cultures: beyond the art of disappearance, Sydney University Press, Sydney

Fuller GM; Harley RB, 2004, Aviopolis: a book about airports, Original, Black Dog Publishing, United Kingdom

2000, Convergence, Harley RB, (ed.)

1999, Convergence-The Journal of Research into New Media Technologies, Harley RB, (ed.), Sage Publications, United Kingdom

Book Chapters

Harley R, 2013, 'Australian Video Art Histories: A Media Arts Archeology for the Future', in Cubitt S; Thomas P (ed.), Relive: Media Art Histories, MIT Press, Cambridge, Massachusetts, pp. 221 - 231

Harley RB, 2011, 'Airportals: the functional significance of stillness in the Junkspace of airports', in Bissell D; Fuller G (ed.), Stillness in a Mobile World, Routledge, London, pp. 38 - 50, http://www.routledge.com/books/details/9780415572620/

Harley RB, 2011, 'The Protocological Surround: Reconceptualizing Radio and Architecture in the Wireless City', in Foth M; Forlano L; Satchell C; Gibbs M (ed.), From Social Butterfly to Engaged Citizen: Urban Informatics, Social Media, Ubiquitous Computing, and mobile Technology to Support Citizen Engagement, edn. Original, MIT Press, Cambridge, Massachusetts, pp. 39 - 55

Harley RB, 2010, 'Distribution/Network/Configuration: A Photo Essay on Operating Control', in Thomas AR (ed.), Supply Chain Security: International Practices and Innovations in Moving Goods Safely and Efficiently, edn. 1, Praeger, California, pp. 211 - 227, http://www.abc-clio.com/

Harley RB, 2008, '`From Open Circuits to Open Distribution: Can Video Artists Adopt FLOSS Stragies as their Own?``', in Mansoux A; Valk BD (ed.), Floss + Art, edn. First Edition, GOTO10 with Open Mute, France, pp. 170 - 179

Harley RB, 2008, 'Around the World in 80 Airports', in Cwerner S; Kesselring S; Urry J (ed.), Aeromobilities: Theory and Method, Routledge, United Kingdom, pp. 135 - 156

Harley RB, 2008, 'Australian Electronica; A Brief History', in Sounds of Then, Sounds of Now: Popular Music in Australia, edn. Original, ACYS Publishing, Hobart

Harley RB, 2008, 'Terminal Insecurity: A Photo Essay', in Aviation Security Management: The Elements of Aviation Security Management Volume 2, edn. First Edition, Praeger Security Internatinal, Westport, Connecticut, USA, pp. 187 - 194

Harley RB, 1998, 'Creating a sonic character:non-deigetic sound in the Mad Max trilogy', in Screen scores: studies in contemporary Australian film music, edn. Original, AFTRS, Sydney, pp. 16 - 28

Journal articles

Nakata NM; Hamacher DW; Warren J; Byrne A; Pagnucco M; Harley R; Venugopal S; Thorpe K; Neville R; Bolt R, 2014, 'Using Modern Technologies to Capture and Share Indigenous Astronomical Knowledge', Australian Academic & Research Libraries, 45, pp. 101 - 110, http://dx.doi.org/10.1080/00048623.2014.917786

Harley RB, 2011, 'Can Open Learning Have a Future in the University?', Leonardo - Journal of the International Society for the Arts, Sciences and Technology, 44, pp. 168 - 169, http://dx.doi.org/10.1162/LEON_a_00125

Harley RB, 2009, 'Cultural Modulation and the Zero Originality Clause of Remix Culture in Australian Contemporary Art', Fibreculture Journal, 2009, http://journal.fibreculture.org/issue15/issue15_harley.html

Harley RR, 2009, 'Light-Air-Portals: Visual Notes on Differential Mobility', M/C Journal, 12, http://journal.media-culture.org.au/index.php/mcjournal/article/viewArticle/132

Harley RB, 2008, 'Surf Club Craig Golding Book Review', Photofile, 83, pp. 77 - 77

Harley RB, 2007, 'Australian Electronica: A Brief History', Culture Machine, 9

Murphie AK; Harley RB, 2007, 'Rhythms and Refrains: A Brief History of Australian Electronica', Culture Machine, 9, pp. Online

Harley RB, 2007, 'Terminal Immersion', Visual Communication, 6:2, pp. 180 - 202

Harley RB, 2006, 'Alt Archive: The Remix', Photofile, 78, pp. 40 - 43

Fuller GM; Harley RB, 2005, 'SYD: the city as airport', SCAN - Journal of Media Arts and Culture, 2, pp. Online

Harley R, 2000, 'Convergence: Editorial', Convergence, 6, pp. 5 - 8, http://dx.doi.org/10.1177/135485650000600201

Harley RB, 2000, 'Roller coaster planet: kinetic experience in the age of mechanical transportation', Convergence-The Journal of Research into New Media Technologies, pp. 77 - 95

Harley R, 1999, 'Editorial: Before and after cinema', Convergence, 5, pp. 5 - 7, http://dx.doi.org/10.1177/135485659900500201

Harley RB, 1997, 'Cardoso Flea Circus Video', Cantrills Filmnotes, pp. 4 - 8

Harley RB, 1997, 'Entertainment of wonders and the conflux of apparent miracles: Magic, cinema and illusion in turn of the century performance', Metro, 113/114, pp. 48 - 54

Harley R, 1996, 'That's interaction!: Audience participation in entertainment monopolies', Convergence, 2, pp. 103 - 123, http://dx.doi.org/10.1177/135485659600200108

Conference Papers

Thomas PR, 2013, 'The probability of the diagram', in Fisher L; Cleland K; Harley R (eds.), ISEA International, Sydney, presented at International Symposium of Electronic Art, Sydney, 11 June 2013 - 13 June 2013, http://hdl.handle.net/2123/9742

Yingying X; Duo J; Yang L; McArthur IW; Miller B, 2013, 'Created in China: China’s Creative and Cultural Future.', in Cleland K; Fisher L; Harley R (eds.), Proceedings of the 19th International Symposium of Electronic Art, ISEA2013, Sydney, ISEA International, Sydney, Australia, presented at International Symposium of Electronic Arts, 2014, Sydney, Australia, 10 June 2013 - 14 June 2013, http://ses.library.usyd.edu.au/handle/2123/9756

Yang L; McArthur IM; Miller B, 2013, 'Expanded urban media: From discretised social collages to corrugated social brain.', in Cleland K; Fisher L; Harley R (eds.), Proceedings of the 19th International Symposium of Electronic Art, ISEA2013, Sydney., ISEA International, Sydney, Australia, presented at International Symposium of Electronic Arts, 2014, Sydney, 10 June 2013 - 14 June 2013, http://ses.library.usyd.edu.au/handle/2123/9752

Harley RB, 2009, '“Open Learning Networks in Media Arts Education”,', in Scoping Study for a National New Media/Electronic Arts Network, Curtin University of Technology, Perth, presented at MASS Symposium, Melbourne University,VCA, 04 July 2009 - 05 July 2009

Harley RB, 2007, 'Totally Busted: Do We Need a You Tube for Video Art?', in Move on Asia, Move on Asia, Seoul, South Korea, presented at Move on Asia, Seoul, South Korea

Conference Proceedings (Editor of)

Harley, R; Cleland K; Fisher L, (eds.), 2013, 'Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney', ISEA International, the Australian Network for Art & Technology and the University of Sydney, Sydney, presented at ISEA2013: Resistance is Futile, Australia, 07 June 2013 - 16 June 2013, http://ses.library.usyd.edu.au/handle/2123/9475

Recorded / Rendered Creative Works

Del Favero D; Harley R; Bennett J; Thielscher M; Brown N; Stockings C; Reid R, 2016, Retrospect, Published: 01 July 2016, Recorded / Rendered Creative Works, https://www.artdesign.unsw.edu.au/whats-on/events/retrospect-war-family-afghanistan

Del Favero D; Sewell S; Pagnucco M; Shaw J; Benford S; Goebel J, 2013, Scenario, Editor(s): Cleland K; Harley R; r e a ; Muller L; Cavallaro A; Mizuik J; Morelos T; Wah E; Scully J, 3D video installation, Published: 07 June 2013, Recorded / Rendered Creative Works

Harley RB, 1997, Cardoso Flea Circus, videotape, 8 minutes, Video, Published: 1997, Recorded / Rendered Creative Works

Harley RB, 1997, R. Facundo, Quien es? Que es/, exhibition and videotape,, Video, Published: 1997, Recorded / Rendered Creative Works

Del Favero D; Harley R; Bennett J; Thielscher M; Brown NC; Stockings C; Kuchelmeister V; MacGregor A; Reid R, Retrospect: War, Family, Afghanistan, Editor(s): Rayner M, website, Recorded / Rendered Creative Works, http://retrospect.abcradio.net.au/

Creative Works (non-textual)

Harley RB, 2008, Emu Wear & Stick Insect videos, Mimicry

Harley RB, 2008, Stick Insects, Biomimicry, Bernice Steinbaum, Miami

Harley RB, 2007, Cardosa Flea Circus Installation

Harley RB, 2007, SynCity: Remixing three generations of sample culture, Remixing Three Generations of Sample Culture

Harley RB, 2007, The Forgotten Adventures of Krazy Kat, Artist makes Video: art rage survey 1994-1998

Harley RB, 2006, SynCity, SynCity

Harley RB, 2005, changing spaces

Harley RB, 2005, Elastic An Archive Project


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