Select Publications
Book Chapters
2001, 'Material Encounters: Approaching the Trauma of Others Through the Visual Arts', in Charles Green (ed.), Postcolonialism + Art Where Now?, Artspace Visual Art Centre, Sydney, pp. 9 - 17
,2000, 'The Aesthetics of Sense-Memory: Theorising Trauma through the Visual Arts', in Kaltenbeck F; Weibel P (ed.), Trauma und Erinnerung/Trauma and memory: Cross-Cultural Perspective, Passagen Verlag, Vienna, pp. 81 - 96
,2000, 'Whose time are we on?', in Green C; Best S (ed.), Critical and theoretical speculations on the 12th Biennale of Sydney, Artspace, Sydney
,1998, 'Below the waterline', in Below the waterline, Centre for Contemporary Craft, Sydney
,1998, 'Everyday or its all in a title', in Best S; Green C (ed.), In the Every Day: Critical & Theoretical Speculations on the 11th Biennale of Sydney, Artspace Visual Arts Centre, Sydney
,1998, 'Telling tales', in Bennett J; Dunn J (ed.), Telling Tales, University of New South Wales, College of Fine Arts, Sydney, pp. 12 - 17
,1998, 'Within living memory', in Bennett J; Dunn J (ed.), Telling Tales, University of New South Wales, College of Fine Arts, Sydney, pp. 7 - 11
,1997, 'Dennis del Favero Parting Embrace', in Dennis del Favero Parting Embrace, Mori Gallery, Sydney
,1997, 'Communion, Consumption and Connection: Ways of Seeing the Somatic Object', in Rowley S (ed.), The Somatic Object, Ivan Dougherty Gallery, Sydney, pp. 9 - 13
,1997, 'Kama and Eroticism: The Five Senses in the Work of Francesco Clemente and Pierre Klossowski`', in Bond A; Capon E (ed.), Body: Exploring the Human Body in Western Art From 1862 to the Present, Bookman Schwartz, Melbourne, pp. 140 - 150
,1996, 'Leaving nothing to the imagination: Obscenity and postmodern subjectivity', in Duro P (ed.), The rhetoric of the frame: Essays on the boundaries of the Artwork, Cambridge University Press, Cambridge, pp. 242 - 257
,Edited Books
Bennett J, (ed.), 2022, The Big Anxiety: Taking care of mental health in times of crisis, Bloomsbury Academic, London & New York, https://www.bloomsbury.com/au/big-anxiety-9781350297791/
Bennett J; Zournazi M, (ed.), 2019, Thinking in the World: A Reader, Bloomsbury Academic, London
Bennett J; Kennedy R, (ed.), 2003, World Memory: Personal Trajectories in Global Time, Palgrave Macmillan, London, http://www.palgrave.com/de/book/9781403901156#aboutBook
Journal articles
2024, 'Experimenting with arts-based methods and affective provocations to understand complex lived experience of a diagnosis of borderline personality disorder', Social Science and Medicine, 350, http://dx.doi.org/10.1016/j.socscimed.2024.116950
,2024, 'Connecting Us Back to Ourselves: Aesthetic Experience as a Means to Growth after Trauma', Social Sciences, 13, http://dx.doi.org/10.3390/socsci13010020
,2023, 'Aesthetic Enactment: Engagement with Art Evoking Traumatic Loss', Social Sciences, 12, http://dx.doi.org/10.3390/socsci12080437
,2023, 'Transforming Trauma through an Arts Festival: A Psychosocial Case Study', Social Sciences, 12, http://dx.doi.org/10.3390/socsci12040249
,2023, 'Visual communication and mental health', Visual Communication, 22, pp. 46 - 70, http://dx.doi.org/10.1177/14703572221130451
,2022, 'Gender is dynamic for all people', Discover Psychology, 2, http://dx.doi.org/10.1007/s44202-022-00054-2
,2022, 'Pre-Engagement as Method: An EmbodiMapTM VR Experience to Explore Lived Experience of People from South Sudanese Refugee Background', International Journal of Qualitative Methods, 21, pp. 16094069221123167, http://dx.doi.org/10.1177/16094069221123167
,2021, 'The Visit', Prof Jill Bennett, https://www.aspera.org.au/issue-3
,2021, 'A visit with Viv: Empathising with a digital human character embodying the lived experiences of dementia', Dementia: The International Journal of Social Research and Practice, 20, pp. 2462 - 2477, http://dx.doi.org/10.1177/1471301221998888
,2020, 'Edge of the present: A virtual reality tool to cultivate future thinking, positive mood and wellbeing', International Journal of Environmental Research and Public Health, 18, pp. 1 - 13, http://dx.doi.org/10.3390/ijerph18010140
,2020, 'Women and Stigma: A Protocol for Understanding Intersections of Experience through Body Mapping', International Journal of Environmental Research and Public Health, 17, pp. 5432 - 5432, http://dx.doi.org/10.3390/ijerph17155432
,2020, 'Mnemoscape: Supporting Older Adults’ Event Memory Using Wearable Camera Photographs on an Immersive Interface', Gerontology, 66, pp. 1 - 11, http://dx.doi.org/10.1159/000505848
,2019, 'Lived experience and the limits (and possibilities) of empathy', Cultural Studies Review, 25, pp. 84 - 88, https://epress.lib.uts.edu.au/journals/index.php/csrj/article/view/6881
,2019, 'Exploring the Impact of the Big Anxiety: Festival of arts + science + people', American Journal of Psychiatric Rehabilitation, 22, pp. 210 - 230, http://muse.jhu.edu/article/797610
,2019, 'National trends in total cholesterol obscure heterogeneous changes in HDL and non-HDL cholesterol and total-to-HDL cholesterol ratio: a pooled analysis of 458 population-based studies in Asian and Western countries', International Journal of Epidemiology, 49, http://dx.doi.org/10.1093/ije/dyz099
,2019, 'Psycho-social aesthetics and the art of lived experience', The Journal of Psychosocial Studies, 12, pp. 185 - 201, http://dx.doi.org/10.1332/147867319X15608718111023
,2019, 'Exploring the Impact of the Big Anxiety: Festival of arts + science + people', American Journal of Psychiatric Rehabilitation, 22, pp. 210 - 230
,2019, 'Memory Loss and Scenic Experience: An Arts Based Investigation', Forum: Qualitative Social Research/Forum Qualitative Sozialforschung, 20, http://dx.doi.org/10.17169/fqs-20.1.3126
,2019, 'The work of the audience: visual matrix methodology in museums', Cultural Trends, 28, pp. 162 - 176, http://dx.doi.org/10.1080/09548963.2019.1617939
,2018, 'Emergent Knowledge in the Third Space of Art-Science', Leonardo, 53, pp. 321 - 326, http://dx.doi.org/10.1162/leon_a_01690
,2018, 'The ‘BIG Anxiety Project’: Using the arts to visually explore public experiences and attitudes to anxiety', Journal of Applied Arts & Health, 9, pp. 85 - 97, http://dx.doi.org/10.1386/jaah.9.1.85_1
,2017, 'Are We All Anxious Now?', Tate Etc., https://www.tate.org.uk/tate-etc/issue-39-spring-2017/are-we-all-anxious-now
,2017, 'Artlink: Anxiety: Art and Mental Health [Special Edition] (Editor)', Artlink: Australian contemporary art quarterly, 37, pp. 10 - 10
,2017, 'Diversity and Disruption in Arts and Health', Artlink, 37, pp. 12 - 19
,2015, 'Hearing an EEG: Art-Science as neurophenomenology', On_, 2
,2012, 'Experimental Arts: Studies in Material Thinking [edited journal]', Studies in Material Thinking, 8, http://www.materialthinking.org/
,2012, 'What is Experimental Art?', Studies in Material Thinking, 8, pp. 1 - 5
,2011, 'Image Wars', Ekfrase: Nordic Journal of Visual Culture, 2, pp. 89 - 97, http://www.nomadikon.net/
,2007, 'Aesthetics of Intermediality', Art History, 30, pp. 432 - 450
,2006, 'The Dynamic of Resonance: Art, Politics and the Event', Australian and New Zealand Journal of Art, 7, pp. 67 - 81
,2005, 'Asian Traffic: National Identity-Global Community', Broadsheet, 34, pp. 226 - 229
,2002, 'Art, affect, and the "bad death": Strategies for communicating the sense memory of loss', Signs, 28, pp. 333 - 351, http://dx.doi.org/10.1086/340915
,2002, 'Face-to-Face Encounters: Testimonial Imagery and the South African Truth and Reconciliation Commission', Australian and New Zealand Journal of Art, 3, pp. 32 - 58
,2001, 'Stigmata and sense memory: St Francis and the affective image', Art History, 24, pp. 1 - 16
,1998, 'The spectre of pedophilia and Dennis Del Favero's Parting Embrace', Artlink: Australian contemporary art quarterly, 18, pp. 61 - 63
,Conference Papers
2023, 'Perinatal Dreaming - Understanding Country', in SIGGRAPH Asia 2023 XR, ACM, pp. 1 - 2, presented at SA '23: SIGGRAPH Asia 2023, http://dx.doi.org/10.1145/3610549.3614603
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