ORCID as entered in ROS
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Select Publications
2022, 'Not Too Shabby', Australian Art Collector
,2022, ''Rich with wonder': the 2022 Sydney Biennale finds connection and relevance in troubled times', The Conversation, https://theconversation.com/rich-with-wonder-the-2022-sydney-biennale-finds-connection-and-relevance-in-troubled-times-177133
,2022, 'The Wonder of Trees: Engaging Public Art', Shuddhashar, https://shuddhashar.com/the-wonder-of-trees-engaging-public-art/
,2021, 'Despair and hope; anger and optimism: The National 2021 highlights care in Australian art', The Conversation, https://theconversation.com/profiles/felicity-fenner-184514/articles
,2020, 'Sydney Biennale: an incisive global perspective on deeper crises', The Conversation, https://theconversation.com/sydney-biennale-review-an-incisive-global-perspective-on-deeper-crises-131203
,2020, 'De-Beuysed but not forgotten', Public Art Dialogue, 9, pp. 182 - 191, http://dx.doi.org/10.1080/21502552.2019.1644131
,2019, 'Art vs Adani: how Australian artists are protesting', Arts Hub, https://www.artshub.com.au/news-article/opinions-and-analysis/trends-and-analysis/the-conversation/art-vs-adani-how-australian-artists-are-protesting-258514
,2019, 'Protest art: rallying cry or elegy', The Conversation, https://theconversation.com/protest-art-rallying-cry-or-elegy-for-the-black-throated-finch-120593
,2019, 'As we face pressing global issues, the pavilions of Venice Biennale are a 21st century anomaly', The Conversation, https://theconversation.com/as-we-face-pressing-global-issues-the-pavilions-of-venice-biennale-are-a-21st-century-anomaly-117078
,2018, 'When Trump comes to Australia, let's hope protesters get more creative', The Conversations, https://theconversation.com/when-trump-comes-to-australia-lets-hope-protesters-get-more-creative-than-the-baby-blimp-100583
,2017, 'Sydney's mean-spirited approach to public art', The Conversation, https://theconversation.com/sydneys-cloud-arch-critics-and-our-mean-spirited-approach-to-public-art-83637
,2015, 'Home Ground Advantage', Australian & New Zealand Journal of Art, 15, pp. 2 - 19, http://dx.doi.org/10.1080/14434318.2015.1045442
,2015, 'Running the City', Studies in Material Thinking, 12, pp. 1 - 17, https://www.materialthinking.org/papers/184
,2014, 'Home Ground Advantage', , 2, http://scapebiennial.org.nz/scape7
,2011, 'Sandra Selig, be some other material', Column, pp. 125 - 129, http://www.artspace.org.au/publications_column.php?i=8
,2010, 'COFA Heads to Venice', , pp. 52 - 55, http://acuads.com.au/conference/2013-conference
,2010, 'Catalyst of Change', Artlink: Australian contemporary art quarterly, pp. 28 - 35
,2008, 'In Conversation: Felicity Fenner speaks with eight artists from `Handle with Care`', Art and Australia, 45:3, pp. 344 - 349
,2008, 'Mind the Gap: Richard Goodwin', Art World, Aug/Sept, pp. 110 - 114
,2008, 'Places and contexts in two Singapore Biennales: curating courtrooms, containers and camps', Artlink: Australian contemporary art quarterly, 28:4, pp. 40 - 46
,2008, 'Singapore Biennale: Sept 11-Nov 16', Art in America, December, pp. 101 - 103
,2007, '2006 Singapore Biennale', Art in America, 95, pp. 62 - 66
,2007, 'Report from Brisbane: Preserving the Local', Art in America, 95, pp. 75 - 79
,2007, 'Report from Singapore: Religion, Law, Commerce, Art.', Art in America, 95, pp. 74 - 79
,2007, 'The 5th Asia-Pacific Triennial', Art in America, 95, pp. 74 - 77
,2007, 'The Nature of Art', Art and Australia, 44, pp. 420 - 427
,2006, 'Bronwyn Oliver', Art and Australia, pp. 191 - 191
,2006, 'Gwangju Biennale', Art in Australia, pp. 186 - 187
,2006, 'My Place or Yours', Contemporary Visual Art + Culture Broadsheet, 35, pp. 210 - 213
,2005, 'Bill Henson: 3 Decades of Photography', Aperture, pp. 76 - 79
,2005, 'Janet Laurence', Art in America, pp. 135 - 135
,2005, 'Janet Laurence', Art in America, pp. 135 - 235
,2005, 'Monica Behrens', Art Monthly Australia, pp. 99 - 99
,2005, 'Monika Behrens', Australian Art Collection, April, pp. 99 - 99
,2004, 'Interview - Isabel Carlos', Art and Australia, 41, pp. 556 - 559
,2004, 'Sally Smart', Australian Art Collection, July, pp. 135 - 135
,2004, 'Shifting Gears', Artlink: Australian contemporary art quarterly, 24, pp. 20 - 27
,2003, 'Diversity Down Under: The Asia Pacific Triennial of Contemporary Artappeared at the Queensland Art Gallery, South Brisbane, Australia', Art in America, 91, pp. 38 - 39
,2003, 'Ken Unsworth - Review', Australian Art Collection, Issue 24, pp. 103 - 103
,2003, 'Ken Unsworth : The Art of Flowers', Ken Unsworth, pp. 4 - 5
,2003, 'Simultaneous Translations', Art in America, No.4, pp. 81 - 83
,2003, 'Venice Biennale: Dreams and Conflicts', Art and Australia, Vol.41, No, pp. 214 - 217
,2003, 'Young at Heart', Monument, 57, pp. 96 - 99
,2001, 'A Century of Collecting', Australian Art Collection, 16, pp. 35 - 37
,2001, 'Editorial', Artlink: Australian contemporary art quarterly, 21, pp. 1 - 13
,2001, 'Editorial', Artlink: Australian contemporary art quarterly, pp. 13 - 13
,2001, 'Shaun Gladwell', Australian Art Collector, 16, pp. 16 - 16
,2001, 'Simryn Gill at Roslyn Oxley9', Art in America, pp. 158 - 158
,2000, 'Cindy Sherman', Art and Australia, March, pp. 363 - 365
,2000, 'Hilarie Mais', Australian Art Collector, pp. 86 - 91
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