Select Publications
Books
2023, Roslyn Oxley9 Gallery: The First Forty Years, Fenner F, (ed.), Formist Editions, Sydney, Australia
,2023, Roslyn Oxley9 Gallery
,2022, Readymade Ruin: Claire Healy & Sean Cordeiro, Formist, Sydney
,2022, Curating in a Time of Ecological Crisis: Biennales as Agents of Change, Routledge, Oxford, https://www.routledge.com/Curating-in-a-Time-of-Ecological-Crisis-Biennales-as-Agents-of-Change/Fenner/p/book/9780367671921
,2017, Running the City: why public art matters, NewSouth Publications, Sydney, Australia, https://ebookcentral-proquest-com.wwwproxy1.library.unsw.edu.au/lib/unsw/detail.action?docID=4987490#
,2012, The Land and its Psyche, 1, New South Press, Sydney Australia
,2008, Handle with Care: 2008 Adelaide Biennial of Australian Art, Fenner FM, (ed.), Original, Art Gallery of South Australia, Adelaide, S. A.
2005, Primavera 2005 Exhibition by Young Australian Artists
2000, Marion Borgelt, 21C, Sydney Australia
,1996, Paul Richards: A Certain Fiction, Carling Dalenson, Stockholm, Sweden
,Book Chapters
2022, 'Rewilding', in Roca J; Salazar JF (ed.), 23rd Biennale of Sydney: rivus - a glossary of water, Biennale of Sydney, Sydney, pp. 382 - 399
,2022, 'Women as Storytellers: Public Art in Sydney', in Let's Go Outside: Art in Public, Monash University Publishing, Melbourne
,2021, 'Women as Storytellers: Public Art in Sydney', in Day C; Morton C; Spiers A (ed.), Let’s go Outside: Art in Public, Monash University Publishing, Melbourne, https://www.monash.edu/muma/public-programs/previous/2023/lets-go-outside-art-in-public-launch-event
,2018, 'Evolution and Theory', in Zadok Ben-David, Circa, London UK
,2018, 'Ken Unsworth: The Paintings', in Ken Unsworth, ARTANDFOUNDATION, Sydney, Australia, pp. 43 - 65
,2015, 'It's a copy, right?', in McGuinness P (ed.), Copyfight, New South Publishing, Sydney Australia, pp. 239 - 253
,2013, 'Changing times, timing changes', in Betts G (ed.), Making change: celebrating 40 years of Australia-China diplomatic relations, edn. 1st, Australian Centre for Photography, Paddington, NSW, pp. 29 - 44
,2013, 'James Darling & Lesley Forwood', in Heartland, Art Gallery of South Australia, Adelaide, Australia
,2013, 'Reimagining Old Haunts', in If you were to live here..., Auckland Art Gallery, Auckland, NZ, pp. 31 - 35
,2012, 'Tallstoria', in Egan F (ed.), Aquilizan, Alfredo & Isabel: In Habitat - Project Another Country, Sherman Contemporary Art Foundation, Sydney, pp. 91 - 105, http://sherman-scaf.org.au/publication/alfredo-isabel-aquilizan-in-habit-project-another-country/
,2008, 'Fragile State', in Handle with Care: 2008 Adelaide Biennial of Australian Art, edn. Original, Art Gallery of South Australia, Adelaide, S. A., pp. 17 - 24
,2006, 'My Place or Yours?', in French B; Cruickshank A (ed.), Broadsheet, edn. Original, CASCA, Adelaide, pp. 210 - 213
,2004, 'Thinking Beyond Abstraction', in Talking About Abstraction, edn. Original, University of New South Wales, Sydney, Australia
,2001, 'Chihuahuas and Currawongs; humour and the Australian landscape in the recent work of Ken Unsworth', in Getczy A; Genocchio B (ed.), What Is Installation?, edn. Original, Power Publications, Sydney, pp. 95 - 100
,1999, 'Living here now', in Art and politics: living here now. Australian Perspecta 99, edn. Original, Art Gallery of New South Wales, Sydney, pp. 58 - 59
,1999, 'Zadok Ben-David', in Evolution and theory: Zadok Ben-David, edn. Original, Earl Lu Gallery, Singaproe, pp. 8 - 11
,1998, 'Rasheed Araeen, David Cunningham, Mike Marshall, owada, William Seeto', in Biennale of Sydney: everyday, Biennale of Sydney, Sydney, Australia
,1998, 'Vernacular vagaries', in Ken Unsworth, edn. Original, Bookman Schwartz, Melbourne, pp. 21 - 24
,1997, 'Between Art and Nature`', in Australian Perspecta 1997: Between Art and Nature, edn. Original, Art Gallery of New South Wales, Sydney, Australia, pp. 32 - 32
,1997, 'World Between`', in Ninth Triennale?India, edn. Original, Lalit Kala Akademi, New Delhi, India, pp. 13 ~ 243 - 13 ~ 243
,Journal articles
2022, 'Not Too Shabby', Australian Art Collector
,2022, ''Rich with wonder': the 2022 Sydney Biennale finds connection and relevance in troubled times', The Conversation, https://theconversation.com/rich-with-wonder-the-2022-sydney-biennale-finds-connection-and-relevance-in-troubled-times-177133
,2022, 'The Wonder of Trees: Engaging Public Art', Shuddhashar, https://shuddhashar.com/the-wonder-of-trees-engaging-public-art/
,2021, 'Despair and hope; anger and optimism: The National 2021 highlights care in Australian art', The Conversation, https://theconversation.com/profiles/felicity-fenner-184514/articles
,2020, 'Sydney Biennale: an incisive global perspective on deeper crises', The Conversation, https://theconversation.com/sydney-biennale-review-an-incisive-global-perspective-on-deeper-crises-131203
,2020, 'De-Beuysed but not forgotten', Public Art Dialogue, 9, pp. 182 - 191, http://dx.doi.org/10.1080/21502552.2019.1644131
,2019, 'Art vs Adani: how Australian artists are protesting', Arts Hub, https://www.artshub.com.au/news-article/opinions-and-analysis/trends-and-analysis/the-conversation/art-vs-adani-how-australian-artists-are-protesting-258514
,2019, 'Protest art: rallying cry or elegy', The Conversation, https://theconversation.com/protest-art-rallying-cry-or-elegy-for-the-black-throated-finch-120593
,2019, 'As we face pressing global issues, the pavilions of Venice Biennale are a 21st century anomaly', The Conversation, https://theconversation.com/as-we-face-pressing-global-issues-the-pavilions-of-venice-biennale-are-a-21st-century-anomaly-117078
,2018, 'When Trump comes to Australia, let's hope protesters get more creative', The Conversations, https://theconversation.com/when-trump-comes-to-australia-lets-hope-protesters-get-more-creative-than-the-baby-blimp-100583
,2017, 'Sydney's mean-spirited approach to public art', The Conversation, https://theconversation.com/sydneys-cloud-arch-critics-and-our-mean-spirited-approach-to-public-art-83637
,2015, 'Home Ground Advantage', Australian & New Zealand Journal of Art, 15, pp. 2 - 19, http://dx.doi.org/10.1080/14434318.2015.1045442
,2015, 'Running the City', Studies in Material Thinking, 12, pp. 1 - 17, https://www.materialthinking.org/papers/184
,2014, 'Home Ground Advantage', , 2, http://scapebiennial.org.nz/scape7
,2011, 'Sandra Selig, be some other material', Column, pp. 125 - 129, http://www.artspace.org.au/publications_column.php?i=8
,2010, 'COFA Heads to Venice', , pp. 52 - 55, http://acuads.com.au/conference/2013-conference
,2010, 'Catalyst of Change', Artlink: Australian contemporary art quarterly, pp. 28 - 35
,2008, 'In Conversation: Felicity Fenner speaks with eight artists from `Handle with Care`', Art and Australia, 45:3, pp. 344 - 349
,2008, 'Mind the Gap: Richard Goodwin', Art World, Aug/Sept, pp. 110 - 114
,2008, 'Places and contexts in two Singapore Biennales: curating courtrooms, containers and camps', Artlink: Australian contemporary art quarterly, 28:4, pp. 40 - 46
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