By Associate Professor John Attridge

Book Chapters

Attridge J, 2019, 'An Introduction to Modernist Work', in Modernist Work: Labor, Aesthetics, and the Work of Art, Bloomsbury, pp. 1 - 17, https://primoa.library.unsw.edu.au/permalink/f/1gq3lal/UNSW_ALMA51262985350001731

Attridge J, 2018, 'Ford's The Good Soldier', in Haslam S; Colombino L; O’Malley S (ed.), The Routledge Research Companion to Ford Madox Ford, Routledge, Abingdon, https://primoa.library.unsw.edu.au/permalink/f/238ui7/UNSW_ALMA51248005130001731

Attridge J, 2016, 'Conrad, G.E. Moore and Idealism', in Hampson R; Baxter KI (ed.), Conrad and Language, Edinburgh University Press, Edinburgh, pp. 44 - 63, https://edinburghuniversitypress.com/book-conrad-and-language-hb.html

Attridge J, 2016, 'Episodic Trust: Self, Society and Sociology in A la recherché du temps perdu', in Incredible Modernism: Literature, Trust and Deception, pp. 199 - 214, http://dx.doi.org/10.4324/9781315588261-17

Attridge J, 2016, 'The Milieu is the Message: Henry James and Mediation', in Pryor S; Trotter D (ed.), Writing, Medium, Machine: Modern Technographies, Open Humanities Press, London, pp. 67 - 84, http://www.openhumanitiespress.org/books/titles/writing-medium-machine/

Attridge J, 2015, 'Ford and Conrad', in Hawkes R; Chantler A (ed.), An Introduction to Ford Madox Ford, Ashgate, Farnham, pp. 23 - 36, https://www.routledge.com/products/9781472469083

Attridge J, 2015, 'Mind, body and embarrassment in Henry James's The Awkward Age', in Taylor J (ed.), Modernism and Affect: Feeling in Modern Literature and Culture, Edinburgh University Press, Edinburgh, pp. 20 - 38, https://global.oup.com/academic/product/modernism-and-affect-9780748693252

Attridge J, 2014, ''A taboo on the mention of taboo': Englishness and taciturnity in Parade's End and André Maurois' Les Silences du colonel Bramble', in Hawkes R; Chantler A (ed.), Ford Madox Ford's Parade's End: The First World War, Culture, and Modernity, Rodopi, Amsterdam, pp. 23 - 37, http://rodopi.nl/ntalpha.asp?BookId=IFMFS+13&type=coming&letter=G

Attridge J, 2014, 'Mythomaniac modernism: lying and bullshit in Flann O'Brien', in McDonald R; Murphet J (ed.), Strange Enlightenments: Flann O'Brien and Modernism, Bloomsbury, New York, pp. 27 - 40, http://www.bloomsbury.com/au/flann-obrien-modernism-9781623568757/

Attridge J, 2013, 'Eclecticism and its discontents: Les Ecrits nouveaux (1917-22) and La Revue européenne (1923-31)', in Brooker P; Bru S; Thacker A; Weikop C (ed.), The Oxford Critical and Cultural History of Modernist Magazines: Volume III: Europe 1880 - 1940, Oxford University Press, Oxford, pp. 203 - 218

Attridge J, 2013, 'Episodic trust: self, society and sociology in A la recherche du temps perdu', in Attridge J; Rosenquist R (ed.), Incredible Modernism: Literature, Trust and Deception, Ashgate, Farnham, pp. 199 - 214

Attridge J, 2013, 'Introduction: Literature, trust and deception', in Attridge J; Rosenquist R (ed.), Incredible Modernism: Literature, Trust and Deception, Ashgate, Farnham, pp. 1 - 20

Attridge J, 2010, 'Liberalism and Modernism in the Edwardian Era: New Liberals at Ford's English Review', in Harding J (ed.), Ford Madox Ford, Modernist Magazines and Editing, Rodopi, Amsterdam, pp. 169 - 184

Attridge J, 2010, 'Murray Bail', in Shaffer BW (ed.), The Encyclopedia of Twentieth-Century Fiction, Wiley-Blackwell, UK

Attridge J, 2008, ''We Will Listen to None but Specialists': Ford, the rise of specialization, and the English Review', in Gasiorek A; Moore D (ed.), Ford Madox Ford. Literary Networks and Cultural Transformations, Rodopi, Amsterdam, pp. 29 - 42

Attridge J, 2005, ''I Don't Read Novels ... I Know What's in ‘em': Impersonality, Impressionism and Responsibility in Parade’s End', in Reynier C; Ganteau J-M (ed.), Impersonality and Emotion in Twentieth-Century British Literature, Montpellier, France

Edited Books

Attridge J; Rydstrand H, (ed.), 2019, Modernist Work: Labor, Aesthetics, and the Work of Art, Bloomsbury, New York, https://www.bloomsbury.com/uk/modernist-work-9781501344022/

Attridge J; Rosenquist R, (ed.), 2013, Incredible Modernism: Literature, Trust and Deception, Ashgate, Farnham

Journal articles

Attridge J, 2023, 'Teaching Annotation with The Portrait of a Lady', Digital English, https://www.digitalenglish.com.au/teaching-annotation-with-the-portrait-of-a-lady/

Attridge J, 2022, 'Contingent Sociality and Same-sex Desire in À la recherche du temps perdu', Journal of Modern Literature, 45, pp. 158 - 176, http://dx.doi.org/10.2979/jmodelite.45.2.10

Attridge J, 2020, 'Live for Me: Vicarious Experience and Aesthetic Education in The Ambassadors and Wilhelm Meister’s Apprenticeship', Novel: A Forum on Fiction, 53, pp. 37 - 56, http://dx.doi.org/10.1215/00295132-8139303

Attridge J, 2019, '"la vaste rumeur d'autrefois": noise, memory, and mediation in A la recherche du temps perdu', Modernism/modernity, 26, pp. 617 - 637, https://modernismmodernity.org/articles/la-vaste-rumeur-d%E2%80%99autrefois

Attridge J, 2018, 'The Crisis of Liberalism: Contracts and Promises in Joyce's Political Journalism and Dubliners', Occasion, 11, http://arcade.stanford.edu/occasion/crisis-liberalism-contracts-and-promises-joyces-political-journalism-and-dubliners

Attridge J, 2017, 'Houellebecq's Occidentalism', Australian Humanities Review, pp. 65 - 78, http://australianhumanitiesreview.org/2017/12/04/houellebecqs-occidentalism/

Attridge J, 2014, 'Nonsense, ordinary language philosophy and Flann O'Brien's The Third Policeman', Modern Fiction Studies, 60, pp. 298 - 319, http://dx.doi.org/10.1353/mfs.2014.0028

Attridge J, 2013, 'Two types of secret agency: Conrad, causation and popular spy fiction', Texas Studies in Literature and Language, 55, pp. 125 - 158, http://muse.jhu.edu/journals/texas_studies_in_literature_and_language/v055/55.2.attridge.html

Attridge J, 2012, 'Review essay: The Saddest Tory (review of Ford Madox Ford's Parade's End)', Modernism-Modernity, 19, pp. 799 - 803, http://muse.jhu.edu/journals/modernism-modernity/v019/19.4.attridge.html

Attridge J, 2011, ''Human expertness': Professionalism, Training, and the Prefaces to the New York Edition', Henry James Review, 32, pp. 29 - 44, http://muse.jhu.edu/journals/henry_james_review/v032/32.1.attridge.html

Attridge J, 2011, 'The Lesson of the Master: Learning and Cognition in What Maisie Knew', Sydney Studies in English, 37, pp. 22 - 43, http://escholarship.usyd.edu.au/journals/index.php/SSE/issue/current

Attridge J, 2010, '"The Yellow-Dog Thing": Joseph Conrad, Verisimilitude, and Professionalism', ELH - English Literary History, 77, pp. 267 - 296, http://muse.jhu.edu/journals/elh/v077/77.2.attridge.html

Attridge J, 2008, 'Steadily and Whole: Ford Madox Ford and Modernist Sociology', Modernism-Modernity, 15, pp. 297 - 315, http://muse.jhu.edu/journals/modernism-modernity/v015/15.2attridge.html

Attridge J, 2004, 'Detourism: Murray Bail's Photographic Fiction', Journal of Commonwealth Literature, 39, pp. 69 - 91, http://dx.doi.org/10.1177/0021989404047047

Creative Written Works

Attridge J, 2022, Remembrance of telephony past: what Proust made of the phone, Psyche magazine, Benjamin M, (ed.), https://psyche.co/ideas/remembrance-of-telephony-past-what-proust-made-of-the-phone

Media

Attridge J, 2018, How Conrad’s imperial horror story Heart of Darkness resonates with our globalised times, , https://theconversation.com/how-conrads-imperial-horror-story-heart-of-darkness-resonates-with-our-globalised-times-94723

Attridge J, 2018, How a US judge decided ‘artistic expression’ was a legitimate defence of discrimination, , https://www.crikey.com.au/2018/03/06/us-judge-decided-artistic-expression-was-a-defence-of-homophobia/

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