By Associate Professor John Attridge

Book Chapters

Attridge J, 2019, 'An Introduction to Modernist Work', in Modernist Work: Labor, Aesthetics, and the Work of Art, Bloomsbury, pp. 1 - 17, https://primoa.library.unsw.edu.au/permalink/f/1gq3lal/UNSW_ALMA51262985350001731

Attridge J, 2018, 'Ford's The Good Soldier', in Haslam S; Colombino L; O’Malley S (ed.), The Routledge Research Companion to Ford Madox Ford, Routledge, Abingdon, https://primoa.library.unsw.edu.au/permalink/f/238ui7/UNSW_ALMA51248005130001731

Attridge J, 2016, 'Conrad, G.E. Moore and Idealism', in Hampson R; Baxter KI (ed.), Conrad and Language, Edinburgh University Press, Edinburgh, pp. 44 - 63, https://edinburghuniversitypress.com/book-conrad-and-language-hb.html

Attridge J, 2016, 'Episodic Trust: Self, Society and Sociology in A la recherché du temps perdu', in Incredible Modernism Literature Trust and Deception, pp. 199 - 214, http://dx.doi.org/10.4324/9781315588261-17

Attridge J, 2016, 'The Milieu is the Message: Henry James and Mediation', in Pryor S; Trotter D (ed.), Writing, Medium, Machine: Modern Technographies, Open Humanities Press, London, pp. 67 - 84, http://www.openhumanitiespress.org/books/titles/writing-medium-machine/

Attridge J, 2015, 'Ford and Conrad', in Hawkes R; Chantler A (ed.), An Introduction to Ford Madox Ford, Ashgate, Farnham, pp. 23 - 36, https://www.routledge.com/products/9781472469083

Attridge J, 2015, 'Mind, body and embarrassment in Henry James's The Awkward Age', in Taylor J (ed.), Modernism and Affect: Feeling in Modern Literature and Culture, Edinburgh University Press, Edinburgh, pp. 20 - 38, https://global.oup.com/academic/product/modernism-and-affect-9780748693252

Attridge J, 2014, ''A taboo on the mention of taboo': Englishness and taciturnity in Parade's End and André Maurois' Les Silences du colonel Bramble', in Hawkes R; Chantler A (ed.), Ford Madox Ford's Parade's End: The First World War, Culture, and Modernity, Rodopi, Amsterdam, pp. 23 - 37, http://rodopi.nl/ntalpha.asp?BookId=IFMFS+13&type=coming&letter=G

Attridge J, 2014, 'Mythomaniac modernism: lying and bullshit in Flann O'Brien', in McDonald R; Murphet J (ed.), Strange Enlightenments: Flann O'Brien and Modernism, Bloomsbury, New York, pp. 27 - 40, http://www.bloomsbury.com/au/flann-obrien-modernism-9781623568757/

Attridge J, 2013, 'Eclecticism and its discontents: Les Ecrits nouveaux (1917-22) and La Revue européenne (1923-31)', in Brooker P; Bru S; Thacker A; Weikop C (ed.), The Oxford Critical and Cultural History of Modernist Magazines: Volume III: Europe 1880 - 1940, Oxford University Press, Oxford, pp. 203 - 218

Attridge J, 2013, 'Episodic trust: self, society and sociology in A la recherche du temps perdu', in Attridge J; Rosenquist R (ed.), Incredible Modernism: Literature, Trust and Deception, Ashgate, Farnham, pp. 199 - 214

Attridge J, 2013, 'Introduction: Literature, trust and deception', in Attridge J; Rosenquist R (ed.), Incredible Modernism: Literature, Trust and Deception, Ashgate, Farnham, pp. 1 - 20

Attridge J, 2010, 'Liberalism and Modernism in the Edwardian Era: New Liberals at Ford's English Review', in Harding J (ed.), Ford Madox Ford, Modernist Magazines and Editing, Rodopi, Amsterdam, pp. 169 - 184

Attridge J, 2010, 'Murray Bail', in Shaffer BW (ed.), The Encyclopedia of Twentieth-Century Fiction, Wiley-Blackwell, UK

Attridge J, 2008, ''We Will Listen to None but Specialists': Ford, the rise of specialization, and the English Review', in Gasiorek A; Moore D (ed.), Ford Madox Ford. Literary Networks and Cultural Transformations, Rodopi, Amsterdam, pp. 29 - 42

Attridge J, 2005, ''I Don't Read Novels ... I Know What's in ‘em': Impersonality, Impressionism and Responsibility in Parade’s End', in Reynier C; Ganteau J-M (ed.), Impersonality and Emotion in Twentieth-Century British Literature, Montpellier, France

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