By Dr Andrew Yip

Book Chapters

Yip A; Dredge P; Ives S; Gerard-Austin A, 2022, 'Cultural Heritage Project at Australian Nuclear Science and Technology Organisation (ANSTO)', in Handbook of Cultural Heritage Analysis, Springer, pp. 375 - 441, http://dx.doi.org/10.1007/978-3-030-60016-7_15

Kenderine S; Yip A; Oliver C; Pather N; Sammut C; Djokic T; Marcus N; Ong A, 2021, 'Designing Multi-disciplinary Interactive Virtual Environments for Next-Generation Immersive Learning Experiences: Case Studies and Future Directions in Astrobiology, Anatomy and Cultural Heritage.', in Creative and Collaborative Learning through Immersion Interdisciplinary and International Perspectives, Springer, http://dx.doi.org/10.1007/978-3-030-72216-6_4

Yip A, 2021, 'The Margel Hinder Immersive Project: Simulating Sculptural Kinetics', in Harding L; Mimmocchi D (ed.), Margel Hinder: Modern in Motion, Heide Museum of Modern Art and Art Gallery of New South Wales, Melbourne, pp. 96 - 102

Kenderdine S; Yip A; Oliver C; Pather N; Sammut C; Djokic T; Marcus N; Ong A, 2021, 'Designing Multi-disciplinary Interactive Virtual Environments for Next-Generation Immersive Learning Experiences: Case Studies and Future Directions in Astrobiology, Anatomy and Cultural Heritage', in Creative and Collaborative Learning through Immersion, Springer Nature, pp. 49 - 67, http://dx.doi.org/10.1007/978-3-030-72216-6_4

Yip A; Dredge P; Gerard-Austin A; Ives S, 2019, 'Henry VR: designing affect-oriented virtual reality exhibitions for art museums', in Lewi H; Smith WC; Vom Lehn D; Cooke S (ed.), The Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites, Routledge International Handbooks, Abingdon, Oxon ; New York, NY, pp. 345 - 352, http://dx.doi.org/10.4324/9780429506765

Yip A; Dredge P; Gerard-Austin A; Ives S, 2019, 'Henry VR: Designing affect-oriented virtual reality exhibitions for art museums', in The Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites, pp. 345 - 352, http://dx.doi.org/10.4324/9780429506765-31

Yip A; Kenderdine S, 2018, 'The Proliferation of Aura: Facsimiles, Authenticity and Digital Objects', in Drotner K; Dziekan V; Parry R; Schrøder KC (ed.), The Routledge Handbook of Museums, Media and Communication, Routledge, London, pp. 274 - 289, http://dx.doi.org/10.4324/9781315560168

Kenderdine S; Yip A, 2018, 'The proliferation of aura: Facsimiles, authenticity and digital objects', in The Routledge Handbook of Museums, Media and Communication, pp. 274 - 289, http://dx.doi.org/10.4324/9781315560168-23

De Lorenzo C, 2016, 'Bernard Smith, cultural convergence and art history', in Anderson J; Marshall C; Yip A (ed.), The Legacies of Bernard Smith: Essays on Australian Art, History and Cultural Politics, edn. 1st, Power Publications in association with Art Gallery of New South Wales, Sydney, pp. 325 - 335

Yip A, 2014, 'Brett Whiteley: The American Dream 1968-69', in Pop to Popism

Yip A, 2014, 'James Rosenquist: Silver Skies 1962', in Pop to Popism

Yip A, 2014, 'Richard Prince: Untitled (cowboy) 1980-89', in Pop to Popism

Yip A, 2014, 'Robert Indiana: The Demuth American Dream no 5 1963', in Pop to Popism

Yip A, 2014, 'Tom Wesselmann: Still Life #29 1963', in Pop to Popism

Yip A, 2011, ''Some Settled Sunlight: The Foxers in the Orient'', in Art, Love & Life Ethel Carrick and E Phillips Fox

Journal articles

Yip A; Crott E, 2020, '"Along the Wings of a Tornado": the aerial aesthetics of Frank Hurley in Palestine', Jerusalem Quarterly, pp. 10 - 22

Yip A, 2020, 'Hypermapping Conflict: War, Art and Immersive Aesthetics', Australian and New Zealand Journal of Art, 20, pp. 40 - 53, http://dx.doi.org/10.1080/14434318.2020.1764228

Yip A, 2018, 'Metascape, Memory and Spacetime: the Museum in VR', Artlink: Australian contemporary art quarterly, 38, pp. 20 - 27

Yip A, 2017, 'The Ekphrasis Engine: Towards a New Industry Architecture for Digital Art Historical Practice in the Age of the Virtual', Australian and New Zealand Journal of Art, 17, pp. 135 - 146, http://dx.doi.org/10.1080/14434318.2017.1450072

Yip A, 2017, 'The National 2017: New Australian Art', Australian and New Zealand Journal of Art, 17, pp. 256 - 260, http://dx.doi.org/10.1080/14434318.2017.1450065

Dredge P; Howard D; Morgan K; Yip A, 2017, 'Unmasking Sidney Nolan's Ned Kelly: X-ray Fluorescence Conservation Imaging, Art Historical Interpretation and Virtual Reality Visualisation', Australian and New Zealand Journal of Art, 17, pp. 147 - 161, http://dx.doi.org/10.1080/14434318.2017.1450061

Yip AS, 2017, 'Metadata and the Rhizome of Museum Practice', Artlink: Australian contemporary art quarterly, 37, pp. 34 - 39, https://www.artlink.com.au/articles/4576/metadata-and-the-rhizome-of-museum-practice/

Yip AS, 2017, 'Tatsuo Miyajima: Connect with Everything, MCA Australia | Time, Light, Japan: Japanese Art 1990s to Now, Art Gallery of NSW', Artlink: Australian contemporary art quarterly, 37, pp. 72 - 76

Yip AS, 2016, 'Virtual Reality and the Museology of Consciousness', Artlink: Australian contemporary art quarterly, 36, pp. 42 - 47, https://www.artlink.com.au/articles/4559/virtual-reality-and-the-museology-of-consciousness/

Yip A, 2016, 'Double War: Shaun Gladwell: Visual Culture and the Wars in Afghanistan and Iraq , by Kit Messham-Muir', Australian and New Zealand Journal of Art, 16, pp. 114 - 117, http://dx.doi.org/10.1080/14434318.2016.1173597

Dredge P; Ives S; Howard DL; Spiers KM; Yip A; Kenderdine S, 2015, 'Mapping Henry: Synchrotron-sourced X-ray fluorescence mapping and ultra-high-definition scanning of an early Tudor portrait of Henry VIII', Applied Physics A: Materials Science and Processing, 121, pp. 789 - 800, http://dx.doi.org/10.1007/s00339-015-9455-y

Yip AS, 2015, 'Khaled Sabsabi: Peacefender', Artlink: Australian contemporary art quarterly, 35, pp. 58 - 61

Yip A, 2014, 'First Person Shooter: Baden Pailthorpe, video games and the biopower of war', Art and Australia, 51

Yip AS, 2013, 'Gender War: Shaun Gladwell and Ben Quilty in Afghanistan', Artlink: Australian contemporary art quarterly, 33, https://www.artlink.com.au/articles/4008/gender-war-shaun-gladwell-and-ben-quilty-in-afgha/

Stephen A; Maynard M; Best S; Yip A; Jordan C; Clark J, 2013, 'Reviews', Australian and New Zealand Journal of Art, 13, pp. 168 - 189, http://dx.doi.org/10.1080/14434318.2013.11432648

Conference Papers

Yip A; Best N, 2018, 'Henry VR: the Gamification of Art and History', Melbourne Convention and Exhibition Centre, presented at Unite 2018, Melbourne Convention and Exhibition Centre, 22 October 2018 - 22 October 2018

Yip AS, 2018, 'The Ekphrasis Engine: towards a new industry architecture for digital cultural heritage research', in The Ekphrasis Engine: towards a new industry architecture for digital cultural heritage research, Ways of Seeing: critical, digital, spatial, University of South Australia, presented at Ways of Seeing: critical, digital, spatial, University of South Australia, 16 February 2018 - 16 February 2018, https://aad.unisa.edu.au/contentassets/143757bc3c334a0098b65cabb4866505/ways_of_seeing_cfa.pdf

Yip AS; Ives S, 2015, 'Mapping Henry: experimental conservation imaging and art historical attribution', in Mapping Henry: experimental conservation imaging and art historical attribution, Recasting the Question: Digital Approaches in Art History and Museums,, University of Sydney/Australian National University, presented at Recasting the Question: Digital Approaches in Art History and Museums,, University of Sydney/Australian National University, 04 November 2015 - 05 November 2015, http://sydney.edu.au/arts/art_history/about/events/?id=4101

Yip AS; Ives S, 2015, 'Who painted Henry? The hidden life of a Tudor portrait', in Who painted Henry? The hidden life of a Tudor portrait, Museums Australia National Conference 2015, Town Hall, Sydney, presented at Museums Australia National Conference 2015, Town Hall, Sydney, 01 October 2015 - 01 October 2015

Conference Presentations

Yip A, 2022, 'Teaching Immersive Design to Designers, Artists and Curators', presented at Pixel Assemblage, UNSW, Sydney, 04 November 2022 - 04 November 2022

Yip A, 2022, 'Transmedia Storytelling in Museums: Creating Virtual/Physical Environments', presented at Eyemyth, Mumbai, India, 01 March 2022 - 30 March 2023, http://eyemyth.in/

Thurow S; Del Favero D; Yip A; Crott E, 2021, 'Networked Narrative + XR: A Framework for Distributed Collections', presented at International Conference on Emerging Technologies and the Digital Transformation of Museums & Heritage Sites, Nicosia, Cyprus, 03 June 2021 - 05 June 2021, https://cyprusconferences.org/riseimet2020/

Yip A, 2020, 'Drones and Deep Mapping for Cultural Heritage Visualisation', presented at Drone Cultures: an interdisciplinary symposium, UNSW, Sydney, 08 December 2020 - 10 December 2020, https://www.dronewitnessing.com/

Yip A; Crott E, 2019, 'Palestine from the Sky in Australian Archives', presented at Palestine from Above, AM Qattan Foundation, Ramallah, Palestine, 04 December 2019 - 07 December 2019

Yip A, 2019, 'Immersive Environments for Exhibition and Collaborative Design', presented at Immersive Architecture Asia 2019, Singapore University of Technology, 17 January 2019 - 19 January 2019, https://www.im-arch.asia/

Thurow S; Yip A; Ong A, 2018, 'iDesign: New Paradigms for Collaborative and Immersive Theatre Design', presented at OzViz2018, UNSW, Sydney, 22 November 2018 - 22 November 2018, https://sites.google.com/site/ozvizworkshop/ozviz-2018

Wellington R; Yip A, 2018, 'Le Cabinet des Médailles de Versailles: vers une restitution numérique', presented at Les médailles de Louis XIV et leur livre II, Château de Versailles, Versailles, 24 May 2018 - 26 May 2018

Curatorial Outputs

Yip A; Stromqvist N; Chapman T, 2023, Undercurrents Performance Program: Art and AI Workshop, exhibited at: Penrith Regional Gallery, Sydney, 02 February 2023 - 11 March 2023, https://www.penrithregionalgallery.com.au/events/undercurrents-performance-program/

Yip A, 2018, Henry VR, exhibited at: Art Gallery of New South Wales, Sydney, 12 May 2018 - 09 September 2018, https://www.artgallery.nsw.gov.au/exhibitions/henry-vr/

Yip AS; Kenderdine S, 2016, 'Pure Land: inside the Mogao Grottoes at Dunhuang' 2012/16, Sarah Kenderdine and Jeffrey Shaw, augmented reality installation as part of 'Tang: treasures from the Silk Road capital', Art Gallery of New South Wales, exhibited at: Art Gallery of New South Wales, Sydney, 09 April 2016 - 10 July 2016, 'Pure Land: inside the Mogao Grottoes at Dunhuang' 2012/16, Sarah Kenderdine and Jeffrey Shaw, augmented reality installation as part of 'Tang: treasures from the Silk Road capital', Art Gallery of Ne, https://www.artgallery.nsw.gov.au/exhibitions/tang/

Yip AS; Jaspers A; Heathfield A, 2016, 'Hahn Rowe: Ghost Telephone', for 20th Biennale of Sydney: The future is already here - it's just not evenly distributed, Art Gallery of NSW, exhibited at: Art Gallery of NSW, Sydney, 15 March 2016 - 15 April 2016, 'Hahn Rowe: Ghost Telephone', for 20th Biennale of Sydney: The future is already here - it's just not evenly distributed, Art Gallery of NSW, https://www.biennaleofsydney.com.au/

Yip AS, 2015, 'Mad through the darkness: Australian artists and the Great War', exhibited at: Art Gallery of New South Wales, Sydney, 25 April 2015 - 27 October 2015, 'Mad through the darkness: Australian artists and the Great War', https://www.artgallery.nsw.gov.au/exhibitions/mad-through-the-darkness/

Recorded / Rendered Creative Works

Yip A; Powell A; Jacobs B; Dang E; Shorten D, 2022, Bloom, Unity 3D game engine, Published: 03 December 2022, Duration: 00:18:00, Recorded / Rendered Creative Works, https://www.penrithregionalgallery.com.au/events/undercurrents/

Yip A, 2021, Margel Hinder Immersive Project, Real time 3D engine (Unity 3D), Published: 30 January 2021, Recorded / Rendered Creative Works, https://www.artgallery.nsw.gov.au/media-office/margel-hinder/

Yip A; Dang E; Ong A, 2021, Windjammers Immersive, Unity 3D application, projected on bespoke media system, Published: 25 January 2021, Recorded / Rendered Creative Works, https://maritime.history.sa.gov.au/blog/new-immersive-exhibition-windjammers-to-open-at-the-south-australian-maritime-museum/

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