Select Publications


Brooks A; Lorange A, 2021, Homework, Discipline

Lorange A, 2014, How Reading is Written: A Brief Index to Gertrude Stein, Wesleyan University Press,

Book Chapters

Lorange A, 2021, 'The Work of Poetry', in Disney D; Hall M (ed.), New Directions in Contemporary Australian Poetry, Palgrave Macmillan, pp. 193 - 203,

Lorange A, 2012, 'The Objects Have Been Equal to the Occasion', in Butler on Whitehead: On the Occasion, Lexington Books, pp. 165 - 184

Journal articles

Lorange A, 2022, 'READING HISTORY AGAINST THE STATE SECRET: carlos soto román’s “chile project: [re-classified],” the remediated archive, and the poetics of redaction', Angelaki - Journal of the Theoretical Humanities, vol. 27, pp. 17 - 29,

Brooks A; Lorange A, 2022, 'Torrens Title: property, race and (infra)structures of feeling in the settler colony', Race and Class, pp. 030639682210986 - 030639682210986,

Brooks A; Lorange A; Grealy L, 2021, 'Everything Must Change', Infrastructural Inequalities Journal,

Brooks A; Lorange A, 2021, 'There’s a riot goin’ on', Continuum, vol. 35, pp. 123 - 136,

Brooks A; Lorange A, 2020, '22nd Biennale of Sydney, “Nirin”', Art Agenda,

Brooks A; Lorange A; Grealy L; Lea T; Cornell C, 2019, 'Tending a Social Infrastructure', Infrastructural Inequalities Journal,

Lorange A, 2019, 'Poetry, Law and the News: Re-reading the Australian Constitution', Australian Humanities Review, pp. 47 - 61,

Brooks A; Lorange A, 2019, 'no trouble here: : On Sally M. Nangala Mulda’s “Town Camp Anywhere”', Running Dog,

Brooks A; Lorange A, 2019, 'Rifles or Ruffles', The Lifted Brow, vol. 44, pp. 79 - 84,

Gregory T; Lorange A, 2018, 'Teaching Post-Pornography', Cultural Studies Review, vol. 24, pp. 137 - 149,

Lorange A; Russell FJ, 2017, 'On paranoia and conspiracy: Recent art from Western Australia', Artlink: Australian contemporary art quarterly, vol. 37, pp. 58 - 63

Lorange A; Brooks A, 2017, 'Gossip and its Minor Discourses', Discipline, vol. 4.5, pp. 35 - 50

Lorange A; Brooks A, 2017, 'Review: The National: New Australian Work', Art and Australia,

Lorange A, 2017, 'Creativity and the Lyric Address', TEXT Journal,

Lorange A, 2015, 'Review of 24 Frames Per Second', Artlink: Australian contemporary art quarterly, vol. 35,

Lorange A, 2015, 'Review: Barrett, Estelle and Bolt, Barbara, Carnal Knowledge: Towards a ‘New Materialism’ through the arts', Somatechnics, vol. 4, pp. 194 - 196,

Conference Posters

Gregory TW; Lorange A, (eds.), 2014, 'Non-directive Feedback Loop', UNSW, pp. 35 - 36, presented at Moving Feedback Forward: Innovation and Opportunity, UNSW, 09 May 2014 - 09 May 2014

Conference Presentations

Lorange A; Monin M, 2016, 'A Poetics of Computation: critical approaches to reading and writing with data', presented at Electronic Visualisation and the Arts Australasia, University of Canberra, Canberra, Australia, 05 March 2016 - 06 March 2016

Curatorial Outputs

Brooks A; Lorange A, 2020, Endless Study, Infinite Debt: Protocols for listening in (and after) social isolation, exhibited at: Online - Liquid Architecture, 26 May 2020 - 14 June 2020,

Lorange A; Brooks A; Grealy L; Cornell C; Lea T, 2018, Infrastructural Inequalities Exhibition and Public Program, exhibited at: Artspace, Woolloomooloo, 27 September 2018 - 07 October 2018,

Lorange A; O'Connor V, 2016, Hell Broth, exhibited at: Firstdraft, Woolloomooloo, 04 February 2016 - 26 February 2016, Hell Broth,

Creative Written Works

Brooks A; Lorange A; Lean T; Kilroy D, 2021, Abolition is a Verb,

Brooks A; Lorange A, 2021, Cyprien Gaillard, Julia Stoschek Collection

Lorange A, 2020, Sentences, Paragraphs, Essays, Poems, Sydney Review of Books, Sydney Review of Books,

Lorange A, 2020, Labour and Other Poems, Cordite Books,

Brooks A; Lorange A; Smith J, 2019, ‘The Comfort Zone’s the Enemy of the Spirit, Jack!’: An Interview with Uncle Jimmy Smith,

Brooks A; Lorange A; Cross D, 2019, ‘We All Live in Colonised Time’: An Interview with Dean Cross,

Brooks A; Lorange A, 2018, Autumn/Winter

Lorange A, 2018, Forging the Declaration, Sydney Review of Books, Menzies C, (ed.), Sydney Review of Books,

Brooks A; Lorange A, 2018, Warm Ties, Running Dog,

Lorange A; Clemens J, 2017, Doughnut, The Lifted Brow, The Lifted Brow,

Lorange A, 2017, Chemical Collapse, Chemical Collapse, Melick T, (ed.), Slug,

Lorange A, 2016, Reading Paintings and Poems, Blackbox Manifold,

Lorange A, 2016, On Transmission Detox, On Transmission Detox, Museum of Contemporary Art,

Lorange A; Brooks A, 2015, Techniques Against Optimism, Westpace Journal, Westspace

Lorange A, 2014, On Language as Material, On Language as Material, dasSUPERPAPER

Lorange A, 2014, Pathetic Tower, Pathetic Tower, Make Now Press


Lorange A, 2014, Embarrassment, Glitch, Poetry, Embarrassment, Glitch, Poetry, dasSUPERPAPER

Lorange A, 2013, One That Made It Alike, One That Made It Alike, Vagabond Press

Recorded / Rendered Creative Works

Brooks A; Lorange A, 2021, Ghosts, Sydney Review of Books, Sydney, Published: 09 August 2021, Recorded / Rendered Creative Works,

Lorange A; Monin M, 2016, The Living Index, The Book of Days, Sydney Writers Festival, Walsh Bay, Australia, Editor(s): Sadokierski Z, Published: 25 May 2016, Recorded / Rendered Creative Works,,com_2015/Itemid,416/agid,4716/task,view_detail/

Lorange A; Monin M, 2015, Affective Citations, Liquid Architecture, Firstdraft, Woolloomooloo, Australia, Published: 02 October 2015, Recorded / Rendered Creative Works

Creative Works (non-textual)

Lorange A; Brooks A, 2021, Supply Chain, Supply Chain, Bus Projects, 22 June 2021 - 17 July 2021, at:

Lorange A; Brooks A, 2019, Endless Study, Infinite Debt: Occasional Gifts, Shapeshifters: New Forms of Curatorial Research, Monash Art, Design & Architecture Gallery, 13 March 2019 - 14 March 2019, at:

Brooks A; Lorange A, 2018, Camel Coat, Camel Coat, Firstdraft, 02 May 2018 - 25 May 2018, at:

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