Select Publications
Books
2021, Homework, Discipline
,2014, How Reading is Written: A Brief Index to Gertrude Stein, Wesleyan University Press, http://www.upne.com/0819575111.html
,Book Chapters
2024, 'The Sound a Sentence Makes: On Poetry, Judgement, and Hearing', in Groth H; Murphet J (ed.), The Edinburgh Companion to Literature and Sound Studies, Edinburgh University Press, pp. 19 - 31, http://dx.doi.org/10.1515/9781399502313-003
,2023, ''If I write a Love poem it's against the police': The Abolitionist Poetics of the Riot', in Writing the Global Riot Literature in a Time of Crisis, Oxford University Press, http://dx.doi.org/10.1093/oso/9780192862594.003.0011
,2021, 'The Work of Poetry', in Disney D; Hall M (ed.), New Directions in Contemporary Australian Poetry, Palgrave Macmillan, pp. 193 - 203, http://dx.doi.org/10.1007/978-3-030-76287-2_16
,2012, 'The Objects Have Been Equal to the Occasion', in Butler on Whitehead: On the Occasion, Lexington Books, pp. 165 - 184
,Journal articles
2024, '“Extraordinary powers for extraordinary times”: A conjunctural analysis of pandemic policing, common sense, and the abolitionist horizon', Crime, Media, Culture, 20, pp. 312 - 332, http://dx.doi.org/10.1177/17416590231205901
,2022, 'Endless Study, Infinite Debt: On study inside and outside the university classroom', Critical Studies in Teaching and Learning, 10, http://dx.doi.org/10.14426/cristal.v10iSI.516
,2022, 'Torrens Title: property, race and (infra)structures of feeling in the settler colony', Race and Class, 64, pp. 63 - 83, http://dx.doi.org/10.1177/03063968221098623
,2022, 'READING HISTORY AGAINST THE STATE SECRET: carlos soto román’s “chile project: [re-classified],” the remediated archive, and the poetics of redaction', Angelaki - Journal of the Theoretical Humanities, 27, pp. 17 - 29, http://dx.doi.org/10.1080/0969725X.2022.2046356
,, 2022, 'Endless Study, Infinite Debt: On study inside and outside the university classroom', Critical Studies in Teaching and Learning, 10, http://dx.doi.org/10.14426/cristal.v10isi.1781
2021, 'Everything Must Change', Infrastructural Inequalities Journal, https://infrastructuralinequalities.net/issue-2/everything-must-change/
,2021, 'There’s a riot goin’ on', Continuum, 35, pp. 123 - 136, http://dx.doi.org/10.1080/10304312.2021.1879020
,2020, '22nd Biennale of Sydney, “Nirin”', Art Agenda, https://www.art-agenda.com/features/328963/22nd-biennale-of-sydney-nirin
,2019, 'Tending a Social Infrastructure', Infrastructural Inequalities Journal, https://infrastructuralinequalities.net/issue-1/introduction/
,2019, 'Poetry, Law and the News: Re-reading the Australian Constitution', Australian Humanities Review, pp. 47 - 61, http://australianhumanitiesreview.org/2019/05/27/poetry-law-and-the-news-re-reading-the-australian-constitution/
,2019, 'no trouble here: : On Sally M. Nangala Mulda’s “Town Camp Anywhere”', Running Dog, https://rundog.art/no-trouble-here-sally-m-nangala-mulda/
,2019, 'Rifles or Ruffles', The Lifted Brow, 44, pp. 79 - 84, https://www.theliftedbrow.com/liftedbrow/2019/11/29/ruffles-or-rifles-by-astrid-lorange-and-andrew-brooks
,2018, 'Teaching Post-Pornography', Cultural Studies Review, 24, pp. 137 - 149, http://dx.doi.org/10.5130/csr.v24i1.5303
,2017, 'On paranoia and conspiracy: Recent art from Western Australia', Artlink: Australian contemporary art quarterly, 37, pp. 58 - 63
,2017, 'Gossip and its Minor Discourses', Discipline, 4.5, pp. 35 - 50
,2017, 'Review: The National: New Australian Work', Art and Australia, http://www.artandaustralia.com/online/discursions/national-new-australian-art
,2017, 'Creativity and the Lyric Address', TEXT Journal, http://www.textjournal.com.au/speciss/issue40/Lorange.pdf
,2015, 'Review of 24 Frames Per Second', Artlink: Australian contemporary art quarterly, 35, https://www.artlink.com.au/articles/4372/24-frames-per-second/
,2015, 'Review: Barrett, Estelle and Bolt, Barbara, Carnal Knowledge: Towards a ‘New Materialism’ through the arts', Somatechnics, 4, pp. 194 - 196, http://dx.doi.org/10.3366/soma.2014.0123
,Conference Posters
(eds.), 2014, 'Non-directive Feedback Loop', UNSW, pp. 35 - 36, presented at Moving Feedback Forward: Innovation and Opportunity, UNSW, 09 May 2014 - 09 May 2014
,Conference Presentations
2016, 'A Poetics of Computation: critical approaches to reading and writing with data', presented at Electronic Visualisation and the Arts Australasia, University of Canberra, Canberra, Australia, 05 March 2016 - 06 March 2016
,Curatorial Outputs
2020, Endless Study, Infinite Debt: Protocols for listening in (and after) social isolation, exhibited at: Online - Liquid Architecture, 26 May 2020 - 14 June 2020, https://snacksyndicate.net/protocols/
,2018, Infrastructural Inequalities Exhibition and Public Program, exhibited at: Artspace, Woolloomooloo, 27 September 2018 - 07 October 2018, https://www.artspace.org.au/program/public-programs/2018/infrastructural-inequalities-public-program/
,2016, Hell Broth, exhibited at: Firstdraft, Woolloomooloo, 04 February 2016 - 26 February 2016, http://firstdraft.org.au/exhibitions/hellbroth/
,Creative Written Works
2021, Abolition is a Verb, https://infrastructuralinequalities.net/issue-2/abolition-is-a-verb/
,2021, Cyprien Gaillard, Julia Stoschek Collection
,2020, Sentences, Paragraphs, Essays, Poems, Sydney Review of Books, https://sydneyreviewofbooks.com/review/diana-hamilton-trisha-low/
,2020, Labour and Other Poems, Cordite Books, https://corditebooks.org.au/products/labour-and-other-poems
,2019, ‘The Comfort Zone’s the Enemy of the Spirit, Jack!’: An Interview with Uncle Jimmy Smith, https://infrastructuralinequalities.net/issue-1/the-comfort-zones-the-enemy-of-the-spirit-jack-an-interview-with-uncle-jimmy-smith/
,2019, ‘We All Live in Colonised Time’: An Interview with Dean Cross, https://infrastructuralinequalities.net/issue-1/we-all-live-in-colonised-time-an-interview-with-dean-cross/
,2018, Autumn/Winter
,2018, Forging the Declaration, Sydney Review of Books, Menzies C, (ed.), Sydney Review of Books, https://sydneyreviewofbooks.com/forging-the-declaration-vincent-namatjira/
,2018, Warm Ties, Running Dog, https://rundog.art/warm-ties-helen-johnson/
,2017, Doughnut, The Lifted Brow, The Lifted Brow, https://www.theliftedbrow.com/liftedbrow/2018/2/4/doughnut-by-justin-clemens-astrid-lorange
,2017, Chemical Collapse, Melick T, (ed.), Slug, http://www.slug.directory/1-chemical-collapse-astrid-lorange/
,2016, Reading Paintings and Poems, http://www.manifold.group.shef.ac.uk/issue16/AstridLorangeEssayBM16.pdf
,2016, On Transmission Detox, Museum of Contemporary Art, https://www.mca.com.au/artists-and-works/artist-commissions/marian-tubbs-transmission-detox-2015/transmission-detox-astrid-lorange/
,2015, Techniques Against Optimism, Westpace Journal, Westspace
,2014, On Language as Material, dasSUPERPAPER
,2014, Pathetic Tower, Make Now Press
,2014, FOOD TURNS INTO BLOOD, Gauss-PDF
,2014, Embarrassment, Glitch, Poetry, dasSUPERPAPER
,2013, One That Made It Alike, Vagabond Press
,Recorded / Rendered Creative Works
2021, Ghosts, Sydney Review of Books, Sydney, Published: 09 August 2021, Recorded / Rendered Creative Works, https://sydneyreviewofbooks.com/essay/snack-syndicate-ghosts/
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