By Dr Astrid Lorange

Journal articles

Brooks A; Lorange A, 2024, '“Extraordinary powers for extraordinary times”: A conjunctural analysis of pandemic policing, common sense, and the abolitionist horizon', Crime, Media, Culture, 20, pp. 312 - 332, http://dx.doi.org/10.1177/17416590231205901

Lorange A; Brooks A, 2022, 'Endless Study, Infinite Debt: On study inside and outside the university classroom', Critical Studies in Teaching and Learning, 10, http://dx.doi.org/10.14426/cristal.v10iSI.516

Brooks A; Lorange A, 2022, 'Torrens Title: property, race and (infra)structures of feeling in the settler colony', Race and Class, 64, pp. 63 - 83, http://dx.doi.org/10.1177/03063968221098623

Lorange A, 2022, 'READING HISTORY AGAINST THE STATE SECRET: carlos soto román’s “chile project: [re-classified],” the remediated archive, and the poetics of redaction', Angelaki - Journal of the Theoretical Humanities, 27, pp. 17 - 29, http://dx.doi.org/10.1080/0969725X.2022.2046356

, 2022, 'Endless Study, Infinite Debt: On study inside and outside the university classroom', Critical Studies in Teaching and Learning, 10, http://dx.doi.org/10.14426/cristal.v10isi.1781

Brooks A; Lorange A; Grealy L, 2021, 'Everything Must Change', Infrastructural Inequalities Journal, https://infrastructuralinequalities.net/issue-2/everything-must-change/

Brooks A; Lorange A, 2021, 'There’s a riot goin’ on', Continuum, 35, pp. 123 - 136, http://dx.doi.org/10.1080/10304312.2021.1879020

Brooks A; Lorange A, 2020, '22nd Biennale of Sydney, “Nirin”', Art Agenda, https://www.art-agenda.com/features/328963/22nd-biennale-of-sydney-nirin

Brooks A; Lorange A; Grealy L; Lea T; Cornell C, 2019, 'Tending a Social Infrastructure', Infrastructural Inequalities Journal, https://infrastructuralinequalities.net/issue-1/introduction/

Lorange A, 2019, 'Poetry, Law and the News: Re-reading the Australian Constitution', Australian Humanities Review, pp. 47 - 61, http://australianhumanitiesreview.org/2019/05/27/poetry-law-and-the-news-re-reading-the-australian-constitution/

Brooks A; Lorange A, 2019, 'no trouble here: : On Sally M. Nangala Mulda’s “Town Camp Anywhere”', Running Dog, https://rundog.art/no-trouble-here-sally-m-nangala-mulda/

Brooks A; Lorange A, 2019, 'Rifles or Ruffles', The Lifted Brow, 44, pp. 79 - 84, https://www.theliftedbrow.com/liftedbrow/2019/11/29/ruffles-or-rifles-by-astrid-lorange-and-andrew-brooks

Gregory T; Lorange A, 2018, 'Teaching Post-Pornography', Cultural Studies Review, 24, pp. 137 - 149, http://dx.doi.org/10.5130/csr.v24i1.5303

Lorange A; Russell FJ, 2017, 'On paranoia and conspiracy: Recent art from Western Australia', Artlink: Australian contemporary art quarterly, 37, pp. 58 - 63

Lorange A; Brooks A, 2017, 'Gossip and its Minor Discourses', Discipline, 4.5, pp. 35 - 50

Lorange A; Brooks A, 2017, 'Review: The National: New Australian Work', Art and Australia, http://www.artandaustralia.com/online/discursions/national-new-australian-art

Lorange A, 2017, 'Creativity and the Lyric Address', TEXT Journal, http://www.textjournal.com.au/speciss/issue40/Lorange.pdf

Lorange A, 2015, 'Review of 24 Frames Per Second', Artlink: Australian contemporary art quarterly, 35, https://www.artlink.com.au/articles/4372/24-frames-per-second/

Lorange A, 2015, 'Review: Barrett, Estelle and Bolt, Barbara, Carnal Knowledge: Towards a ‘New Materialism’ through the arts', Somatechnics, 4, pp. 194 - 196, http://dx.doi.org/10.3366/soma.2014.0123

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