Select Publications
Books
2017, The Museum of Dissensus: Erasure and Memory, Corbet D, (ed.), Sydney College of the Arts, The University of Sydney, Rozelle, N.S.W, https://sydney.primo.exlibrisgroup.com/permalink/61USYD_INST/1c0ug48/alma991001314549705106
,2014, South: Contemporary Art from Australia, Mexico and South Africa, Corbet D, (ed.), Hazelhurst Regional Gallery and Arts Centre, Gymea, N.S.W
,Book Chapters
2019, 'Decolonising the Exhibitionary Complex: Perspectives on Australian and Latin American art, geopolitics and translocal practice in the Global Contemporary', in Peñaloza F; Walsh S (ed.), Mapping South-South Connections: Australia and Latin America, Springer International Publishing : Imprint: Palgrave Macmillan, Cham, Switzerland, pp. 25 - 57, http://dx.doi.org/10.1007/978-3-319-78577-6
,Journal articles
2012, 'The Artist is Absent: Reactivation: The 9th Shanghai Biennale', Art Monthly Australia, pp. 29 - 31, http://search.proquest.com/docview/1152087897/
,2012, 'Things made and not made – Documenta 13', Art Monthly Australia, pp. 5 - 9
,Theses / Dissertations
2019, Trans*localities and Frontier Zones – Place, identity and exhibition-making in the era of the Global Contemporary, The University of Sydney
,Creative Written Works
2019, Power and Dissensus, Permanent Recession – A Handbook on Art, Labour and Circumstance, Goodwin C, (ed.), Onomatopee, https://www.onomatopee.net/exhibition/permanent-recession/#publication_9873
,2019, Adventures in Biennale-land: thoughts on the Adelaide Biennial of Australian Art; NGV Triennial and the 21st Biennale of Sydney, Eyeline Contemporary Visual Arts, Follent S, (ed.), Eyeline Publishing, https://www.eyelinepublishing.com/issue/eyeline-90
,2019, War Requiem: Reflections on conflict and memorialisation, Eyeline Contemporary Visual Arts, Follent S, (ed.), Eyeline Publishing, https://www.eyelinepublishing.com/issue/eyeline-91
,2018, Unlearning from Europe: Notes on Documenta 14, Eyeline Contemporary Visual Arts, Follent S, (ed.), Eyeline Publishing, https://www.eyelinepublishing.com/issue/eyeline-88
,2018, Personal, Political, Public: Reflections on difference, diversity and representation in the era of the Global Contemporary, Eyeline Contemporary Visual Arts, Follent S, (ed.), Eyeline Publishing, https://www.eyelinepublishing.com/issue/eyeline-89
,2017, Anxiousness: thoughts on The National – New Australian Art, Eyeline Contemporary Visual Arts, Follent S, (ed.), Eyeline Publishing
,2017, In the shadow of the wall: Reflections on The Jerusalem Show VIII – Before and After Origins, Broadsheet Journal, Were W, (ed.), CACSA - Contemporary Art centre of South Australia (Ace Open), https://issuu.com/cacsabroadsheet/docs/broadsheet_46.1
,2017, Sea of Longing: Qalandiya International 2016 – This Sea is Mine, Eyeline Contemporary Visual Arts, Follent S, (ed.), Eyeline Publishing, https://www.eyelinepublishing.com/issue/eyeline-86
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