Select Publications
Books
2018, Footprints of the Dance: An Early Seventeenth-Century Dance Master's Notebook, Brill, Leiden, http://dx.doi.org/10.1163/9789004377738
,2008, Dance, Spectacle, and the Body Politick, 1250 - 1750, Nevile J, (ed.), Indiana University Press, Bloomington & Indianapolis
,2004, The Eloquent Body: Dance and Humanist Culture in Fifteenth-Century Italy, Indiana University Press, Bloomington, Indiana, USA
,Book Chapters
2023, 'Dance as a Physical Expression of Music in the Fifteenth and Early Sixteenth Centuries. Sources, Context, and Performance Practice', in Cazaux C; Papiro M; Pavanello A (ed.), Tanz und Musik . Perspektiven fur die Historische Musikpraxis, Schwabe Verlag, Basel, pp. 61 - 81, http://dx.doi.org/10.24894/978-3-7965-4973-1
,2022, 'Dance', in Griffey E (ed.), Early Modern Court Culture, Routledge, London and New York, pp. 478 - 493, http://dx.doi.org/10.4324/9780429277986-37
,2019, 'Baroque Dance', in Lyons JD (ed.), The Oxford Handbook of the Baroque, Oxford University Press, New York, pp. 264 - 285, http://dx.doi.org/10.1093/oxfordhb/9780190678449.001.0001
,2019, 'Introduction to Part I: Dance in Shakespeare's England and its European Context', in McCulloch L; Shaw B (ed.), The Oxford Handbook of Shakespeare and Dance, Oxford University Press, New York, pp. 13 - 19, https://global.oup.com/academic/product/the-oxford-handbook-of-shakespeare-and-dance-9780190498788?cc=au&lang=en&
,2019, 'Music and Dance', in Lynch A; Broomhall S (ed.), A Cultural History of the Emotions in the Late-Medieval, Reformation, and Renaissance Age, Bloomsbury Academic, London, pp. 49 - 67, https://www.bloomsbury.com/uk/a-cultural-history-of-the-emotions-9781472515063/
,2017, 'Performer-Audience Relationships in Fifteenth-and-Sixteenth-Century Danced Spectacles', in Butterworth P; Normington K (ed.), Medieval Theatre Performance: Actors, Dancers, Automata and Their Audiences, Boydell & Brewer, Woodbridge, Suffolk, pp. 123 - 140
,2015, 'Musik, Tanz und Theater', in Die Musik in der Kultur der Renaissance. Kontexte, Disziplinen, Diskurse, Laaber Verlag, Germany, pp. 337 - 361
,2013, 'Dance', in King M (ed.), Oxford Bibliographies. Renaissance and Reformation, Oxford University Press, New York, http://dx.doi.org/10.1093/OBO/9780195399301-0075
,2011, 'Dance and Identity in Fifteenth-Century Europe', in Buckley A; Cyrus CJ (ed.), Music, Dance, and Society. Medieval and Renaissance Studies in Memory of Ingrid G. Brainard, Medieval Institute Publications, Kalamazoo, Michigan, pp. 231 - 248
,2009, 'A Measure of Moral Virtue: Women, Dancing and Public Performance in Fifteenth-Century Italy', in Epp M; Power BE (ed.), The Sounds and Sights of Performance in Early Music. Essays in Honour of Timothy J. McGee, Ashgate, Farnham, UK, pp. 197 - 209
,2008, 'Dance and Society in Quattrocento Italy', in Nevile J (ed.), Dance, Spectacle, and the Body Politick, 1250 - 1750, Indiana University Press, Bloomington & Indianapolis, pp. 80 - 92
,2008, 'Dance in Europe 1250 - 1750', in Nevile J (ed.), Dance, Spectacle, and the Body Politick, 1250 - 1750, Indiana University Press, Bloomington & Indianapolis, pp. 7 - 64
,2008, 'Dance Performances in the Middle Ages: A Contested Space', in Gertsman E (ed.), Visualizing Medieval Performance: Perspectives, Histories, Contexts, Ashgate, Aldershot, pp. 295 - 310
,2008, 'Order, Proportion, and Geometric Forms: The Cosmic Structure of Dance, Grand Gardens, and Architecture during the Renaissance', in Nevile J (ed.), Dance, Spectacle, and the Body Politick, 1250 - 1750, Indiana University Press, Bloomington & Indianapolis, pp. 295 - 311
,2008, 'The Relationship between Dance and Music in Fifteenth-Century Italian Dance Practice', in Nevile J (ed.), Dance, Spectacle, and the Body Politick, 1250 - 1750, Indiana University Press, Bloomington & Indianapolis, pp. 155 - 165
,2007, 'The early dance manuals and the structure of ballet: A basis for Italian, French and English ballet', in The Cambridge Companion to Ballet, pp. 7 - 18, http://dx.doi.org/10.1017/CCOL9780521832212.003
,2007, 'Dance and Time in Fifteenth- Century Italy', in Lloyd Jones J (ed.), Art and Time, Australian Scholarly Publishing, Melbourne, pp. 299 - 313
,2007, 'The early dance manuals and the structure of ballet: a basis for Italian, French and English ballet', in Kant M (ed.), The Cambridge Companion to Ballet, Cambridge University Press, USA, pp. 9 - 18
,2003, 'Disorder in order: Imrpovisation in Italian Coreographed Dances of the Fifteenth and Sixteenth Centuries', in McGee TJ (ed.), Improvisation in the Arts of the Middle Ages and Renaissance, Medieval Institute Publications, Kalamazoo, Michigan, pp. 145 - 169
,Journal articles
2022, 'Dance Lessons, Mirrors and Minuets: Martin Engelbrecht’s Engraving Das Tantzen / La Danse', Dance Research, 40, pp. 206 - 226, http://dx.doi.org/10.3366/drs.2022.0369
,2022, 'Margaret as Dance Scholar and Friend', Dance Research, 40, pp. 237 - 240, http://dx.doi.org/10.3366/drs.2022.0372
,2022, '‘I had to fight with the painters, master carpenters, actors, musicians and the dancers’: Rehearsals, performance problems and audience reaction in Renaissance spectacles’', NEMA Newsletter, 6, pp. 7 - 25
,2015, 'Decorum and desire: Dance in renaissance Europe and the maturation of a discipline', Renaissance Quarterly, 68, pp. 597 - 612, http://dx.doi.org/10.1086/682438
,2012, 'Choreography and Meaning in Early Modern Danced Spectacles: A Catalyst for Discussion', Historical Dance, 4, pp. 29 - 33
,2012, 'Learning the Bassadanza from a Wolf: Andrea Calmo and Dance', Dance Research, 30, pp. 80 - 97, http://dx.doi.org/10.3366/drs.2012.0035
,2011, 'Dance rehearsal practices in early modern court spectacles', Parergon, 28, pp. 135 - 153, http://dx.doi.org/10.1353/pgn.2011.0023
,2009, ''These bookes, as I heare, are all cawled in': Dance and Choreographic Records from the Stuart Masques', Early Theatre: a journal associated with the Records of Early English Drama, 12, pp. 51 - 68
,2007, '`Rules for Design`: Beauty and Grace in Caroso`s Choreographies', Dance Research : the journal of the Society for Dance Research, 25, pp. 107 - 118
,2000, 'Dance Patterns of the Early Seventeenth Century: The Stockholm Manuscript and Le Ballet de Monseigneur de Vendsome', Dance Research : the journal of the Society for Dance Research, 18, pp. 186 - 203
,1999, 'Cavalieri`s theatrical Ballo and the social dances of Caroso and Negri.', Dance Chronicle, 22, pp. 119 - 134
,1999, 'Dance and the garden: moving and static choreography in renaissance Europe.', Renaissance Quarterly, 52, pp. 805 - 836
,1999, 'Dance Steps and Music in the Gresley Manuscript', Historical Dance, 3, pp. 2 - 19
,1998, 'Dance in early Tudor England: An Italian connection?', Early Music, 26, pp. 231 - 244, http://dx.doi.org/10.1093/em/26.2.230
,1998, 'Cavalieri`s theatrical `Ballo` `O che nuovo miracolo`: A reconstruction', Dance Chronicle, 21, pp. 353 - 388
,1993, 'The Performance of Fifteenth-Century Italian Balli: Evidence from the Pythagorean Ratios', Performance Practice Review, 6, pp. 116 - 128
,1993, 'The Platonic Theory of Ethos in Fifteenth-Century Italian Court Dance', Literature and Aesthetics, 3, pp. 42 - 54
,1991, '`Certain Sweet Movements': the development of the Concept of Grace in 15th-Century Italian Dance and Painting', Dance Research, 9, pp. 3 - 12
,Other
2014, 'Dance: Medieval and early Renaissance' in Oxford Music Online – Grove Music Online, Oxford University Press, New York, http://www.oxfordmusiconline.com/subscriber/article/grove/music/45795
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