Researcher

Keywords

Fields of Research (FoR)

Design history, theory and criticism, European history (excl. British, classical Greek and Roman), Cultural studies, Visual cultures

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Biography

I am a historian of modern Eastern Europe. My research focuses on the material cultures of state socialism, considering their industrial, political, and social dimensions during the Cold War. More broadly, I am interested in how things are mobilized in service of politics and intercultural exchanges and the role of state bureaucrats, designers, and architects in these processes.

I joined UNSW in 2019 to develop a comprehensive program in...view more

I am a historian of modern Eastern Europe. My research focuses on the material cultures of state socialism, considering their industrial, political, and social dimensions during the Cold War. More broadly, I am interested in how things are mobilized in service of politics and intercultural exchanges and the role of state bureaucrats, designers, and architects in these processes.

I joined UNSW in 2019 to develop a comprehensive program in design history and theory that introduces students to objects and ideas as outcomes of broader cultural, social, and economic processes. 

I am currently finalizing the manuscript of my first book, entitled Socialist by Design. Modern Things and Cultural Diplomacy of Cold War Poland. Based on extensive archival research into socialist Poland’s cultural, industrial, and commercial records, Socialist by Design explores the communist government’s interest in material things. It tells the story of how modern goods became an unexpected center point for Poland’s diplomacy between the late 1940s and mid-1970s. At stake was not solely an aesthetic undertaking or a commercial venture but a more comprehensive political project of alternative modernity.

My second book-length project, tentatively titled Coal Nations and Carbon Cultures, is the cultural history of coal in Poland. The project conceptualizes coal as a culturally constructed good and examines it from the perspective of international trade fairs, where the messy materiality of fossil fuels was translated into a sanitized representation of the nation.

In 2023, I was a Visiting Fellow at Stanford University, The Stanford Center for Russian, East European and Eurasian Studies. In the academic year 2025/26, I will be a Fellow at the Centre for Advanced Study at the Norwegian Academy of Science and Letters, Oslo, Norway. 

 


My Grants

UNSW The Associate Dean of Research Philanthropic grant, 2021 UNSW Faculty Research Grant, 2019 Design History Society research and conference grants, 2018, 2016, 2015 and 2012 Arts and Humanities Research Council grant for the doctoral research, 2015–17 Student Travel and Research (STAR) Grants, St Antony’s College, 2018 and 2016 The Centre for East European Language-Based Area Studies Internship grant, the National Museum, Warsaw, 2015 Oxford Noble Foundation scholarship, 2014 Polish Culture around the World grant, The Adam Mickiewicz Institute, 2014 and 2012 Polish Ministry of Culture and National Heritage Scholarship, 2012


My Qualifications

University of Oxford, DPhil History, 2019

Kingston University & Design Museum, MA Curating Contemporary Design, 2010

University of Łódź, Poland, MA History of Art, 2008

Associate Fellow of The Higher Education Academy (UK), 2017


My Research Supervision


Supervision keywords


Areas of supervision

I am available for supervision and welcome applications from BA(Hons), MA and PhD candidates interested in Central Eastern European history, design history, Cold War and exhibitions histories and museum studies.  

 


Currently supervising

Julie Gai Oliver, ‘Colonial jewelry displayed in museums and galleries in NSW, Victoria, South Australia and Tasmania.’ PhD Art, Design and Media, Part-Time, since February 2022 (with Z. Veness)

Teresa Hunter Hicks, 'Labor, Collaboration, and Collectivity in Redback Graphix, Inhibodress, Group Material, and Gran Fury (1978-1996).' Ph.D. in Art, Design and Media, Part-Time, 2020 (with V. Tello and D. Baker-Smith)


My Engagement

My scholarly interest in design diplomacy has developed in parallel to my curatorial practice. Over the last fifteen years, I collaborated on exhibition projects and public programming with design industry partners, governmental bodies and cultural institutions. I developed thematic exhibitions and temporary displays for the London Design Festival, Milan Design Week, Istanbul Design Week and Victoria and Albert Museum, London. In 2018 I curated Back to Front: Polish Exhibitions on Show, an exhibition for the Triennale Design Museum in Milan that recontextualised historical material to make it relevant for contemporary audiences. 

 


My Teaching

National Design Histories, BA DDES1200

Global Design Discourses, BA DDES1201

Positions in Design, BA DDES2200

Making of Design Culture, BA DDES3200

Design History and theory, MA SAHT9143

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Location

UNSW Art &Design
Arts, Design & Architecture
Office F218F
Paddington Campus
Crn Oxford Street & Greens Road
Sydney NSW 2021