By Dr Lisa Trahair

Journal articles

Trahair L, 2016, 'Anywhere or Not at All: Philosophy of Contemporary Art', CRITICAL INQUIRY, 42, pp. 415 - 416, http://dx.doi.org/10.1086/684384

Trahair L, 2016, 'Belief in this world: The dardenne brothers' the son and Søren Kierkegaard's fear and trembling', Sub-Stance, 45, pp. 98 - 119, http://dx.doi.org/10.3368/ss.45.3.98

Sinnerbrink R; Trahair L, 2016, 'Film and/as ethics', Sub-Stance, 45, pp. 3 - 15, http://dx.doi.org/10.3368/ss.45.3.3

Sinnerbrink R; Trahair L, 2016, 'Introduction: Film and / as Ethics', SubStance, 45, pp. 3 - 15, http://dx.doi.org/10.1353/sub.2016.0025

Trahair L, 2014, 'Being on the Outside: Cinematic Automatism in Stanley Cavell's The World Viewed', Film-Philosophy, 18, pp. 128 - 146, http://dx.doi.org/10.3366/film.2014.0009

Trahair LM, 2014, 'Being on the Outside: Cinematic Automatism in Stanley Cavell’s The World Viewed', Film-Philosophy, 18, pp. 128 - 146, http://www.film-philosophy.com/index.php/f-p/article/view/1034

Trahair LM; Sinnerbrink R, 2013, 'Editorial Introduction: Thinking cinematically before Deleuze', Screening the Past

Trahair LM, 2013, 'Serious Film: Cavell, Automatism and Michael Haneke’s Caché', Screening the Past, http://www.screeningthepast.com/

Trahair LM, 2012, 'Belief in Cinema: Jean-Luc Godard's Je vous salue, Marie and the Pedagogy of Images', Angelaki, 17, pp. 193 - 207

During LJ; Trahair LM, 2012, 'Editorial Introduction: Belief in Cinema: Revisiting themes from Bazin', Angelaki - Journal of the Theoretical Humanities, 17, pp. 1 - 8, http://dx.doi.org/10.1080/0969725X.2012.747326

Trahair LM, 2009, 'Dialektika rövidre zárva: elbeszélés és burleszk Buster Keaton mozijában', Apertúra

Dawkins R, 2006, '18 * Film Theory', The Year's Work in Critical and Cultural Theory, 14, pp. 311 - 335, http://dx.doi.org/10.1093/ywcct/mbl018

Dawkins RH; Ford HC; Trahair LM, 2006, 'Film Theory', Year S Work In Critical and Cultural Theory, 14, pp. 311 - 335

Trahair LM, 2005, 'Figural vision: Freud, Lyotard and early cinematic comedy', Screen, 46, pp. 175 - 193

Trahair LM, 2004, 'Comedy and Beyond: on Geoff King`s Film Comedy', Film-Philosophy, 8, pp. On-line

Trahair LM, 2004, 'The narrative machine: Buster Keaton`s cinematic comedy, Deleuze`s recursion function and the operational aesthetic', Senses of Cinema, 33, pp. on-line journal

Trahair LM, 2003, 'Senses of Visuality: Sardines, Surveillance and Cinema', Theory and Event, 7

Trahair LM, 2002, 'A taste for murder: aesthetics in the Silence of the Lambs', New Formations, 47, pp. 155 - 170

Trahair LM, 2002, 'Short-circuiting the dialectic: narrative and slapstick in the cinema of Buster Keaton.', Narrative, 10, pp. 307 - 325

Trahair LM, 2002, 'The ghost in the machine: the comedy of technology in the cinema of Buster Keaton', The South Atlantic Quarterly, 101, pp. 573 - 588

Trahair LM, 2001, 'The comedy of philosophy Bataille. Hegel and Derrida', Angelaki - Journal of the Theoretical Humanities, 6, pp. 155 - 169

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