Select Publications
Book Chapters
2022, ''Valentin, Brecht and Comic Inelasticity: Ridiculing Rigidity as an Impediment to Social Change'', in Gray J; Trahair L (ed.), 'Second Nature: Comic Performance and Philosophy', Rowman & Littlefield, London, pp. 89 - 112, https://rowman.com/ISBN/9781786615091/Second-Nature-Comic-Performance-and-Philosophy
,2021, '"Models for Epic Theater from the Munich Years: Wedekind and Valentin"', in Brockmann S (ed.), Bertolt Brecht in Context, Cambridge University Press, Cambridge, pp. 26 - 33, http://dx.doi.org/10.1017/9781108608800
,2018, '"Brecht's Perspectives, Then and Now: Class, Gender and the Social Stakes of Performance"', in Barnett D; Shepherd S (ed.), "The Great European Stage Directors", vol. 2 on Meyerhold, Piscator, Brecht, Methuen Drama, Bloomsbury Publishing, London and New York, pp. 157 - 181
,2015, ''"100% City" and Popular Factual Television: A New Game Plan for Managing Proximity to People?'', in Birgfeld J; Garde U; Mumford M (ed.), 'Rimini Protokoll Close-Up: Lektüren', Wehrhahn Verlag, Hannover, pp. 278 - 301
,2015, ''Introduction: Diverse and Close-Up Navigations of Rimini Protokoll's Theatre'', in 'Rimini Protokoll Close-Up: Lektüren', Wehrhahn Verlag, Hannover, pp. ix - xxv
,2015, '‘Panel Discussion "100% Melbourne": Contemporary Documentary Performance that Puts “Real Melbournians” on the Stage’', in Mumford M (ed.), 'Rimini Protokoll Close-Up: Lektüren', Wehrhahn Verlag, Hannover, pp. 302 - 317
,2014, ''Towards Transculturality in Reality Theatre from Berlin and Sydney: A Study of the Nomad in Rimini Protokoll's "Cargo Sofia-X" and the 'Spiritual Medium' in "Fast Cars and Tractor Engines" by Urban Theatre Projects'', in Corkhill A; Lewis A (ed.), Intercultural Encounters in German Studies, Röhrig, St. Ingbert, pp. 181 - 196, http://www.roehrig-verlag.de/print_product_info.php?products_id=55652
,2013, ''Postdramatic Reality Theatre and Productive Insecurity: Destabilising Encounters with the Unfamiliar in Theatre from Sydney and Berlin'', in Carroll J; Professor SG; Jürs-Munby K (ed.), Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance, A&C Black, London, pp. 147 - 164
,2013, 'Film review: 'The Threepenny Opera'', in Langford M (ed.), 'Directory of World Cinema: Germany 2', Intellect, Bristol, pp. 210 - 212
,2011, 'Fluid Collectives of Friendly Strangers: The Creative Politics of Difference in the Reality Theatre of Rimini Protokoll and Urban Theatre Projects', in Fischer G; Vassen F (ed.), Collective creativity : collaborative work in the sciences, literature and the arts, Rodopi, Amsterdam, pp. 329 - 343
,2010, ''"Aftershocks": Voices from a Shaken Community'', in Brown P (ed.), Verbatim: Staging Memory and Community, Currency Press, Strawberry Hills, Sydney, pp. 37 - 48
,2010, 'A Short History of Verbatim Theatre', in Brown P (ed.), Verbatim: Staging Memory and Community, Currency Press, Strawberry Hills, NSW, pp. 9 - 17
,2003, 'Encyclopedia entry: 'Illusion'', in Kennedy D (ed.), The Oxford Encyclopedia of Theatre & Performance, Oxford University Press, Oxford New York, pp. 617
,2003, 'Encyclopedia entry: Agitprop', in Kennedy D (ed.), The Oxford Encyclopedia of Theatre & Performance, Oxford University Press, Oxford New York, pp. 38
,2003, 'Encylopedia entry: 'Verfremdung'', in Kennedy D (ed.), The Oxford Encyclopedia of Theatre & Performance, Oxford University Press, Oxford New York, pp. 1404 - 1405
,2003, 'Enyclopedia entry: 'Bourgeois Theatre'', in Kennedy D (ed.), The Oxford Encyclopedia of Theatre & Performance, Oxford University Press, Oxford New York, pp. 176 - 177
,2002, '‘Encountering Stories from Contemporary German Theatre’', in Contemporary German Cultural Studies, Arnold, London, pp. 219 - 240
,1998, ''"Dragging” Brecht’s Gestus Onwards: A Feminist Challenge’ in Steve Giles and Rodney Livingstone (eds), 'Bertolt Brecht: Centenary Essays'', in 'Bertolt Brecht: Centenary Essays', Rodopi, Amsterdam, pp. 240 - 257
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