By Dr Meg Mumford

Journal articles

Mumford M, 2021, 'Jenn Stephenson, Insecurity: Perils and Products of Theatres of the Real', Theatre Research in Canada, 42, pp. 320 - 322, http://dx.doi.org/10.3138/tric.42.2.b03

Mumford M; Garde U, 2015, ''Staging Real People: On the Arts and Effects of Non-Professional Theatre Performers'', Performance Paradigm, pp. 5 - 15, http://www.performanceparadigm.net/index.php/journal/article/view/167/165

Mumford M; Severn J, 2015, 'Panel discussion title: 'Putting Real People on Stage: Helgard Haug (Rimini Protokoll) in Conversation with Practitioners and Academics from Australia'', Performance Paradigm, pp. 101 - 115, http://www.performanceparadigm.net/index.php/journal/article/view/165

Mumford M, 2013, '‘Rimini Protokoll's Reality Theatre and Intercultural Encounter: Towards an Ethical Art of Partial Proximity’', Contemporary Theatre Review, 23, pp. 158 - 170, http://dx.doi.org/10.1080/10486801.2013.777057

Mumford M, 2012, 'Magazine article: 'Rimini Protokoll Presents Real Experts: "100% Melbourne" and "Radio Muezzin" (Sydney)'', Kultur, 23, pp. 16 - 17

Mumford M, 2012, 'Performance Review: ''Experts of the Everyday: Rimini Protokoll'', RealTime, 108, pp. 26

Mumford M; Aurin A, 2011, 'Performance review of 'Baal'', Communications from the International Brecht Society, 40, pp. 58 - 62

Mumford M, 2008, 'Book Review: Contemporary Theatres in Europe: A Critical Companion', Performance Paradigm

Mumford M, 2005, 'Women and German drama: Playwrights and their texts, 1860-1945.', THEATRE RESEARCH INTERNATIONAL, 30, pp. 194 - 195, http://dx.doi.org/10.1017/S0307883305251416

Mumford M, 2005, 'Book Review: Women and German Drama: Playwrights and their Texts, 1869 - 1945', Theatre Research International, 30, pp. 194 - 195

Mumford M, 2004, 'Pina Bausch Choreographs Blaubart: A Transgressive or Regressive Act?', German Life and Letters, 57, pp. 45 - 57

Mumford M, 2003, 'Barthes on Brecht’s Tableau: Fetish meets Flux', Communications from the International Brecht Society, 32, pp. 42 - 47

Mumford M, 2002, '‘Translating the Strange, Performing the Peculiar: Marieluise Fleißer's "Fegefeuer in Ingolstadt"’', Studies in Theatre and Performance, 22, pp. 69 - 81

Mumford M, 2001, '‘Gestic Masks in Brecht’s Theatre: A Testimony to the Contradictions and Parameters of a Realist Aesthetic’', The Brecht Yearbook, 26, pp. 143 - 171

Mumford M, 2000, '‘Brecht on Acting for the 21st Century: Interrogating and Re-Inscribing the Fixed’', Communications from the International Brecht Society, 29, pp. 44 - 49

Mumford M, 2000, 'Book Review of: 'Schauspielerinnen im Europa des 18. Jahrhunderts: Ihr Leben, Ihre Schriften und Ihr Publikum.' By Ruth Emde (Amsterdam-Atlanta: Rodopi, 1997).', Theatre Research International

Mumford M, 2000, 'Book Review: 'Brecht Sourcebook' Edited by Carol Martin & Henry Bial. London & New York: Routledge, 2000', Theatre Research International

Mumford M, 1998, 'Book Review of: 'German Expressionist Theatre: The Actor and the Stage' By David F. Kuhns (Cambridge: Cambridge University Press, 1997).', Theatre Research international

Mumford M, 1997, 'Book Review of: 'German Theatre: A Bibliography from the Beginning to 1995' By Michael Patterson (Leicester: Motley Press, 1996).', Theatre Research International

Mumford M, 1997, 'Book Review of: 'The Shocking Ballad Picture Show' By Tom Cheesman (Oxford: Berg Publishers, 1994).', Theatre Research International

Mumford M, 1995, 'Brecht Studies Stanislavski: Just a Tactical Move?', New Theatre Quarterly, 11, pp. 241 - 258

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