Select Publications
Book Chapters
2023, 'Hybrid Sensor Configurations', in Das S; Thomas S; Das P (ed.), Organic and Inorganic Material Based Sensors - Hybrid nano-bio structured and polymer materials as sensing devices: an overview of materials, fabrication, properties and applications: State of the art, new challenges and opportunities, WILEY, Weinheim, Germany, pp. 675 - 688, http://dx.doi.org/10.1002/9783527834266.ch29
,2021, 'Making Tangible the Intangible Gestures of Craft', in Mahbub U; Ahad AR; Rahman T (ed.), Contactless Human Activity Analysis, Springer Nature, Switzerland, pp. 293 - 333, http://dx.doi.org/10.1007/978-3-030-68590-4
,2021, 'Making Tangible the Intangible Gestures of Craft', in Contactless Human Activity Analysis, pp. 293 - 333, http://dx.doi.org/10.1007/978-3-030-68590-4_11
,2019, 'Cyborganic wearables: sociotechnical misbehavior and the evolution of non-human agency', in Koistinen A-K; Karkulehto S; Varis E (ed.), Reconfiguring Human, Non-Human and Posthuman in Literature and Culture, Routledge, New York, pp. 236 - 260, http://dx.doi.org/10.4324/9780429243042
,2019, 'The Technocrafted Posthuman: Introducing Cyborganics', in Silina D; Smite R; Smits R (ed.), Virtualities and Realities, New Experiences, Art and Ecologies in Immersive Environments, RIXC Centre for New Media Culture, Riga, Latvia, pp. 175 - 184, http://rixc.org/en/acousticspace/issue/666/
,2018, 'Cricket Songs', in Wong S; LIAO P-Y (ed.), The Charismatic Rebirth of Yore, Taipei Cultural Foundation Museum of Contemporary Art, Taipei, pp. 132 - 141
,2017, 'Inside, Outside and Beyond the Body: wearable interfaces and the future self', in Zhao R; Chan C (ed.), Minding the Digital, Tongji Press, Shenzhen, pp. 108 - 117
,2017, 'From thread to artefact: the shape of a walk and the geography of sleep in the era of hyper-mobility', in Lowry S (ed.), Anywhere and Elsewhere, https://issuu.com/projectanywhere/docs/pa_v.ii_2018
,2015, 'Intimacy and Extimacy Ethics, Power, and Potential of Wearable Technologies', in Fundamentals Of Wearable Computers and Augmented Reality, Second Edition, pp. 31 - 56, http://dx.doi.org/10.1201/b18703-8
,2015, 'Intimacy and Extimacy: Ethics, Power, and Potential of Wearable Technologies', in Barfield W (ed.), Fundamentals of Wearable Computing and Augmented Reality, CRC Press, Taylor and Francis Group, pp. 32 - 53, http://primoa.library.unsw.edu.au/UNSWS:SearchFirst:UNSW_ALMA51173900630001731
,2014, 'Hong Kong: Cultural Transformation of the Public Sphere', in Curry J; Hanstedt P (ed.), Reading Hong Kong, Reading Ourselves, City University of HK Press, Hong Kong, pp. 66 - 89
,2014, 'Trish Flanagan Watt Space Exhibiting Artist 1998 - 1999', in Finnigan P (ed.), 25 Watt, Watt Space Gallery, Newcastle, Australia, pp. 86 - 87
,2013, 'The Peripatetic Institute for Praxiology and Anthropology', in Sivan A; Chan D; Wong E (ed.), Studies on Teaching & Learning, Hong Kong Baptist University, Hong Kong, pp. 61 - 76
,2011, 'Transit Textiles', in Rolet C (ed.), 5 Continents Woven World 7th Triennale Internationale Des arts Textiles Contemporains, Triennale Internationale de la Tapisserie des Art du Tissu, asbl de Tournai, Tournai, Belgium, pp. 54 - 57
,Journal articles
2020, 'Spider silk biomimetics programs to inform the development of new wearable technologies.', Frontiers in Materials, vol.7, pp. 1 - 7, http://dx.doi.org/10.3389/fmats.2020.00029
,2018, 'Crafting Post-digital fashion', The Journal of the Asian Art Society of Australia, 27, pp. 22 - 24, http://taasa.org.au/taasa-review/?ReviewUUID=181b013d-dac5-4aed-8e60-3f75ae9c943d
,2017, 'The Renaissance of the Sensual in a Vivacious World', Leonardo Electronic Almanac, 22, https://v3.pubpub.org/pub/the-renascence-of-the-sensual-in-a-vivacious-world-
,2017, 'The Renaissance of the Sensual in a Vivacious World', Leonardo Electronic Almanac, 22, https://contemporaryarts.mit.edu/pub/therenascenceofthesensual/release/3
,2015, 'Evolutionary Wearables', Lecture Notes in Computer Science, 9187, pp. 622 - 630, http://dx.doi.org/10.1007/978-3-319-20898-5_59
,2015, 'Transcending Disciplinary, Cultural and National Boundaries: Emergent Technologies, New Education Landscape Through the Cloud Workshop Project', Lecture Notes in Computer Science, 9187, pp. 631 - 642, http://dx.doi.org/10.1007/978-3-319-20898-5_60
,2014, 'A Vibrant Evolution: From Wearable Devices to Objects as Mediators of Experience', Lecture Notes in Computer Science, part 3, pp. 675 - 686, http://dx.doi.org/10.1007/978-3-319-07635-5
,2013, '2029 Fashion Futurism', User Experience, 13, pp. 24 - 26, http://uxpamagazine.org/fashion-futurism/
,2013, 'Blinklifier: A Case Study for Prototyping Wearable Computers in Technology and Visual Arts', Lecture Notes in Computer Science, 8014, pp. 439 - 445, http://dx.doi.org/10.1007/978-3-642-39238-2
,2013, 'Employing Creative Practice as a Research Method in the Field of Wearable and Interactive Technologies', Communications in Computer and Information Science, 373, pp. 31 - 35, http://dx.doi.org/10.1007/978-3-642-39473-7
,2013, 'Future Fashion – At the Interface', Lecture Notes in Computer Science, 8012, pp. 48 - 57, http://dx.doi.org/10.1007/978-3-642-39229-0
,2013, 'Haptic Interface Aesthetics – Feedback Loops, Live Coding and How to Harness the Potential of Embodied Estrangement in Artistic Practices and Aesthetic Theories within Interface Culture', Lecture Notes in Computer Science, 8012, pp. 58 - 67, http://dx.doi.org/10.1007/978-3-642-39229-0
,2011, 'The Ethics of Collaboration', Ctr+P Journal of Contemporary Art, pp. 37 - 40
,Conference Papers
2024, 'After the digital – re-materialising digital ecologies of craft', in International Symposium of Electronic Art 2023, Brisbane, presented at International Symposium of Electronic Art 2023, Brisbane, 21 June 2024 - 26 June 2024
,2023, 'NEEDLE WORK-Revealing relational agency aesthetics of craft through human/robot interaction', in ACM Creativity and Cognition 23, Association for Computing Machinery (ACM), Virtual Event, USA, presented at ACM Creativity and Cognition (C&C’23), Virtual Event, USA, 19 June 2023 - 23 June 2023, http://dx.doi.org/10.1145/3591196.3593363
,2022, 'Flows and crossing zones: counter narratives, experimental Imaging and New Media environments in transcultural art and visual practice', University of Central Asia - Naryn, Kyrgystan, presented at The Nomadic Image: 7th Transdisciplinary Imaging Conference, University of Central Asia - Naryn, Kyrgystan, 23 September 2022 - 25 September 2022, https://ucentralasia.org/media/xkadbmzw/mag-v16-web-reduced.pdf
,2022, 'Tracing the Gestures of Intangible Cultural Heritage of Ethnic Minority Crafts', Tsinghua University Beijing, presented at Chinese Cultures, Translation and Contemporaneity: Literature – Cinema - Performance - Visual Arts, Tsinghua University Beijing, 20 May 2022 - 22 May 2022, https://www.tsinghua.edu.cn/info/1178/95130.htm
,2019, 'Tracing the intangible – The Curious Gestures of Crafts' Cultural Heritage', in UbiComp/ISWC 2019- - Adjunct Proceedings of the 2019 ACM International Joint Conference on Pervasive and Ubiquitous Computing and Proceedings of the 2019 ACM International Symposium on Wearable Computers, Association for Computing Machinery (ACM), London, United Kingdom, pp. 49 - 52, presented at Adjunct Proceedings of the 2019 ACM International Joint Conference on Pervasive and Ubiquitous Computing and Proceedings of the 2019 ACM International Symposium on Wearable Computers, London, United Kingdom, 09 September 2019 - 13 September 2019, http://dx.doi.org/10.1145/3341162.3343799
,2018, 'Urban Cyborganics', Durban, South Africa, presented at 24th International Symposium on Electronic Art, Durban, South Africa, 23 June 2018 - 30 June 2018
,2018, 'Rewilding Wearables: Sympoeitic Interfaces for Empathic Experience of Other-than-human Entities', in TEI '18 Proceedings of the Twelfth International Conference on Tangible, Embedded, and Embodied Interaction, ACM New York, NY, USA, Sweden, pp. 611 - 616, presented at Tangible Embedded Interfaces, Sweden, 18 March 2018 - 21 March 2018, http://dx.doi.org/10.1145/3173225.3173316
,2016, 'The BIOdress: A Body-worn Interface for Environmental Embodiment', in Broekhuijsen M (ed.), TEI '16 Proceedings of the TEI '16: Tenth International Conference on Tangible, Embedded, and Embodied Interaction, ACM New York, NY, USA ©2016, Eindhoven University of Technology, at the department of Industrial Design, pp. 627 - 634, presented at Tangible, Embedded and Embodied Interaction TEI 2016, Eindhoven University of Technology, at the department of Industrial Design, 14 February 2016 - 17 February 2016, http://dx.doi.org/10.1145/2839462.2856345
,2016, 'Visceral design: Sites of intra-action at the interstices of waves and particles', in Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), pp. 3 - 15, http://dx.doi.org/10.1007/978-3-319-40355-7_1
,2015, 'Designing Experiences with Wearables: A case study exploring the blurring boundaries of art, design, technology, culture and distance', in Popovic V; Blackler A; Luh DB; Nimkulrat N; Kraal B; Nagai Y (eds.), the 6th IASDR (The International Association of Societies of Design Research Congress), IASDR (The International Association of Societies of Design Research), Brisbane, Australia,, Brisbane, Australia, pp. 805 - 820, presented at 6th IASDR (The International Association of Societies of Design Research Congress), IASDR (The International Association of Societies of Design Research), Brisbane, Australia, 02 November 2015 - 05 November 2015
,2015, 'Designing Experiences with Wearables: A Case Study Exploring the Blurring Boundaries of Art, Design, Technology, Culture and Distance', in Popovic V; Blackler A; Luh D; Nimkulrat N; Kraal B; Nagai Y (eds.), INTERPLAY, IASDR, Brisbane, Australia, pp. 802 - 820, presented at International Societies of Design Research Conference, Brisbane, Australia, 02 November 2015 - 05 November 2015, http://iasdr2015.com/wp-content/uploads/2015/11/IASDR_Proceedings_Final_Reduced.pdf
,2015, 'The Pedagogic Prosthetic: Augmented Learning as Content-in-Motion in Hybrid Educational Spheres', in Proceedings - International Computer Software and Applications Conference, pp. 868 - 873, http://dx.doi.org/10.1109/COMPSAC.2015.69
,2014, 'A vibrant evolution: From wearable devices to objects as mediators of experience', in Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), pp. 675 - 686, http://dx.doi.org/10.1007/978-3-319-07635-5_64
,2013, 'Blinklifier: A case study for prototyping wearable computers in technology and visual arts', in Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), pp. 439 - 445, http://dx.doi.org/10.1007/978-3-642-39238-2_48
,2013, 'Future fashion - At the interface', in Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), pp. 48 - 57, http://dx.doi.org/10.1007/978-3-642-39229-0_6
,2013, 'Haptic interface aesthetics - 'Feedback loops, live coding and how to harness the potential of embodied estrangement in artistic practices and aesthetic theories within interface culture'', in Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), pp. 58 - 67, http://dx.doi.org/10.1007/978-3-642-39229-0_7
,2013, 'Employing creative practice as a research method in the field of wearable and interactive technologies', in Communications in Computer and Information Science, pp. 31 - 35, http://dx.doi.org/10.1007/978-3-642-39473-7_7
,2012, 'Blinklifier: The Power of Feedback Loops for Amplifying Expressions through Bodily Worn Objects', in 10th Asia Pacific Conference on Computer Human Interaction (APCHI 2012) Conference proceedings Vol. 2, Matsue, Japan, pp. 641 - 642, presented at 10th Asia Pacific Conference on Computer Human Interaction (APCHI 2012), Matsue, Japan, 28 August 2012 - 31 August 2012
,Conference Presentations
2021, 'Creative and Critical Practices around Museum Technology Collections', presented at Art Association of Australia and New Zealand (AAANZ), University of Sydney, 08 December 2021 - 10 December 2021, https://www.aaanz21.live/panels7/panel-52
,2021, 'Tracing the Gestures of Craft', 23 June 2021 - 23 June 2021, https://garlandmag.com/loop/tricia-flanagan-tracing-the-gestures-of-craft/
,2021, 'Geographies of Making- Tracing the Material Gestures of Craft', presented at Powerhouse Research Fellows Lectures 2021, Museum of Applied Arts and Science, Sydney Australia, 18 March 2021 - 18 March 2021, https://youtu.be/DY0dxdmigeQ
,(ed.), 2017, 'Critical and Speculative Wearables: Boundary Objects', presented at Human Computer Interaction International, Design Usability and User Experience, Vancouver, 09 July 2017 - 14 July 2017
,(ed.), 2016, 'Time Geography', presented at Art at the Outermost Limits of Location-Specifciity, Parsons New School New York, 17 November 2016 - 18 November 2016
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