Select Publications

Book Chapters

D'Arcy S, 2018, 'The Allegory of the Cave: Speculations between Interior and Landscape for the Barangaroo Headland Cultural Facility', in Sparke P; Brown P; Lara-Betancourt P; Lee G; Taylor M (ed.), Flow. Interior, Landscape and Architecture in the Era of Liquid Modernity, Bloomsbury, London, pp. 57 - 65

D'Arcy SL, 2017, 'Church Interiors', in Broomhall S (ed.), Early Modern Emotions An Introduction, Routledge, http://www.tandfebooks.com/doi/pdf/10.4324/9781315441368?DrmAccessMode=offline

D'Arcy SL, 2017, 'Cathedral organs in Spain and Latin America', in Courtwright N (ed.), Grove Art Online, Oxford University Press, http://dx.doi.org/10.1093/oao/9781884446054.013.2000000085

D'Arcy SL, 2017, 'Configuring and Reconfiguring Cathedral Space in the Spanish Atlantic: From Cathedral-Mosque to Baroque Machine', in Corringa J (ed.), Religion, Space and the Atlantic World, University of South Carolina Press, Columbia, South Carloina, pp. 201 - 228, https://www.sc.edu/uscpress/books/2017/7796.html

D'Arcy SL, 2016, 'Temples of Commerce: Banking and Insurance Chambers', in O'Callaghan J; Hogben P; Freestone R (ed.), Sydney's Martin Place. A Cultural and Design History, Allen & Unwin, Sydney, pp. 87 - 104

Zamberlan L; D'Arcy SL, 2014, 'Creative Districts: Surry Hills, Sydney', in Marques L; Richards G (ed.), Creative Districts Around the World, NHTV, Breda, pp. 203 - 208, http://creativedistricts.imem.nl/

D'Arcy SL, 2014, 'Espacio, música y emoción: la arquitectura y el órgano en la España barroca', in Tomas P (ed.), El libro de la 53 SMRC, Fundacíon Patronato Semana de Música Religiosa de Cuenca, Cuenca, https://es.patronbase.com/_SemanaDeMusicaReligiosa/Store/Item?id=1

D'Arcy SL, 2014, 'Sky-high ambitions: Sydney’s restaurants', in Hogben P; O'Callaghan J (ed.), Leisure Space: The Transformation of Sydney, 1945-1970, edn. 1, Newsouth Books, Sydney, pp. 92 - 107, https://www.newsouthbooks.com.au/books/leisure-space-transformation-Sydney/

D'Arcy SL, 2013, 'Painted cloth and the transformation of Seville Cathedral for the 1671 festivities of the canonization of Saint Ferdinand III', in Costaras N; Young C (ed.), Setting the Scene. European Painted Cloths from the fourtheenth to the twenty-first century, Archetype Publications, London, pp. 85 - 91, http://archetype.co.uk/


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