By Dr Verónica Tello

Books

Tello V; Macchiavello C; Mignolo W; Miner DAT; López R; Hernandez E; O'Reilly R; Simbao R; Biddle J; Frank C; Butt Z; Nguyen J; Tawale S; Tshilumba Mukendi J-S; Mitropoulos A; Jovanović Weiss S; Katherine C; do Campo F, 2023, Future Souths: Dialogues on Art, Place, and History, Tello V, (ed.), Third Text Publications and Discipline, London and Melbourne, http://thirdtext.org/future-souths

Tello V, 2016, Counter-Memorial Aesthetics: Refugee Histories and the Politics of Contemporary Art, Bloomsbury, London and New York, http://bloomsbury.com/us/counter-memorial-aesthetics-9781474252744/

Book Chapters

Miner DAT; Tello V; Tshilumba Mukendi J-S; Simbao R; Biddle J; Mignolo WD, 2023, 'Contemporaneities: Aanikoobijiganag (AncestorsDescendants) and Decolonised Time', in Tello V (ed.), Future Souths Dialogues on Art, Place, and History, Third Text Publications and Discipline, London, and Melbourne/Narrm, pp. 191 - 207, http://www.thirdtext.org/future-souths

Hernández EA; López R; O'Reilly R; Macchiavello C; Tello V, 2023, 'Contracts (and Colonial Law) I: Exploitation and Order without Progress', in Tello V (ed.), Future Souths Dialogues on Art, Place, and History, Third Text Publications and Discipline, London, and Melbourne/Narrm, pp. 110 - 121, http://www.thirdtext.org/future-souths

Tello V, 2023, 'Former West/Future Souths', in Tello V (ed.), Future Souths Dialogues on Art, Place, and History, Third Text Publications and Discipline, London and Melbourne/Narrm, pp. 12 - 33, http://www.thirdtext.org/future-souths

Tello V; Frank C; Nguyen J; Tawale S, 2023, 'Futures: Or, Weak Histories', in Tello V (ed.), Future Souths Dialogues on Art, Place, and History, Third Text Publications and Discipline, London and Melbourne/Narrm, pp. 34 - 61, http://www.thirdtext.org/future-souths

Simbao R; Macchiavella C; Tshilumba Mukendi J-S; Tello V, 2023, 'Global Art: Stepping Nimbly with Strategic Southernness', in Tello V (ed.), Future Souths Dialogues on Art, Place, and History, Third Text Publications and Discipline, London and Melbourne/Narrm, pp. 170 - 185, http://www.thirdtext.org/future-souths

Tello V, 2023, 'Una mirada sobre afuera/A View from the Outside: Margins and Institutions: Art in Chile', in Macchiavello C; San Martin F; Solimano P (ed.), Dismantling the Nation State: Notes on Contemporary Art and Culture in Chile, Amherst College Press, Massachusetts, http://dx.doi.org/10.3998/mpub.12853055

Tello V, 2023, 'How to Appear? Writing art history in Australia after 1973', in Wake C; Suliman S; Little S (ed.), Performance, Refugees, Resistance, Routledge, London and New York, pp. 138 - 154, https://www.routledge.com/Performance-Resistance-and-Refugees/Little-Suliman-Wake/p/book/9780367696696

Tello V, 2019, 'Is Contemporary Art Postdevelopmental? A Study of 'Art as NGO'', in Morreo Boada C; Klein E (ed.), Postdevelopmental Practice, Routledge, London and New York, pp. 306 - 320, https://www.routledge.com/Postdevelopment-in-Practice-Alternatives-Economies-Ontologies/Klein-Morreo/p/book/9781138588677

Tello V, 2019, 'The Speculative Collectivity of the Global Transnational, Or, Social Practice and the International Division of Labour', in Eckersall P; Grehan H (ed.), The Routledge Companion to Theatre and Politics, Routledge, London and New York, pp. 151 - 155, https://www.routledge.com/The-Routledge-Companion-to-Theatre-and-Politics-1st-Edition/Eckersall-Grehan/p/book/9781138303485

Tello V, 2018, 'Aesthetic Autonomy at the Border: Notes on Necro-Art', in Lushetich N (ed.), The Aesthetics of Necropolitics, Rowman and Littlefield, London and New York, pp. 55 - 55, https://rowman.com/ISBN/9781786606853/The-Aesthetics-of-Necropolitics

Tello V; Campus in Camps , 2017, 'Collective Dictionary: Political', in Hlavajova M; Sheikh S (ed.), Former West: Art and the Contemporary After 1989, MIT Press, Cambridge, Mass, pp. 656 - 656

Edited Books

Little S; Suliman S; Wake C; Szörényi A; Khorana S; Gholami Z; Perea S; Papastergiadis N; Tello V; Giannacopoulos M, (eds.), 2023, Performance, Resistance and Refugees, Routledge, London, http://dx.doi.org/10.4324/9781003142782

Baker Smith D; Blackmore K, (ed.), 2020, Barbara Cleveland: Thinking Business, Goulburn Regional Art Gallery, Goulburn, https://goulburnregionalartgallery.com.au/exhibitions/barbara-cleveland

Journal articles

Tello V, 2023, 'Old/New: The Anti-Gatekeeping Method', Australian and New Zealand Journal of Art, 23, pp. 1 - 3, http://dx.doi.org/10.1080/14434318.2023.2225737

Tello V; Valenzuela-Valdivia S, 2022, 'Southern Atlas: Art Criticism in/out of Chile and Australia during the Pinochet Regime', Third Text Online, http://www.thirdtext.org/tello-valenzuela-southernatlas

Tello V; Valenzuela-Valdivia S, 2022, 'A Partial History of South-South Art Criticism: Juan Dávila's collaborations with Art & Text and Chilean art workers during the Pinochet regime (1981-1990)', Third Text, 35, pp. 709 - 731, http://dx.doi.org/10.1080/09528822.2021.2019954

Tello V, 2022, 'An Unhomely Feeling', Australian and New Zealand Journal of Art, 22, pp. 147 - 150, http://dx.doi.org/10.1080/14434318.2022.2143754

Tello V, 2020, 'What is contemporary about institutional critique?', Third Text, 34, pp. 635 - 649, http://dx.doi.org/10.1080/09528822.2020.1841409

Tello V, 2019, 'Counter-memory and and–and: Aesthetics and temporalities for living together', Memory Studies, 17, pp. 1 - 12, http://dx.doi.org/10.1177/1750698019876002

Tello V; Fisher L, 2016, 'The Fiction of Aftermath: Public Art, Public Imagination and the Aesthetics of Anthropogenic Crisis', Australian Humanities Review, 60, pp. 1 - 20, http://australianhumanitiesreview.org/wp-content/uploads/2016/11/AHR60_Tello-and-Fisher.pdf

Tello V, 2016, 'Performing Crisis: Critical Solidarity in/with the Silent University', Broadsheet, 45, pp. 31 - 34

Tello V, 2014, 'The Aesthetics and Politics of Aftermath Photography: Rosemary Laing's welcome to Australia (2004)', Third Text: third world perspectives on contemporary art and culture, 28, pp. 553 - 560, http://dx.doi.org/10.1080/09528822.2014.970775

Tello V, 2014, 'Counter-Memory, Heterochronia, and 'History Painting' (After Géricault): Dierk Schmidt's SIEV-X - On a Case of Intensified Refugee Politics', Contemporaneity: Historical Presence in Visual Culture, 3, pp. 21 - 37, http://dx.doi.org/10.5195/contemp.2014.106

Tello V, 2012, 'Review: Rhetorical Gestures: The 18th Biennale of Sydney', Afterall (Online), http://www.afterall.org/online/rhetorical-gestures-the-18th-biennale-of-sydney/

Tello V, 2011, 'Between Counter-memory and Paranoia: Dierk Schmidt's triptych: Xenophobe, Freedom and Untitled (Louvre) (2001/2002)', Tijdschrift Kunstlicht, 32, pp. 16 - 23

Tello V, 2010, 'Review: The Division of the Earth', Afterall (Online), http://www.afterall.org/online/4982

Conference Papers

Tello V, 2016, 'Post-Institutional Critique in the Former West', in Leonardo Electronic Almanac, Leonardo/International Society for the Arts, Sciences and Technology (Leonardo/ISAST), Boston, presented at Post-Society and Financial Exsanguination:The Social: 4th International Association for Visual Culture Biennial Conference, Boston, 29 September 2016 - 01 October 2016, http://ocradst.org/visualculture2016/

Conference Presentations

Tello V, 2018, 'On the Margins of Global Art History', presented at Art Association of Australia and New Zealand, RMIT, Melbourne, 04 December 2018 - 08 December 2018, http://aaanz.info/aaanz-home/conferences/2018-conference/

Tello V; Nguyen J; Macauley L; Odugbesan A; Thomopoulos C, 2017, 'Decolonial Everywhere Study and Planning Group (workshops)', presented at Performance Studies international, Hamburg, 07 June 2017 - 11 June 2017

Tello V; Nguyen J, 2017, 'Decolonial Everywhere Study and Planning Group: Infrastructures of Knowledge', presented at Affective Shifts: Inside and Outside the Nation and Body, UNSW Art & Design, Sydney, 21 February 2017 - 21 February 2017

Tello V, 2016, 'Enduring Crises of Statelessness', presented at Performance Studies International, Melbourne, 05 July 2016 - 09 July 2016, http://www.psi2016.com/

Biddle J; Munster A; Tello V, 2016, '[Convened Seminar Series]', presented at precarity//futurity//aesthetics, CCAP and Visual Anthropology, NIEA, UNSW Art & Design, -

Tello V, 2012, 'Distillations of Time: The Politics of Aftermath Photography and Rosemary Laing's to walk on a sea of salt (2004)', presented at Art Association of Australia and New Zealand Conference, University of Sydney, 11 July 2012 - 12 July 2012, http://aaanz.info/aaanz-home/conferences/2012_conference/

Tello V, 2010, 'After Géricault: Dierk Schmidt's 'History Paintings' for SIEV-X', presented at Association of Art Historians Conference, University of Glasgow, 15 April 2010 - 17 April 2010, http://www.aah.org.uk/annual-conference/past-conferences/2010

Tello V, 2009, 'Dierk Schmidt: SIEV-X and the recalibration of mass media images', presented at Art Association of Australia and New Zealand Conference, Australian National University, Canberra, 26 November 2009 - 28 November 2009, http://aaanz.info/aaanz-home/conferences/conference-2009-open-themed/

Reports

Tello V, 2017, ‘Research Panel: ”Futuring Education”, co-convened with Dr Caroline Lennette, UNSW Forced Migration Research Network, Refugee Alternatives: Improving Policy, Practice and Public Support, Refugee Council of Australia, Sydney, http://dx.doi.org/10.26190/unsworks/27622

Curatorial Outputs

Tello V; Tawale S, 2023, Parallel Structures, exhibited at: Murray Art Museum Albury, 17 October 2023 - 17 March 2024, https://www.mamalbury.com.au/exhibition-archive/parallel-structures-exhibition-program

Tello V, 2017, Future Souths: Dialogues and Aesthetics of the Global Souths, exhibited at: online, 03 July 2017 - 23 August 2017, http://futuresouths.org/

Tello V, 2008, team Australia, exhibited at: Carlton Hotel Studios, Melbourne, 04 December 2008 - 20 December 2008, http://glennwalls.com/category/prototype-for-sophisticated-living-4-team-australia-curated-by-veronica-tello-part-2/

Tello V, 2006, Feminist Actions, exhibited at: Spacement, Next Wave Festival, Melbourne, 15 March 2006 - 26 March 2006, http://nextwave.org.au/gallery/next-wave-festival-2006/

Theses / Dissertations

Miskell J, 2020, Embodied Knowledge and Collective Survival: Dance and Community in the work of Bhenji Ra, UNSW School of Art & Design

Tello V, 2013, The Aesthetics of Counter-Memory: Contemporary Art and Refugee Histories After Tampa, University of Melbourne, http://hdl.handle.net/11343/38305

Creative Written Works

Tello V, 2024, I remember you, I remember you

Tello V, 2022, How to Appear? A Genealogy for Nadia Hernández, Like a Wheel That Turns: The 2022 Macfarlane Commissions, Delany M; Kristensen A, (ed.), Australian Centre for Contemporary Art, https://shop.acca.melbourne/collections/home-page/products/like-a-wheel-that-turns-the-2022-macfarlane-commissions

Tello V, 2021, Juan Dávila, Self-Portrait as Ingre's Violin (1984), Queer Readings of the Monash University Collection, Ratliff M; Parker FE, (ed.), Monash University Museum of Art, https://www.monash.edu/muma/collection/queer-readings-of-the-collection/queer-readings-of-the-collection/juan-davila

Tello V, 2020, I, You, We, Together: For Juan, Paul and Paul, Thinking Business: Barbara Cleveland, Goulburn Regional Gallery

Tello V, 2016, Border Thinking, Political: Campus in Campus Collective Dictionary, Campus in Camps , (ed.), Campus in Camps/BAK, http://www.campusincamps.ps/projects/political/

Tello V, 2015, BDSM After Art History: My Safe Word is Performance (2014): In Conversation with Sarah Rodigari, My Safe Word is Performance, Barrett F, (ed.), Australian Experimental Art Foundation

Back to profile page