ORCID as entered in ROS

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Tello V, 2022, 'Counter-memory and and–and: Aesthetics and temporalities for living together', Memory Studies, 17, pp. 390 - 401, http://dx.doi.org/10.1177/1750698019876002
Tello V; Valenzuela-Valdivia S, 2022, 'Southern Atlas: Art Criticism in/out of Chile and Australia during the Pinochet Regime', Third Text Online, http://www.thirdtext.org/tello-valenzuela-southernatlas
Tello V; Valenzuela-Valdivia S, 2022, 'A Partial History of South-South Art Criticism: Juan Dávila's collaborations with Art & Text and Chilean art workers during the Pinochet regime (1981-1990)', Third Text, 35, pp. 709 - 731, http://dx.doi.org/10.1080/09528822.2021.2019954
Tello V; Valenzuela-Valdivia S, 2021, 'A Partial History of South-South Art Criticism Juan Davila's Collaborations with Art & Text and Chilean Art Workers during the Pinochet Dictatorship, 1981-1990', THIRD TEXT, 35, pp. 709 - 731, http://dx.doi.org/10.1080/09528822.2021.2019954
Tello V; Valenzuela-Valdivia S, 2021, 'A Partial History of South–South Art Criticism: Juan Dávila’s Collaborations with Art & Text and Chilean Art Workers during the Pinochet Dictatorship, 1981–1990', Third Text, 35, pp. 709 - 731, http://dx.doi.org/10.1080/09528822.2021.2019954
Tello V, 2020, 'What is contemporary about institutional critique? A Study of The Silent University', Third Text, 34, pp. 635 - 649, http://dx.doi.org/10.1080/09528822.2020.1841409
Tello V, 2014, 'The Aesthetics and Politics of Aftermath Photography: Rosemary Laing's welcome to Australia (2004)', Third Text: third world perspectives on contemporary art and culture, 28, pp. 553 - 560