Select Publications
Journal articles
2023, 'Old/New: The Anti-Gatekeeping Method', Australian and New Zealand Journal of Art, 23, pp. 1 - 3, http://dx.doi.org/10.1080/14434318.2023.2225737
,2022, 'Southern Atlas: Art Criticism in/out of Chile and Australia during the Pinochet Regime', Third Text Online, http://www.thirdtext.org/tello-valenzuela-southernatlas
,2022, 'A Partial History of South-South Art Criticism: Juan Dávila's collaborations with Art & Text and Chilean art workers during the Pinochet regime (1981-1990)', Third Text, 35, pp. 709 - 731, http://dx.doi.org/10.1080/09528822.2021.2019954
,2022, 'An Unhomely Feeling', Australian and New Zealand Journal of Art, 22, pp. 147 - 150, http://dx.doi.org/10.1080/14434318.2022.2143754
,2020, 'What is contemporary about institutional critique?', Third Text, 34, pp. 635 - 649, http://dx.doi.org/10.1080/09528822.2020.1841409
,2019, 'Counter-memory and and–and: Aesthetics and temporalities for living together', Memory Studies, 17, pp. 1 - 12, http://dx.doi.org/10.1177/1750698019876002
,2016, 'The Fiction of Aftermath: Public Art, Public Imagination and the Aesthetics of Anthropogenic Crisis', Australian Humanities Review, 60, pp. 1 - 20, http://australianhumanitiesreview.org/wp-content/uploads/2016/11/AHR60_Tello-and-Fisher.pdf
,2016, 'Performing Crisis: Critical Solidarity in/with the Silent University', Broadsheet, 45, pp. 31 - 34
,2014, 'The Aesthetics and Politics of Aftermath Photography: Rosemary Laing's welcome to Australia (2004)', Third Text: third world perspectives on contemporary art and culture, 28, pp. 553 - 560, http://dx.doi.org/10.1080/09528822.2014.970775
,2014, 'Counter-Memory, Heterochronia, and 'History Painting' (After Géricault): Dierk Schmidt's SIEV-X - On a Case of Intensified Refugee Politics', Contemporaneity: Historical Presence in Visual Culture, 3, pp. 21 - 37, http://dx.doi.org/10.5195/contemp.2014.106
,2012, 'Review: Rhetorical Gestures: The 18th Biennale of Sydney', Afterall (Online), http://www.afterall.org/online/rhetorical-gestures-the-18th-biennale-of-sydney/
,2011, 'Between Counter-memory and Paranoia: Dierk Schmidt's triptych: Xenophobe, Freedom and Untitled (Louvre) (2001/2002)', Tijdschrift Kunstlicht, 32, pp. 16 - 23
,2010, 'Review: The Division of the Earth', Afterall (Online), http://www.afterall.org/online/4982
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