Select Publications
Book Chapters
2024, 'Intellectual Property and Heritage Law: Mainstream and First Nations Perspectives', in Lixinski L; Morisset LK (ed.), Routledge Handbook of Heritage and the Law, Taylor & Francis (Routledge), http://dx.doi.org/10.4324/9781003149392-14
,2024, 'The Mismatch of Intellectual Property and Heritage Law with the Legal Frameworks of First Peoples and Pacific Island Communities', in The Routledge Handbook of Heritage and the Law, Taylor & Francis, pp. 173 - 190, http://dx.doi.org/10.4324/9781003149392-14
,2024, 'INTELLECTUAL PROPERTY AND HERITAGE LAW: Mainstream and First Nations Perspectives', in The Routledge Handbook of Heritage and the Law, pp. 173 - 190, http://dx.doi.org/10.4324/9781003149392-14
,2022, 'ABS or Access Before Service: A Samoan Perspective', in Access and Benefit Sharing of Genetic Resources, Information and Traditional Knowledge, Routledge, pp. 209 - 220, http://dx.doi.org/10.4324/9781003301998
,2022, 'Place and Race in Australian Copyright Law: May Gibbs’s and Albert Namatjira’s Copyright', in CAMBRIDGE LEGAL HISTORY OF AUSTRALIA, pp. 693 - 718, http://dx.doi.org/10.1017/9781108633949
,2022, 'ABS or Access Before Service: A Samoan Perspective', in Access and Benefit Sharing of Genetic Resources, Information and Traditional Knowledge, pp. 209 - 220, http://dx.doi.org/10.4324/9781003301998-17
,2022, 'Place and Race in Australian Copyright Law: May Gibbs’s and Albert Namatjira’s Copyright', in The Cambridge Legal History of Australia, pp. 693 - 718, http://dx.doi.org/10.1017/9781108633949.030
,2021, 'On Law, Law Schools and Law Reform: Honouring Emerita Professor Jill McKeough', in A Feminist Festschrift in Honour of Professor Jill McKeough, Federation Press, Australia, pp. 1 - 20, https://federationpress.com.au/product/feminist-perspectives-on-law-law-schools-and-law-reform/
,2021, 'Copyright Law: Philosophy, Legislative History and Basic Principles’', in Bowrey K; Handler M; Nicol D; Nielsen J; Weatherall K (ed.), Australian IP. Commentary, Law and Practice, Oxford University Press, Melbourne, pp. 20 - 38, https://www.oup.com.au/books/higher-education/law/9780190326456-australian-intellectual-property
,2020, '‘“The Berne Convention is our ideal” — Hall Caine, Canadian Copyright and the natural rights of authors after 1886’', in Austin G; Richardson M; Kenyon A; Christie A (ed.), Across Intellectual Property Essays in Honour of Sam Ricketson, Cambridge University Press, pp. 102 - 115, http://dx.doi.org/10.1017/9781108750066
,2020, '‘The Berne Convention Is Our Ideal’: Hall Caine, Canadian Copyright and the Natural Rights of Authors after 1886', in Across Intellectual Property: Essays in Honour of Sam Ricketson, pp. 102 - 115, http://dx.doi.org/10.1017/9781108750066.011
,2017, 'The Placelessness of Property, Intellectual Property and Cultural Heritage Law in the Australian Legal Landscape', in Logan W; Antons C (ed.), Intellectual Property, Cultural Property and Intangible Cultural Heritage, Taylor & Francis
,2016, 'Law, Aesthetics and Copyright Historiography: A Critical Reading of the Genealogies of Martha Woodmansee and Mark Rose', in Alexander I; Gomez-Arostegui T (ed.), Research Handbook on the History of Copyright Law, Edward Elgar Publishing, pp. 27 - 52
,2014, 'Dramatic copyright and the Disneyfication of theatre space', in Bowrey K; Handler M (ed.), Law and Creativity in the Age of the Entertainment Franchise, Cambridge University Press, pp. 123 - 139, http://www.cambridge.org/us/academic/subjects/law/intellectual-property/law-and-creativity-age-entertainment-franchise
,2014, 'Franchise Dynamics, Creativity and the Law', in Bowrey K; Handler M (ed.), Law and Creativity in the Age of the Entertainment Franchise, Cambridge University Press, Cambridge, pp. 3 - 26, http://dx.doi.org/10.1017/CBO9781139626781.002
,2014, 'Instituting Copyright: Reconciling Copyright Law and Industry Practice in the Australian Film and Television Sector', in Bowrey KA; Handler M (ed.), Law and Creativity in the Age of the Entertainment Franchise, Cambridge University Press, Cambridge, pp. 140 - 169, http://dx.doi.org/10.1017/CBO9781139626781.010
,2014, 'Commentary on Kartinyeri v The Commonwealth', in Australian Feminist Judgments: Righting and Rewriting Law, pp. 41 - 45
,2014, 'Commentary: Kartinyerri', in Douglas H; Bartlett F; Luker T; Hunter R (ed.), Australian Feminist Judgments : Righting and Re-Writing Law, Federation Press, Australia, pp. 41 - 45
,2012, 'The manufacture of 'authentic' buzz and the legal relations of MasterChef', in Amateur Media: Social, Cultural and Legal Perspectives, pp. 73 - 93, http://dx.doi.org/10.4324/9780203112021
,2012, 'The manufacture of ‘authentic’ buzz and the legal relations of MasterChef', in Amateur Media: Social, cultural and legal perspectives, pp. 73 - 93, http://dx.doi.org/10.4324/9780203112021-15
,2012, 'International Trade in Indigenous Cultural Heritage: An Australian Perspective', in Graber CB; Kuprecht K; Lai JC (ed.), International Trade In Indigenous Cultural Heritage: Legal and Policy Issues, Edward Elgar Publishing, Cheltenham, pp. 396 - 438, http://www.e-elgar.com/bookentry_main.lasso?id=14627
,2012, 'The Manufacture of Authentic Buzz', in Hunter D; Lobato R; Richardson M; Thomas J (ed.), Amateur Media: Social, cultural and legal perspectives, Taylor & Francis Group, pp. 73 - 93, http://www.routledge.com/books/details/9780415782654/
,2012, 'The World Daguerreotyped – What a Spectacle! Copyright law, photography and the economic mission of Empire', in Sherman B; Wiseman L (ed.), Copyright and the Challenge of the New, Wolters Kluwer, pp. 11 - 42
,2011, 'Indigenous Culture, Knowledge and Intellectual Property', in Bowrey K; Handler M; Nicol D (ed.), Emerging Challenges in Intellectual Property, Oxford University Press, Melbourne, pp. 46 - 67, http://www.oup.com/us/catalog/general/subject/Law/IntellectualProperty/IntellectualProperty/?view=usa&ci=9780195575125roperty/?view=usa&sf=toc&ci=9780195575125
,2010, 'On clarifying the role of originality and fair use in 19th century UK jurisprudence: appreciating ‘the humble grey which emerges as the result of long controversy', in Bently L; Ng C; Agostino GD (ed.), The Common Law Of Intellectual Property: Essays in Honour of Prof David Vaver, Hart Publishing, Oxford, UK, pp. 45 - 69
,2007, 'Fertile Ground: Law, Innovation and Creative Technologies', in McMillan F (ed.), New Directions in Copyright Law Vol 5, Edward Elgar, Cheltenham, UK, pp. 162 - 196
,2007, 'What are you missing out on? Big Media, Broadcasting, Copyright and Access to Innovation', in Kenyon AT (ed.), TV Futures: Digital Television Policy in Australia, Melbourne University Press, Melbourne, pp. 135 - 165
,2006, 'The New, the Bad, the Hot, the fad - popular music, technology and the culture of freedom', in Macmillan F (ed.), New Directions in Copyright Law: Volume 2, Edward Elgar, Cheltenham UK, pp. 262 - 271
,2005, 'Can we afford to think about copyright in a global marketplace?', in Macmillan F (ed.), New Directions in Copyright Law: Volume 1, Edward Elgar, Cheltenham, UK, pp. 51 - 69
,2002, 'Who`s Painting Copyright`s History?', in McLean D; Schubert K (ed.), Dear Images: Art, Copyright and Culture, Ridinghouse and Institute of Contemporary Arts, London, UK, pp. 256 - 274
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