ORCID as entered in ROS

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Brannigan E; Baxter V; Gallasch K; Baylis J; Thomson E; Card A, 2019, In Response: Dialogues with RealTime, Brannigan E, (ed.), UNSW Library, Sydney
Brannigan E, 2014, Bodies of Thought: 12 Australian Choreographers, Brannigan E; Baxter V, (ed.), Wakefield Press, http://www.wakefieldpress.com.au/product.php?productid=1172&cat=0&page=&featured=Y
Brannigan ED, 2011, Dancefilm: Choreography and the Moving Image, 1st, Oxford University Press, New York
2009, MAP Movement and Performance Symposium Papers, Brannigan ED, (ed.), Ausdance National, Canberra
Brannigan E, 2019, 'Whatever Happened to Dance Criticism?', in Thomas H; Prickett S (ed.), Routledge Companion to Dance Studies., Routledge, Oxon, UK, pp. 207 - 220, http://dx.doi.org/10.4324/9781315306551
Brannigan E; Thomson L; Day M, 2018, 'Research as Co-Habitation: Experimental Composition across Theory and Practice', in Blades H; Meehan E (ed.), Performing Process Sharing Dance and Choreographic Practice, Intellect (UK), Bristol, pp. 218 - 263, http://www.intellectbooks.com/performing-process
Brannigan E, 2018, 'Dance in the Gallery: Process and Memory', in Wycherley M (ed.), Invisible Histories, Limerick City Gallery, Limerick, Ireland
Brannigan E; Wait N, 2018, 'Non-Competitive Body States: Corporeal Freedom and Innovation in Contemporary Dance', in Dodds S (ed.), The Oxford Handbook of Dance and Competition, Oxford University Press, New York, pp. 283 - 304, http://dx.doi.org/10.1093/oxfordhb/9780190639082.001.0001
Brannigan ED, 2016, 'Yvonne Rainer's 'Lives of Performers': an 'undisciplined' encounter with the avant-garde', in Rosenberg D (ed.), The Oxford Handbook of Screendance Studies, edn. 1, Oxford University Press, New York, pp. 517 - 536
Brannigan ED, 2015, ''Dancing as Materiality: accumulation, texture, adornment and movement in Justene Williams' "The Curtain Breathed Deeply".', in Day C; Glass-Kantor A (ed.), Justene Williams - The Curtain Breathed Deeply, Artspace, Monash University Museum of Art, Sydney, pp. 45 - 47
Brannigan ED, 2014, 'Between Dance Practice and Choreography', in Brannigan E; Baxter V (ed.), Bodies of Thought: 12 Australian Choreographers, Wakefield Press, Kent Town, South Aust, pp. 6 - 8, http://www.wakefieldpress.com.au/product.php?productid=1172&cat=0&page=&featured=Y
Brannigan ED, 2014, 'Bodies of Thought', in Baxter V; Brannigan E (ed.), Bodies of Thought: 12 Australian Choreographers, Wakefield Press, Kent Town, S. Aust, pp. 1 - 3, http://www.wakefieldpress.com.au/product.php?productid=1172&cat=0&page=&featured=Y
Brannigan ED, 2014, 'Choreographing Texture', in Bodies of Thought: 12 Australian Choreographers, Wakefield Press, Kent Town SA, pp. 138 - 142, http://www.wakefieldpress.com.au/product.php?productid=1172&cat=0&page=&featured=Y
Brannigan ED, 2014, 'Dance and the World: The Duality of Craft and Content', in Bodies of Thought: 12 Australian Choreographers, Wakefield Press, Kent Town SA, pp. 46 - 47
Brannigan ED, 2014, 'Dance Theatre: Expanding the Form', in Bodies of Thought: 12 Australian Choreographers, pp. 92 - 93
Brannigan ED, 2014, 'Dance: Dance and Film', in Kelly M (ed.), The Oxford Encyclopaedia of Aesthetics, edn. 2nd, Oxford University Press, New York, NY
Brannigan ED, 2014, 'Dancing at the Intersections of Time, Space and Language', in Bodies of Thought: 12 Australian Choreographers, Wakefield Press, Kent Town SA, pp. 132 - 133
Brannigan ED; Card A, 2003, 'Choreography', in Whiteoak J; Scott-Maxwell A (ed.), Currency Companion to Music & Dance in Australia, edn. Original, Currency House Inc., Sydney, pp. 130 - 131
Brannigan E, 2022, 'Choreography as Concept, Dancing as Material', On (Un)Knowns, Performance Research, 26:4, vol. 26, pp. 24 - 31, http://dx.doi.org/10.1080/13528165.2021.2005945
Brannigan E, 2020, 'Artist’s Self-Archiving Toolkit', Critical Dialogues: Archives, Practice and the Independent Choreographer, vol. 13, pp. 70 - 75
Brannigan E; Van Hout V, 2020, 'Vicki Van Hout Interview with Erin Brannigan', Critical Dialogues 13: Archives, Practice and the Independent Choreographer, vol. 13, pp. 38 - 46, https://issuu.com/criticalpath/docs/critical-dialogue-13-singlepg
Brannigan E, 2019, 'Red Shoes', The International Journal of Screendance, vol. 10, http://dx.doi.org/10.18061/ijsd.v10i0.6822
Brannigan E, 2019, 'Talking Back: What Dance might make of Badiou’s philosophical project', Performance Philosophy, vol. 4, pp. 354 - 373, http://dx.doi.org/10.21476/PP.2019.42240
Brannigan E, 2017, 'Context, Discipline, and Understanding: The Poetics of Shelley Lasica’s Gallery-Based Work', Performance Paradigm, vol. 13, pp. 97 - 117, http://www.performanceparadigm.net/index.php/journal/article/view/196/193
Brannigan E; Mathews H, 2017, 'Performance, Choreography, and the Gallery: Materiality, Attention, Agency, Sensation, and Instability', Performance Paradigm, vol. 13, pp. 1 - 6, https://www.performanceparadigm.net/index.php/journal/article/view/190
Brannigan ED; Mees C, 2016, 'Breaths, Falls and Eddies in All this Can Happen: A Dialogue'', The International Journal of Screendance, vol. 5, http://dx.doi.org/10.18061/ijsd.v7i0.5463
Brannigan ED, 2016, 'Spirals within Spirals: Vortex Temporum at Sydney Festival', The Conversation, https://theconversation.com/spirals-within-spirals-vortex-temporum-at-the-sydney-festival-52687
Brannigan ED, 2016, 'Positively Unassertive: Dancing in the Art Gallery of NSW', Contemporary Visual Art + Culture Broadsheet, vol. 45, pp. 26 - 29
Brannigan E; Newton R, 2016, 'Propositions for Doing Dancing', Runway, http://propositions_for_doing_dancing_-_runway.pdf/
Brannigan ED, 2016, 'Soft is Fast: Simone Forti in the 1960s and After', Performance Paradigm, http://www.performanceparadigm.net/index.php/journal/article/view/182
Brannigan ED, 2015, 'What is it that Dances Something Else?', Critical Dialogues, vol. 5, pp. 12 - 13, http://criticalpath.org.au/resource_category/critical-dialogues/
Brannigan ED, 2015, 'Writing Dancing (Sydney)', Critical Dialogues, vol. 5, pp. 4 - 8, http://criticalpath.org.au/resource_category/critical-dialogues/
Brannigan ED, 2015, ''Danse: An Anthology. ED. Noémie Solomon'', Dance Research Journal, vol. 47, pp. 107 - 111, http://dx.doi.org/10.1017/S0149767715000054
Brannigan ED, 2015, ''Choreography and the Gallery: Curation as Revision'', Dance Research Journal, vol. 47, pp. 5 - 25, http://dx.doi.org/10.1017/S0149767715000054
Brannigan E, 2015, 'Danse: An Anthology Edited by Noémie Solomon. 2014. Dijon: Les Presses du Reel. 325 pp., writer biographies. $34.95 cloth.', Dance Research Journal, vol. 47, pp. 107 - 111, http://dx.doi.org/10.1017/s014976771500011x
Brannigan ED, 2013, 'The Anatomy of Dance Composition', Choreologia, pp. 65 - 69
Brannigan ED, 2012, 'Laurence Louppe’s Poetics of Contemporary Dance (London: Dancebooks, 2010)', Dance Research Journal, vol. 44, pp. 101 - 104
Brannigan E, 2012, 'Poetics of Contemporary Dance by Laurence Louppe. Translated by Sally Gardner. 2010. Alton, UK: Dance Books. 265 pp. including notes, bibliography, index. $39.95 cloth.', Dance Research Journal, vol. 44, pp. 101 - 104, http://dx.doi.org/10.1017/s0149767711000398
Brannigan ED, 2012, 'Transposing Style: Martin Del Amo’s new Solo Works', Brolga, vol. 36, pp. 25 - 30
Brannigan E, 2011, 'Being Watched: Yvonne Rainer and the 1960s by Carrie Lambert-Beatty Being Watched: Yvonne Rainer and the 1960s Lambert-Beatty Carrie MIT Press , Cambridge, MA', Dance Research Journal, vol. 43, pp. 114 - 117, http://dx.doi.org/10.5406/danceresearchj.43.1.0114
Brannigan ED, 2011, 'Carrie Lambert-Beatty, Being Watched: Yvonne Rainer and the 1960s', Dance Research Journal, vol. 42, pp. 114 - 117
Brannigan ED, 2010, 'Moving Across Disciplines: Dance and the Moving Image', Platform Papers
Brannigan E, 2009, 'Micro-choreographies: The close-up in dancefilm', International Journal of Performance Arts and Digital Media, vol. 5, pp. 121 - 139, http://dx.doi.org/10.1386/padm.5.2-3.121/1
Brannigan ED, 2009, 'Karen Pearlman, Cutting Rhythms', Brolga, vol. 31, pp. 37 - 38
Brannigan ED, 2009, 'Micro-choreographies: The Close-up in Dancefilm', International Journal of Performance Arts and Digital Media, vol. 5, pp. 121 - 139
Brannigan ED; Brannigan E, 2009, 'The Life of Dance', What I Think about When I Think about Dancing, pp. 89 - 90
Brannigan ED, 2003, '‘La Loïe’ as Pre-Cinematic Performance – Descriptive Continuity of Movement’', Senses of Cinema, vol. 28, http://archive.sensesofcinema.com/contents/03/28/la_loie.html
Brannigan ED, 2003, 'Erin Brannigan reviews Bill Nichols (ed), Maya Deren and the American Avant-garde', Screening the Past, vol. Issue 15
Brannigan ED, 2003, 'Erin Brannigan reviews Rainer Rother, Leni Riefenstahl: the seduction of genius', Screening the Past, vol. Issue
Brannigan ED, 2003, 'Great Directors: Yvonne Rainer,', Senses of Cinema, http://www.sensesofcinema.com/contents/directors/03/rainer.html