By Associate Professor Erin Brannigan

Journal articles

Brannigan E, 2023, 'Dancing into the Museum', Art Guide Australia, pp. 82 - 89, https://artguide.com.au/dancing-into-the-museum/

Brannigan E, 2022, 'Choreography as Concept, Dancing as Material', On (Un)Knowns, Performance Research, 26:4, 26, pp. 24 - 31, http://dx.doi.org/10.1080/13528165.2021.2005945

Brannigan E, 2020, 'Artist’s Self-Archiving Toolkit', Critical Dialogues: Archives, Practice and the Independent Choreographer, 13, pp. 70 - 75

Brannigan E; Van Hout V, 2020, 'Vicki Van Hout Interview with Erin Brannigan', Critical Dialogues 13: Archives, Practice and the Independent Choreographer, 13, pp. 38 - 46, https://issuu.com/criticalpath/docs/critical-dialogue-13-singlepg

Brannigan E, 2019, 'Red Shoes', The International Journal of Screendance, 10, http://dx.doi.org/10.18061/ijsd.v10i0.6822

Brannigan E, 2019, 'Talking Back: What Dance might make of Badiou’s philosophical project', Performance Philosophy, 4, pp. 354 - 373, http://dx.doi.org/10.21476/PP.2019.42240

Brannigan E, 2017, 'Context, Discipline, and Understanding: The Poetics of Shelley Lasica’s Gallery-Based Work', Performance Paradigm, 13, pp. 97 - 117, http://www.performanceparadigm.net/index.php/journal/article/view/196/193

Brannigan E; Mathews H, 2017, 'Performance, Choreography, and the Gallery: Materiality, Attention, Agency, Sensation, and Instability', Performance Paradigm, 13, pp. 1 - 6, https://www.performanceparadigm.net/index.php/journal/article/view/190

Brannigan ED; Mees C, 2016, 'Breaths, Falls and Eddies in All this Can Happen: A Dialogue'', The International Journal of Screendance, 5, http://dx.doi.org/10.18061/ijsd.v7i0.5463

Brannigan ED, 2016, 'Spirals within Spirals: Vortex Temporum at Sydney Festival', The Conversation, https://theconversation.com/spirals-within-spirals-vortex-temporum-at-the-sydney-festival-52687

Brannigan ED, 2016, 'Positively Unassertive: Dancing in the Art Gallery of NSW', Contemporary Visual Art + Culture Broadsheet, 45, pp. 26 - 29

Brannigan E; Newton R, 2016, 'Propositions for Doing Dancing', Runway, http://propositions_for_doing_dancing_-_runway.pdf/

Brannigan ED; Morse M, 2016, 'Soft is Fast: Simone Forti in the 1960s and After', Performance Paradigm, 37, pp. 289 - 290, http://dx.doi.org/10.1080/14682761.2016.1215821

Brannigan ED, 2015, 'What is it that Dances Something Else?', Critical Dialogues, 5, pp. 12 - 13, http://criticalpath.org.au/resource_category/critical-dialogues/

Brannigan ED, 2015, 'Writing Dancing (Sydney)', Critical Dialogues, 5, pp. 4 - 8, http://criticalpath.org.au/resource_category/critical-dialogues/

Brannigan ED, 2015, ''Danse: An Anthology. ED. Noémie Solomon'', Dance Research Journal, 47, pp. 107 - 111, http://dx.doi.org/10.1017/S0149767715000054

Brannigan ED, 2015, ''Choreography and the Gallery: Curation as Revision'', Dance Research Journal, 47, pp. 5 - 25, http://dx.doi.org/10.1017/S0149767715000054

Brannigan E, 2015, 'Danse: An Anthology Edited by Noémie Solomon. 2014. Dijon: Les Presses du Reel. 325 pp., writer biographies. $34.95 cloth.', Dance Research Journal, 47, pp. 107 - 111, http://dx.doi.org/10.1017/s014976771500011x

Brannigan ED, 2013, 'The Anatomy of Dance Composition', Choreologia, pp. 65 - 69

Brannigan ED, 2012, 'Laurence Louppe’s Poetics of Contemporary Dance (London: Dancebooks, 2010)', Dance Research Journal, 44, pp. 101 - 104

Brannigan E, 2012, 'Poetics of Contemporary Dance by Laurence Louppe. Translated by Sally Gardner. 2010. Alton, UK: Dance Books. 265 pp. including notes, bibliography, index. $39.95 cloth.', Dance Research Journal, 44, pp. 101 - 104, http://dx.doi.org/10.1017/s0149767711000398

Brannigan ED, 2012, 'Transposing Style: Martin Del Amo’s new Solo Works', Brolga, 36, pp. 25 - 30

Brannigan E, 2011, 'Being Watched: Yvonne Rainer and the 1960s by Carrie Lambert-Beatty Being Watched: Yvonne Rainer and the 1960s Lambert-Beatty Carrie MIT Press , Cambridge, MA', Dance Research Journal, 43, pp. 114 - 117, http://dx.doi.org/10.5406/danceresearchj.43.1.0114

Brannigan ED, 2011, 'Carrie Lambert-Beatty, Being Watched: Yvonne Rainer and the 1960s', Dance Research Journal, 42, pp. 114 - 117

Brannigan ED, 2010, 'Moving Across Disciplines: Dance and the Moving Image', Platform Papers

Brannigan E, 2009, 'Micro-choreographies: The close-up in dancefilm', International Journal of Performance Arts and Digital Media, 5, pp. 121 - 139, http://dx.doi.org/10.1386/padm.5.2-3.121/1

Brannigan ED, 2009, 'Karen Pearlman, Cutting Rhythms', Brolga, 31, pp. 37 - 38

Brannigan ED, 2009, 'Micro-choreographies: The Close-up in Dancefilm', International Journal of Performance Arts and Digital Media, 5, pp. 121 - 139

Brannigan ED; Brannigan E, 2009, 'The Life of Dance', What I Think about When I Think about Dancing, pp. 89 - 90

Brannigan ED, 2003, '‘La Loïe’ as Pre-Cinematic Performance – Descriptive Continuity of Movement’', Senses of Cinema, 28, http://archive.sensesofcinema.com/contents/03/28/la_loie.html

Brannigan ED, 2003, 'Erin Brannigan reviews Bill Nichols (ed), Maya Deren and the American Avant-garde', Screening the Past, Issue 15

Brannigan ED, 2003, 'Erin Brannigan reviews Rainer Rother, Leni Riefenstahl: the seduction of genius', Screening the Past, Issue

Brannigan ED, 2003, 'Great Directors: Yvonne Rainer,', Senses of Cinema, http://www.sensesofcinema.com/contents/directors/03/rainer.html

Brannigan ED, 2002, 'Maya Deren, dance and gestural encounters in Ritual in Transfigured Time', Senses of Cinema, 22

Brannigan ED, 2002, 'Sherril Dodds, Dance on Screen: Genres and Media from Hollywood to Experimental Art', Research In Dance Education, 3, pp. 89 - 90

Brannigan ED, 1998, 'Motion Pictures', Writings on Dance, 17, pp. 1 - 84

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