Select Publications
Book Chapters
2024, ''Doing Space': The Last Resort', in Precarious Movements, NGV Publications, Melbourne, pp. 118 - 125, https://store.ngv.vic.gov.au/products/precarious-movements-choreography-and-the-museum?variant=41370204110931
,2024, 'Flow across the border: curating choreographic art at Tate', in Brannigan E; Wallis P; Mathews H; Lawson L; Kirpalani A (ed.), Precarious MOvements, NGV Publications, Melbourne, pp. 92 - 101
,2024, 'When Choreography Enters the Museum', in Brannigan E; Wallis P; Mathews H; Lawson L; Kirpalani A (ed.), Precarious Movements, NGV Publications, Melbourne, pp. 1 - 10
,2023, 'Precarious Movements: Contemporary Dance as Contemporary Art', in magnin E; Holling H; Feltman JP (ed.), Performance: The Ethics and the Politics of Care , pp. 278-292. London: Routledge 2023., Routledge, London, pp. 278 - 292, http://dx.doi.org/10.4324/9781003309987
,2022, 'Shelley Lasica's Adventures with a Thing Called Choreography,', in Mathews H (ed.), Shelley Lasica: WHEN I AM NOT THERE, Monash University Publishing, Melbourne, pp. 39 - 61, https://publishing.monash.edu/product/shelley-lasica/
,2019, 'Whatever Happened to Dance Criticism?', in Thomas H; Prickett S (ed.), Routledge Companion to Dance Studies., Routledge, Oxon, UK, pp. 207 - 220, http://dx.doi.org/10.4324/9781315306551
,2018, 'Research as Co-Habitation: Experimental Composition across Theory and Practice', in Blades H; Meehan E (ed.), Performing Process Sharing Dance and Choreographic Practice, Intellect (UK), Bristol, pp. 218 - 263, http://www.intellectbooks.com/performing-process
,2018, 'Dance in the Gallery: Process and Memory', in Wycherley M (ed.), Invisible Histories, Limerick City Gallery, Limerick, Ireland
,2018, 'Non-Competitive Body States: Corporeal Freedom and Innovation in Contemporary Dance', in Dodds S (ed.), The Oxford Handbook of Dance and Competition, Oxford University Press, New York, pp. 283 - 304, http://dx.doi.org/10.1093/oxfordhb/9780190639082.001.0001
,2016, 'Yvonne Rainer's 'Lives of Performers': an 'undisciplined' encounter with the avant-garde', in Rosenberg D (ed.), The Oxford Handbook of Screendance Studies, edn. 1, Oxford University Press, New York, pp. 517 - 536
,2015, ''Dancing as Materiality: accumulation, texture, adornment and movement in Justene Williams' "The Curtain Breathed Deeply".', in Day C; Glass-Kantor A (ed.), Justene Williams - The Curtain Breathed Deeply, Artspace, Monash University Museum of Art, Sydney, pp. 45 - 47
,2014, 'Between Dance Practice and Choreography', in Brannigan E; Baxter V (ed.), Bodies of Thought: 12 Australian Choreographers, Wakefield Press, Kent Town, South Aust, pp. 6 - 8, http://www.wakefieldpress.com.au/product.php?productid=1172&cat=0&page=&featured=Y
,2014, 'Bodies of Thought', in Baxter V; Brannigan E (ed.), Bodies of Thought: 12 Australian Choreographers, Wakefield Press, Kent Town, S. Aust, pp. 1 - 3, http://www.wakefieldpress.com.au/product.php?productid=1172&cat=0&page=&featured=Y
,2014, 'Choreographing Texture', in Bodies of Thought: 12 Australian Choreographers, Wakefield Press, Kent Town SA, pp. 138 - 142, http://www.wakefieldpress.com.au/product.php?productid=1172&cat=0&page=&featured=Y
,2014, 'Dance and the World: The Duality of Craft and Content', in Bodies of Thought: 12 Australian Choreographers, Wakefield Press, Kent Town SA, pp. 46 - 47
,2014, 'Dance Theatre: Expanding the Form', in Bodies of Thought: 12 Australian Choreographers, pp. 92 - 93
,2014, 'Dance: Dance and Film', in Kelly M (ed.), The Oxford Encyclopaedia of Aesthetics, edn. 2nd, Oxford University Press, New York, NY
,2014, 'Dancing at the Intersections of Time, Space and Language', in Bodies of Thought: 12 Australian Choreographers, Wakefield Press, Kent Town SA, pp. 132 - 133
,2003, 'Choreography', in Whiteoak J; Scott-Maxwell A (ed.), Currency Companion to Music & Dance in Australia, edn. Original, Currency House Inc., Sydney, pp. 130 - 131
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