By Associate Professor Felicity Fenner

Books

Fenner F, 2023, Roslyn Oxley9 Gallery: The First Forty Years, Fenner F, (ed.), Formist Editions, Sydney, Australia

Fenner F, 2023, Roslyn Oxley9 Gallery

Fenner F, 2022, Readymade Ruin: Claire Healy & Sean Cordeiro, Formist, Sydney

Fenner F, 2022, Curating in a Time of Ecological Crisis: Biennales as Agents of Change, Routledge, Oxford, https://www.routledge.com/Curating-in-a-Time-of-Ecological-Crisis-Biennales-as-Agents-of-Change/Fenner/p/book/9780367671921

Fenner FM, 2017, Running the City: why public art matters, NewSouth Publications, Sydney, Australia, https://ebookcentral-proquest-com.wwwproxy1.library.unsw.edu.au/lib/unsw/detail.action?docID=4987490#

Fenner FM; Beaumont J; McDonald J, 2012, The Land and its Psyche, New South Press, Sydney Australia

, 2008, Handle with Care: 2008 Adelaide Biennial of Australian Art, Fenner FM, (ed.), Art Gallery of South Australia, Adelaide, S. A.

, 2005, Primavera 2005 Exhibition by Young Australian Artists

Fenner FM; Bruce C, 2000, Marion Borgelt, 21C, Sydney Australia

Fenner FM, 1996, Paul Richards: A Certain Fiction, Carling Dalenson, Stockholm, Sweden

Book Chapters

Fenner F; Parr M; Abramovic M; Monbiot G, 2022, 'Rewilding', in Roca J; Salazar JF (ed.), 23rd Biennale of Sydney: rivus - a glossary of water, Biennale of Sydney, Sydney, pp. 382 - 399

Fenner F, 2022, 'Women as Storytellers: Public Art in Sydney', in Let's Go Outside: Art in Public, Monash University Publishing, Melbourne

Fenner F, 2021, 'Women as Storytellers: Public Art in Sydney', in Day C; Morton C; Spiers A (ed.), Let’s go Outside: Art in Public, Monash University Publishing, Melbourne, https://www.monash.edu/muma/public-programs/previous/2023/lets-go-outside-art-in-public-launch-event

Fenner FM, 2018, 'Evolution and Theory', in Zadok Ben-David, Circa, London UK

Fenner F, 2018, 'Ken Unsworth: The Paintings', in Ken Unsworth, ARTANDFOUNDATION, Sydney, Australia, pp. 43 - 65

Fenner FM, 2015, 'It's a copy, right?', in McGuinness P (ed.), Copyfight, New South Publishing, Sydney Australia, pp. 239 - 253

Croft B, 2013, 'Changing times, timing changes', in Betts G (ed.), Making change: celebrating 40 years of Australia-China diplomatic relations, Australian Centre for Photography, Paddington, NSW, pp. 29 - 44

Fenner FM, 2013, 'James Darling & Lesley Forwood', in Heartland, Art Gallery of South Australia, Adelaide, Australia

Fenner FM, 2013, 'Reimagining Old Haunts', in If you were to live here..., Auckland Art Gallery, Auckland, NZ, pp. 31 - 35

Fenner FM, 2012, 'Tallstoria', in Egan F (ed.), Aquilizan, Alfredo & Isabel: In Habitat - Project Another Country, Sherman Contemporary Art Foundation, Sydney, pp. 91 - 105, http://sherman-scaf.org.au/publication/alfredo-isabel-aquilizan-in-habit-project-another-country/

Fenner FM, 2008, 'Fragile State', in Handle with Care: 2008 Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide, S. A., pp. 17 - 24

Fenner FM, 2006, 'My Place or Yours?', in French B; Cruickshank A (ed.), Broadsheet, CASCA, Adelaide, pp. 210 - 213

Fenner FM, 2004, 'Thinking Beyond Abstraction', in Talking About Abstraction, University of New South Wales, Sydney, Australia

Fenner FM, 2001, 'Chihuahuas and Currawongs; humour and the Australian landscape in the recent work of Ken Unsworth', in Getczy A; Genocchio B (ed.), What Is Installation?, Power Publications, Sydney, pp. 95 - 100

Fenner FM, 1999, 'Living here now', in Art and politics: living here now. Australian Perspecta 99, Art Gallery of New South Wales, Sydney, pp. 58 - 59

Fenner FM, 1999, 'Zadok Ben-David', in Evolution and theory: Zadok Ben-David, Earl Lu Gallery, Singaproe, pp. 8 - 11

Fenner FM, 1998, 'Rasheed Araeen, David Cunningham, Mike Marshall, owada, William Seeto', in Biennale of Sydney: everyday, Biennale of Sydney, Sydney, Australia

Fenner FM, 1998, 'Vernacular vagaries', in Ken Unsworth, Bookman Schwartz, Melbourne, pp. 21 - 24

Fenner FM; Waterlow NA, 1997, 'Between Art and Nature`', in Australian Perspecta 1997: Between Art and Nature, Art Gallery of New South Wales, Sydney, Australia, pp. 32 - 32

Fenner FM, 1997, 'World Between`', in Ninth Triennale?India, Lalit Kala Akademi, New Delhi, India, pp. 13 ~ 243 - 13 ~ 243

Journal articles

Fenner F, 2022, 'Not Too Shabby', Australian Art Collector

Fenner F, 2022, ''Rich with wonder': the 2022 Sydney Biennale finds connection and relevance in troubled times', The Conversation, https://theconversation.com/rich-with-wonder-the-2022-sydney-biennale-finds-connection-and-relevance-in-troubled-times-177133

Fenner F, 2022, 'The Wonder of Trees: Engaging Public Art', Shuddhashar, https://shuddhashar.com/the-wonder-of-trees-engaging-public-art/

Fenner F, 2021, 'Despair and hope; anger and optimism: The National 2021 highlights care in Australian art', The Conversation, https://theconversation.com/profiles/felicity-fenner-184514/articles

Fenner F, 2020, 'Sydney Biennale: an incisive global perspective on deeper crises', The Conversation, https://theconversation.com/sydney-biennale-review-an-incisive-global-perspective-on-deeper-crises-131203

Fenner F, 2020, 'De-Beuysed but not forgotten', Public Art Dialogue, 9, pp. 182 - 191, http://dx.doi.org/10.1080/21502552.2019.1644131

Fenner F, 2019, 'Art vs Adani: how Australian artists are protesting', Arts Hub, https://www.artshub.com.au/news-article/opinions-and-analysis/trends-and-analysis/the-conversation/art-vs-adani-how-australian-artists-are-protesting-258514

Fenner F, 2019, 'Protest art: rallying cry or elegy', The Conversation, https://theconversation.com/protest-art-rallying-cry-or-elegy-for-the-black-throated-finch-120593

Fenner F, 2019, 'As we face pressing global issues, the pavilions of Venice Biennale are a 21st century anomaly', The Conversation, https://theconversation.com/as-we-face-pressing-global-issues-the-pavilions-of-venice-biennale-are-a-21st-century-anomaly-117078

Fenner F, 2018, 'When Trump comes to Australia, let's hope protesters get more creative', The Conversations, https://theconversation.com/when-trump-comes-to-australia-lets-hope-protesters-get-more-creative-than-the-baby-blimp-100583

Fenner F, 2017, 'Sydney's mean-spirited approach to public art', The Conversation, https://theconversation.com/sydneys-cloud-arch-critics-and-our-mean-spirited-approach-to-public-art-83637

Fenner FM, 2015, 'Home Ground Advantage', Australian & New Zealand Journal of Art, 15, pp. 2 - 19, http://dx.doi.org/10.1080/14434318.2015.1045442

Fenner FM, 2015, 'Running the City', Studies in Material Thinking, 12, pp. 1 - 17, https://www.materialthinking.org/papers/184

Fenner FM, 2014, 'Home Ground Advantage', , 2, http://scapebiennial.org.nz/scape7

Fenner FM, 2011, 'Sandra Selig, be some other material', Column, pp. 125 - 129, http://www.artspace.org.au/publications_column.php?i=8

Fenner FM; Snepvangers K, 2010, 'COFA Heads to Venice', , pp. 52 - 55, http://acuads.com.au/conference/2013-conference

Fenner FM, 2010, 'Catalyst of Change', Artlink: Australian contemporary art quarterly, pp. 28 - 35

Fenner FM, 2008, 'In Conversation: Felicity Fenner speaks with eight artists from `Handle with Care`', Art and Australia, 45:3, pp. 344 - 349

Fenner FM, 2008, 'Mind the Gap: Richard Goodwin', Art World, Aug/Sept, pp. 110 - 114

Fenner FM, 2008, 'Places and contexts in two Singapore Biennales: curating courtrooms, containers and camps', Artlink: Australian contemporary art quarterly, 28:4, pp. 40 - 46

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