By Associate Professor Lizzie Muller

Books

Frost A, 2011, Awfully Wonderful: Science Fiction in Contemporary Art, Dean B; Muller L, (ed.), Performance Space Pty Ltd

Book Chapters

Bennett J; Froggett L; Muller L, 2022, 'Facilitating environments: An arts-based psychosocial design approach', in Bennett J (ed.), The Big Anxiety: Taking Care of Mental Health in Times of Crisis, Bloomsbury Academic, London & New York, pp. 93 - 111, https://www.bloomsbury.com/au/big-anxiety-9781350297791/

Muller L, 2021, 'Appreciative systems in doing and supervising curatorial practice-based research', in Vear C; Candy L; Edmonds E (ed.), The Routledge International Handbook of Practice-Based Research, Routledge, London, pp. 267 - 276, http://dx.doi.org/10.4324/9780429324154-19

Muller L; Allas T, 2021, 'Digital-physical-emotional immersion in country: bearing withness to the Appin massacre', in Muller L; Langill C (ed.), Curating Lively Objects Exhibitions Beyond Disciplines, Routledge, London, pp. 214 - 224, https://www.routledge.com/Curating-Lively-Objects-Exhibitions-Beyond-Disciplines/Muller-Langill/p/book/9780367148027

Muller L; Langill C, 2021, 'Introduction: how lively objects disrupt disciplinary display', in Muller L; Langill C (ed.), Curating Lively Objects Exhibitions Beyond Disciplines, Routledge, London, pp. 1 - 19, https://www.routledge.com/Curating-Lively-Objects-Exhibitions-Beyond-Disciplines/Muller-Langill/p/book/9780367148027

Muller L; Dyer K, 2021, 'Objects, energies and curating resonance across disciplines', in Muller L; Langill C (ed.), Curating Lively Objects Exhibitions Beyond Disciplines, Routledge, London, pp. 179 - 194, https://www.taylorfrancis.com/chapters/edit/10.4324/9780429053481-15/objects-energies-curating-resonance-across-disciplines-katie-dyer-lizzie-muller

Muller L; Davis A, 2021, 'Troublemakers in the museum: robots, romance and the performance of liveliness', in Muller L; Langill C (ed.), Curating Lively Objects: exhibitions beyond disciplines, Routledge, London, pp. 49 - 59

Muller L, 2016, 'Brook Andrew - In This Case', in Matthews, Hannah (ed.), The Biography of Things, Australian Centre for Contemporary Arts, Melbourne

Muller L; Langill C, 2016, 'Curating Lively Objects: Post-disciplinary Affordances for Media Art Exhibition', in England D; Schiphorst T; Bryan-Kinns N (ed.), Curating the Digital: Space for art and interaction, Springer International Publishing, Switzerland, pp. 31 - 49, http://dx.doi.org/10.1007/978-3-319-28722-5

Muller L, 2014, 'Collecting experience: the multiple incarnations of Very Nervous System', in Graham B (ed.), New Collecting: Exhibiting and Audiences after New Media Art, Ashgate Publishing, Ltd., pp. 183 - 202, http://virtueelplatform.nl/english/news/archive-2020-sustainable-archiving-of-born-digital-cultural-content/

Muller L, 2012, 'Learning from experience: a reflective curatorial practice', in Candy L; Edmonds E (ed.), Interacting: art, research and the creative practitioner, Libri Publishing, Faringdon, Oxfordshire, pp. 94 - 106, http://www.amazon.com/Interacting-Art-Research-Creative-Practitioner/dp/1907471480

Muller L, 2010, 'Oral history and the media art audience', in Dekker A (ed.), Archive2020: Sustainable archiving of born-digital cultural content, VBrtueel-Platform, Amsterdam, Netherlands, pp. 69 - 81, http://virtueelplatform.nl/english/news/archive-2020-sustainable-archiving-of-born-digital-cultural-content/

Edited Books

Muller L; Langill C, (ed.), 2021, Curating Lively Objects: Exhibitions Beyond Disciplines, Routledge, London, https://www.routledge.com/Curating-Lively-Objects-Exhibitions-Beyond-Disciplines/Muller-Langill/p/book/9780367148027

Edmonds E; Muller L; Tillman D, (eds.), 2006, Engage: Interaction, Art & Audience Experience, Creativity and Cognition Studios Press, Sydney, Australia, https://www.creativityandcognition.com/engage06/

Journal articles

Bennett J; Froggett L; Muller L, 2019, 'Psycho-social aesthetics and the art of lived experience', The Journal of Psychosocial Studies, 12, pp. 185 - 201, http://dx.doi.org/10.1332/147867319X15608718111023

Bennett J; Froggett L; Kenning G; Manley J; Muller L; Bennett J, 2019, 'Memory Loss and Scenic Experience: An Arts Based Investigation', Forum: Qualitative Social Research/Forum Qualitative Sozialforschung, 20, http://dx.doi.org/10.17169/fqs-20.1.3126

Froggett L; Muller L; Bennett J, 2019, 'The work of the audience: visual matrix methodology in museums', Cultural Trends, 28, pp. 162 - 176, http://dx.doi.org/10.1080/09548963.2019.1617939

Muller L; Froggett L; Bennett J, 2018, 'Emergent Knowledge in the Third Space of Art-Science', Leonardo, 53, pp. 321 - 326, http://dx.doi.org/10.1162/leon_a_01690

Muller L, 2018, '‘The Museum of Today’: Harald Szeemann’s Science Fiction', The Journal of Curatorial Studies, 7, pp. 76 - 95, http://dx.doi.org/10.1386/jcs.7.1.76_1

Muller L, 2016, 'Book Review. Talking Contemporary Curating, Terry Smith. New York: Independent Curators International (2015).', Journal of Curatorial Studies, 5, pp. 419 - 422, http://dx.doi.org/10.1386/jcs.5.3.419_5

Muller L, 2015, 'The Return of the Wonderful: Monanisms and the undisciplined objects of media art', Studies in Material Thinking, 12, https://www.materialthinking.org/papers/185

Muller L; Dovey KA, 2011, 'Dangerous learning in edgy contexts: creativity and innovation in the South African arts domain', Internal Journal of Life Long Learning, 30, pp. 613 - 629, http://dx.doi.org/10.1080/02601370.2011.611907

Edmonds E; Bilda Z; Muller L, 2009, 'Artist, evaluator and curator: three viewpoints on interactive art, evaluation and audience experience', Digital Creativity, 20, pp. 141 - 151, http://dx.doi.org/10.1080/14626260903083579

Muller L; Jones C, 2008, 'Between real and ideal: documenting media art', Leonardo: Art Science and Technology, 41, pp. 418 - 419, http://www.leonardo.info/isast/journal/toc414.html

Muller L; Edmonds E; Connell M, 2006, 'Living laboratories for interactive art', CoDesign, 2, pp. 195 - 207, http://dx.doi.org/10.1080/15710880601008109

Conference Papers

Bartlett VC; Muller L, 2017, 'Curating/Containing: Exhibiting Digital Art About Mental Health', in Arango JJ; Bubarno A; Londoño F; Mauricio Mejía G (eds.), BIO-CREATION AND PEACE Proceedings, Department of Visual Design, Universidad de Caldas, Manizales, Colombia, pp. 279 - 288, presented at 23rd International Symposium on Electronic Art, Manizales, Colombia, 11 June 2017 - 18 June 2017, http://www.isea-archives.org/docs/2017/proceedings/ISEA2017_Proceedings.pdf

Muller L; Bennett J; Froggett L; Bartlett V, 2015, 'Understanding Third Space: Evaluating Art-Science Collaboration', in Shiphorst T; Pasquier P (ed.), Proceedings of the 21st International Symposium of Electronic Arts, ISEA 2015: Disruption, Simon Fraser University, Simon Fraser University, Vancouver, presented at ISEA 2015: Disruption, Simon Fraser University, Vancouver, 14 August 2015 - 19 August 2015, http://isea2015.org/publications/proceedings-of-the-21st-international-symposium-on-electronic-art/

Muller L, 2013, 'Speculative Objects: materialising science fiction', in Cleland K; Fisher L; Harley R (eds.), Proceedings of the 19th International Sympsoium on Electronic Art, ISEA International, the Australian Network for Art & Technology and the University of Sydney, Sydney, presented at ISEA 2013, Sydney, 07 June 2013 - 16 June 2013, http://ses.library.usyd.edu.au/handle/2123/9475

Muller L, 2012, 'Speculative Objects: Visual Arts and Science Fiction Futures', in Rosengren M; Kennedy C (ed.), SPECTRA: Images and Data in Art/Science the currency of Images in the studio and the laboratory : Proceedings from the symposium SPECTRA 2012, Adelaide : Australian Network for Art and Technology (ANAT), CSIRO Discovery Centre, presented at SPECTRA 2012, CSIRO Discovery Centre, 02 October 2012 - 06 October 2012, http://www.anat.org.au/wp-content/uploads/2014/05/SPECTRA-book-FINAL-low-res.pdf

Muller L; Jones C, 2010, 'Take part: participatory methods in art and design', in Robertson T; Bodker K; Bratteteig T; Loi D (eds.), Proceedings of the 11th Biennial Participatory Design Conference, ACM New York, Sydney, pp. 283 - 284, presented at 11th Biennial Participatory Design Conference, Sydney, 29 November 2010 - 03 December 2010, http://dx.doi.org/10.1145/1900441.1900509

Muller L; Ride P; Stern N; Kwastek K; Salter C, 2010, 'A-X: audience experience in media art research', in Funke J; Riekeles S; Broeckmann A; Hartware MediaKunstverein (eds.), Proceedings of the 16th International Symposium on Electronic Art, Revolver Publishing, Ruhr, pp. 310 - 315, presented at ISEA 2010, Ruhr, 20 August 2010 - 29 August 2010, http://www.isea2010ruhr.org/publications

Muller L; Bawa M, 2010, 'Evaluating first year experiences in design education using "first Year attributes"', in Thomas J (ed.), 13th Pacific Rim First Year in Higher Education Conference Proceedings, QUT Publishing, Adelaide, pp. 1 - 5, presented at 13th Pacific Rim First Year in Higher Education Conference, Adelaide, 27 June 2010 - 30 June 2010, http://fyhe.com.au/conference/past-papers/

Muller L; Jones C, 2009, 'An indeterminate archive for David Rokeby's Giver of Names', in Thomas P; Cubitt S (ed.), Re: Live 3rd International Conference on Media Arts Histories, Melbourne, pp. 114 - 119, presented at Re: Live 2009, Melbourne, 27 November 2009 - 29 November 2009

Muller L; Edmonds EA; Bilda Z, 2009, 'Artist, evaluator and curator: three viewpoints on interactive art, evaluation and audience experience', in Boyd Davis S; Nuhn R (ed.), Completing the Circle Symposium: Creative Evaluation and the Digital, British Computer Society, The Davidson Building, London, presented at Completing the Circle Symposium, British Computer Society, The Davidson Building, London, 19 January 2009 - 19 January 2009

Conference Presentations

Muller L; Murray A, 2019, 'Under the Dust and Dirt: A Discussion About Architectural Models with Allan Wexler', presented at Frascari Symposium IV The Secret Lives of Architectural Drawings and Models, Kingston University, 27 June 2019 - 28 June 2019

Muller L, 2014, 'Exiting the Spacecraft: Szeemann’s Science Fiction and the White Cube', presented at Conquest of Space, Sydney, 14 June 2014 - 14 June 2014

Conference Abstracts

Murray A; Muller L, (ed.), 2019, 'Under the dust and dirt : a discussion about architectural models with Allan Wexler', in Frascari Symposium IV: The Secret Lives of Architectural Drawings and Models; From Translating to Archiving, Collecting and Displaying, Department of Architecture and Landscape, Kingston School of Art (KSA) Kingston University - Knights Park Campus - Grange Road - Kingston upon Thames - KT1 2QJ, presented at Frascari Symposium IV: The Secret Lives of Architectural Drawings and Models; From Translating to Archiving, Collecting and Displaying, Department of Architecture and Landscape, Kingston School of Art (KSA) Kingston University - Knights Park Campus - Grange Road - Kingston upon Thames - KT1 2QJ, 27 June 2019 - 29 June 2019

Reports

Muller L; Thompson C; Hill T; Kusuma A, 2023, Supporting Carers at UNSW Sydney, UNSW Women's Wellbeing Academy, Sydney, https://www.edi.unsw.edu.au/get-involved/womens-wellbeing-academy/career-coaching-carers

Curatorial Outputs

Muller L; Crouch L; Full credit list at this URL: HBQQGAB-C-T-T-M-I-M-B-C-H, 2023, Mangal Bungal: Clever Hands, exhibited at: Queensland Museum, Brisbane, 07 July 2023 - 09 July 2023, https://www.museum.qld.gov.au/kurilpa/whats-on/mangal-bungal-clever-hands

Muller L; Dyer K, 2018, Human Non Human, exhibited at: Powerhouse Museum, Sydney, 07 August 2018 - 20 January 2019, https://maas.museum/event/human-non-human/

Muller L; Williams H, 2017, A Working Model of the World, exhibited at: UNSW Galleries, Sydney, Sheila C Johnson Design Centre, The New School, New York, LifeSpace Dundee, 04 May 2017 - 22 September 2018, http://dx.doi.org/10.26190/unsworks/26406

Muller L; Muller L; Seck Langill C, 2015, Lively Objects: Enchantment and Disruption at the Museum of Vancouver, exhibited at: Vancouver, 16 August 2015 - 12 October 2015, https://museumofvancouver.ca/exhibitions/exhibit/lively-objects

Muller L; Dean B, 2011, Awfully Wonderful: Science fiction in Contemporary Art, exhibited at: Performance Space, Sydney, 15 April 2011 - 14 May 2011, http://www.realtimearts.net/article/issue103/10352

Muller L; Loke L, 2010, The art of Participatory Design, exhibited at: UTS, Sydney, 30 November 2010 - 10 December 2010, http://architectureinsights.com.au/events/the-art-of-participatory-design/

Muller L; Cleland K, 2008, Mirror States, exhibited at: Campbelltown Art Centre, 16 May 2008 - 05 July 2008, http://www.realtimearts.net/article/issue87/9179

Creative Written Works

Muller L, 2017, A tree falls, Sounding the Future Exhibition Catalogue, Priest G, (ed.), UTS Gallery, http://www.soundingthefuture.com/epub/SoundingtheFuture_catalogue.pdf

Muller L, 2013, Experiencing Anish Kapoor, Anish Kapoor "Living Catalogue", McGregor EA, (ed.), Museum of Contemporary Art

Muller L; Dean B, 2011, Awfully wonderful: science fiction in contemporary art, Awfully wonderful: science fiction in contemporary art, Muller L; Dean B, (ed.), Performance Space

Muller L; Jones C, 2010, An indeterminate archive for David Rokeby’s Very Nervous System, Daniel Langlois Foundation, http://www.fondation-langlois.org/html/e/page.php?NumPage=2186

Muller L, 2010, An interview with Raquel Ormella, Raquel Ormella: she went that way, Keehan R, (ed.), Artspace Visual Arts Centre

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