Select Publications
Books
2011, Awfully Wonderful: Science Fiction in Contemporary Art, Dean B; Muller L, (ed.), Performance Space Pty Ltd
,Book Chapters
2022, 'Facilitating environments: An arts-based psychosocial design approach', in Bennett J (ed.), The Big Anxiety: Taking Care of Mental Health in Times of Crisis, Bloomsbury Academic, London & New York, pp. 93 - 111, https://www.bloomsbury.com/au/big-anxiety-9781350297791/
,2021, 'Appreciative systems in doing and supervising curatorial practice-based research', in Vear C; Candy L; Edmonds E (ed.), The Routledge International Handbook of Practice-Based Research, Routledge, London, pp. 267 - 276, http://dx.doi.org/10.4324/9780429324154-19
,2021, 'Digital-physical-emotional immersion in country: bearing withness to the Appin massacre', in Muller L; Langill C (ed.), Curating Lively Objects Exhibitions Beyond Disciplines, Routledge, London, pp. 214 - 224, https://www.routledge.com/Curating-Lively-Objects-Exhibitions-Beyond-Disciplines/Muller-Langill/p/book/9780367148027
,2021, 'Introduction: how lively objects disrupt disciplinary display', in Muller L; Langill C (ed.), Curating Lively Objects Exhibitions Beyond Disciplines, Routledge, London, pp. 1 - 19, https://www.routledge.com/Curating-Lively-Objects-Exhibitions-Beyond-Disciplines/Muller-Langill/p/book/9780367148027
,2021, 'Objects, energies and curating resonance across disciplines', in Muller L; Langill C (ed.), Curating Lively Objects Exhibitions Beyond Disciplines, Routledge, London, pp. 179 - 194, https://www.taylorfrancis.com/chapters/edit/10.4324/9780429053481-15/objects-energies-curating-resonance-across-disciplines-katie-dyer-lizzie-muller
,2021, 'Troublemakers in the museum: robots, romance and the performance of liveliness', in Muller L; Langill C (ed.), Curating Lively Objects: exhibitions beyond disciplines, Routledge, London, pp. 49 - 59
,2016, 'Brook Andrew - In This Case', in Matthews, Hannah (ed.), The Biography of Things, Australian Centre for Contemporary Arts, Melbourne
,2016, 'Curating Lively Objects: Post-disciplinary Affordances for Media Art Exhibition', in England D; Schiphorst T; Bryan-Kinns N (ed.), Curating the Digital: Space for art and interaction, edn. Cultural Computing, Springer International Publishing, Switzerland, pp. 31 - 49, http://dx.doi.org/10.1007/978-3-319-28722-5
,2014, 'Collecting experience: the multiple incarnations of Very Nervous System', in Graham B (ed.), New Collecting: Exhibiting and Audiences after New Media Art, Ashgate Publishing, Ltd., pp. 183 - 202, http://virtueelplatform.nl/english/news/archive-2020-sustainable-archiving-of-born-digital-cultural-content/
,2012, 'Learning from experience: a reflective curatorial practice', in Candy L; Edmonds E (ed.), Interacting: art, research and the creative practitioner, Libri Publishing, Faringdon, Oxfordshire, pp. 94 - 106, http://www.amazon.com/Interacting-Art-Research-Creative-Practitioner/dp/1907471480
,2010, 'Oral history and the media art audience', in Dekker A (ed.), Archive2020: Sustainable archiving of born-digital cultural content, VBrtueel-Platform, Amsterdam, Netherlands, pp. 69 - 81, http://virtueelplatform.nl/english/news/archive-2020-sustainable-archiving-of-born-digital-cultural-content/
,Edited Books
Muller L; Langill C, (ed.), 2021, Curating Lively Objects: Exhibitions Beyond Disciplines, Routledge, London, https://www.routledge.com/Curating-Lively-Objects-Exhibitions-Beyond-Disciplines/Muller-Langill/p/book/9780367148027
Edmonds E; Muller L; Tillman D, (eds.), 2006, Engage: Interaction, Art & Audience Experience, Creativity and Cognition Studios Press, Sydney, Australia, https://www.creativityandcognition.com/engage06/
Journal articles
2019, 'Psycho-social aesthetics and the art of lived experience', The Journal of Psychosocial Studies, 12, pp. 185 - 201, http://dx.doi.org/10.1332/147867319X15608718111023
,2019, 'Memory Loss and Scenic Experience: An Arts Based Investigation', Forum: Qualitative Social Research/Forum Qualitative Sozialforschung, 20, http://dx.doi.org/10.17169/fqs-20.1.3126
,2019, 'The work of the audience: visual matrix methodology in museums', Cultural Trends, 28, pp. 162 - 176, http://dx.doi.org/10.1080/09548963.2019.1617939
,2018, 'Emergent Knowledge in the Third Space of Art-Science', Leonardo, 53, pp. 321 - 326, http://dx.doi.org/10.1162/leon_a_01690
,2018, '‘The Museum of Today’: Harald Szeemann’s Science Fiction', The Journal of Curatorial Studies, 7, pp. 76 - 95, http://dx.doi.org/10.1386/jcs.7.1.76_1
,2016, 'Book Review. Talking Contemporary Curating, Terry Smith. New York: Independent Curators International (2015).', Journal of Curatorial Studies, 5, pp. 419 - 422, http://dx.doi.org/10.1386/jcs.5.3.419_5
,2015, 'The Return of the Wonderful: Monanisms and the undisciplined objects of media art', Studies in Material Thinking, 12, https://www.materialthinking.org/papers/185
,2011, 'Dangerous learning in edgy contexts: creativity and innovation in the South African arts domain', Internal Journal of Life Long Learning, 30, pp. 613 - 629, http://dx.doi.org/10.1080/02601370.2011.611907
,2009, 'Artist, evaluator and curator: three viewpoints on interactive art, evaluation and audience experience', Digital Creativity, 20, pp. 141 - 151, http://dx.doi.org/10.1080/14626260903083579
,2008, 'Between real and ideal: documenting media art', Leonardo: Art Science and Technology, 41, pp. 418 - 419, http://www.leonardo.info/isast/journal/toc414.html
,2006, 'Living laboratories for interactive art', CoDesign, 2, pp. 195 - 207, http://dx.doi.org/10.1080/15710880601008109
,Conference Papers
2017, 'Curating/Containing: Exhibiting Digital Art About Mental Health', in Arango JJ; Bubarno A; Londoño F; Mauricio Mejía G (eds.), BIO-CREATION AND PEACE Proceedings, Department of Visual Design, Universidad de Caldas, Manizales, Colombia, pp. 279 - 288, presented at 23rd International Symposium on Electronic Art, Manizales, Colombia, 11 June 2017 - 18 June 2017, http://www.isea-archives.org/docs/2017/proceedings/ISEA2017_Proceedings.pdf
,2015, 'Understanding Third Space: Evaluating Art-Science Collaboration', in Shiphorst T; Pasquier P (ed.), Proceedings of the 21st International Symposium of Electronic Arts, ISEA 2015: Disruption, Simon Fraser University, Simon Fraser University, Vancouver, presented at ISEA 2015: Disruption, Simon Fraser University, Vancouver, 14 August 2015 - 19 August 2015, http://isea2015.org/publications/proceedings-of-the-21st-international-symposium-on-electronic-art/
,2013, 'Speculative Objects: materialising science fiction', in Cleland K; Fisher L; Harley R (eds.), Proceedings of the 19th International Sympsoium on Electronic Art, ISEA International, the Australian Network for Art & Technology and the University of Sydney, Sydney, presented at ISEA 2013, Sydney, 07 June 2013 - 16 June 2013, http://ses.library.usyd.edu.au/handle/2123/9475
,2012, 'Speculative Objects: Visual Arts and Science Fiction Futures', in Rosengren M; Kennedy C (ed.), SPECTRA: Images and Data in Art/Science the currency of Images in the studio and the laboratory : Proceedings from the symposium SPECTRA 2012, Adelaide : Australian Network for Art and Technology (ANAT), CSIRO Discovery Centre, presented at SPECTRA 2012, CSIRO Discovery Centre, 02 October 2012 - 06 October 2012, http://www.anat.org.au/wp-content/uploads/2014/05/SPECTRA-book-FINAL-low-res.pdf
,2010, 'Take part: participatory methods in art and design', in Robertson T; Bodker K; Bratteteig T; Loi D (eds.), Proceedings of the 11th Biennial Participatory Design Conference, ACM New York, Sydney, pp. 283 - 284, presented at 11th Biennial Participatory Design Conference, Sydney, 29 November 2010 - 03 December 2010, http://dx.doi.org/10.1145/1900441.1900509
,2010, 'A-X: audience experience in media art research', in Funke J; Riekeles S; Broeckmann A; Hartware MediaKunstverein (eds.), Proceedings of the 16th International Symposium on Electronic Art, Revolver Publishing, Ruhr, pp. 310 - 315, presented at ISEA 2010, Ruhr, 20 August 2010 - 29 August 2010, http://www.isea2010ruhr.org/publications
,2010, 'Evaluating first year experiences in design education using "first Year attributes"', in Thomas J (ed.), 13th Pacific Rim First Year in Higher Education Conference Proceedings, QUT Publishing, Adelaide, pp. 1 - 5, presented at 13th Pacific Rim First Year in Higher Education Conference, Adelaide, 27 June 2010 - 30 June 2010, http://fyhe.com.au/conference/past-papers/
,2009, 'An indeterminate archive for David Rokeby's Giver of Names', in Thomas P; Cubitt S (ed.), Re: Live 3rd International Conference on Media Arts Histories, Melbourne, pp. 114 - 119, presented at Re: Live 2009, Melbourne, 27 November 2009 - 29 November 2009
,2009, 'Artist, evaluator and curator: three viewpoints on interactive art, evaluation and audience experience', in Boyd Davis S; Nuhn R (ed.), Completing the Circle Symposium: Creative Evaluation and the Digital, Completing the Circle Symposium, British Computer Society, The Davidson Building, London, presented at Completing the Circle Symposium, British Computer Society, The Davidson Building, London, 19 January 2009 - 19 January 2009
,Conference Presentations
2019, 'Under the Dust and Dirt: A Discussion About Architectural Models with Allan Wexler', presented at Frascari Symposium IV The Secret Lives of Architectural Drawings and Models, Kingston University, 27 June 2019 - 28 June 2019
,2014, 'Exiting the Spacecraft: Szeemann’s Science Fiction and the White Cube', presented at Conquest of Space, Sydney, 14 June 2014 - 14 June 2014
,Conference Abstracts
(ed.), 2019, 'Under the dust and dirt : a discussion about architectural models with Allan Wexler', in Frascari Symposium IV: The Secret Lives of Architectural Drawings and Models; From Translating to Archiving, Collecting and Displaying, Department of Architecture and Landscape, Kingston School of Art (KSA) Kingston University - Knights Park Campus - Grange Road - Kingston upon Thames - KT1 2QJ, presented at Frascari Symposium IV: The Secret Lives of Architectural Drawings and Models; From Translating to Archiving, Collecting and Displaying, Department of Architecture and Landscape, Kingston School of Art (KSA) Kingston University - Knights Park Campus - Grange Road - Kingston upon Thames - KT1 2QJ, 27 June 2019 - 29 June 2019
,Reports
2023, Supporting Carers at UNSW Sydney, UNSW Women's Wellbeing Academy, Sydney, https://www.edi.unsw.edu.au/get-involved/womens-wellbeing-academy/career-coaching-carers
,Curatorial Outputs
2023, Mangal Bungal: Clever Hands, exhibited at: Queensland Museum, Brisbane, 07 July 2023 - 09 July 2023, https://www.museum.qld.gov.au/kurilpa/whats-on/mangal-bungal-clever-hands
,2018, Human Non Human, exhibited at: Powerhouse Museum, Sydney, 07 August 2018 - 20 January 2019, https://maas.museum/event/human-non-human/
,2017, A Working Model of the World, exhibited at: UNSW Galleries, Sydney, Sheila C Johnson Design Centre, The New School, New York, LifeSpace Dundee, 04 May 2017 - 22 September 2018, http://dx.doi.org/10.26190/unsworks/26406
,2015, Lively Objects: Enchantment and Disruption at the Museum of Vancouver, exhibited at: Vancouver, 16 August 2015 - 12 October 2015, https://museumofvancouver.ca/exhibitions/exhibit/lively-objects
,2011, Awfully Wonderful: Science fiction in Contemporary Art, exhibited at: Performance Space, Sydney, 15 April 2011 - 14 May 2011, http://www.realtimearts.net/article/issue103/10352
,2010, The art of Participatory Design, exhibited at: UTS, Sydney, 30 November 2010 - 10 December 2010, http://architectureinsights.com.au/events/the-art-of-participatory-design/
,2008, Mirror States, exhibited at: Campbelltown Art Centre, 16 May 2008 - 05 July 2008, http://www.realtimearts.net/article/issue87/9179
,Creative Written Works
2017, A tree falls, Sounding the Future Exhibition Catalogue, Priest G, (ed.), UTS Gallery, http://www.soundingthefuture.com/epub/SoundingtheFuture_catalogue.pdf
,2013, Experiencing Anish Kapoor, Anish Kapoor "Living Catalogue", McGregor EA, (ed.), Museum of Contemporary Art
,2011, Awfully wonderful: science fiction in contemporary art, Awfully wonderful: science fiction in contemporary art, Muller L; Dean B, (ed.), Performance Space
,2010, An indeterminate archive for David Rokeby’s Very Nervous System, An indeterminate archive for David Rokeby’s Very Nervous System, Daniel Langlois Foundation, http://www.fondation-langlois.org/html/e/page.php?NumPage=2186
,2010, An interview with Raquel Ormella, Raquel Ormella: she went that way, Keehan R, (ed.), Artspace Visual Arts Centre
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