Select Publications

Books

Frost A, 2011, Awfully Wonderful: Science Fiction in Contemporary Art, Dean B; Muller L, (ed.), Performance Space Pty Ltd

Book Chapters

Bennett J; Froggett L; Muller L, 2022, 'Facilitating environments: An arts-based psychosocial design approach', in Bennett J (ed.), The Big Anxiety: Taking Care of Mental Health in Times of Crisis, Bloomsbury Academic, London & New York, pp. 93 - 111, https://www.bloomsbury.com/au/big-anxiety-9781350297791/

Muller L, 2021, 'Appreciative systems in doing and supervising curatorial practice-based research', in Vear C; Candy L; Edmonds E (ed.), The Routledge International Handbook of Practice-Based Research, Routledge, London, pp. 267 - 276, http://dx.doi.org/10.4324/9780429324154-19

Muller L; Allas T, 2021, 'Digital-physical-emotional immersion in country: bearing withness to the Appin massacre', in Muller L; Langill C (ed.), Curating Lively Objects Exhibitions Beyond Disciplines, Routledge, London, pp. 214 - 224, https://www.routledge.com/Curating-Lively-Objects-Exhibitions-Beyond-Disciplines/Muller-Langill/p/book/9780367148027

Muller L; Langill C, 2021, 'Introduction: how lively objects disrupt disciplinary display', in Muller L; Langill C (ed.), Curating Lively Objects Exhibitions Beyond Disciplines, Routledge, London, pp. 1 - 19, https://www.routledge.com/Curating-Lively-Objects-Exhibitions-Beyond-Disciplines/Muller-Langill/p/book/9780367148027

Muller L; Dyer K, 2021, 'Objects, energies and curating resonance across disciplines', in Muller L; Langill C (ed.), Curating Lively Objects Exhibitions Beyond Disciplines, Routledge, London, pp. 179 - 194, https://www.taylorfrancis.com/chapters/edit/10.4324/9780429053481-15/objects-energies-curating-resonance-across-disciplines-katie-dyer-lizzie-muller

Muller L; Davis A, 2021, 'Troublemakers in the museum: robots, romance and the performance of liveliness', in Muller L; Langill C (ed.), Curating Lively Objects: exhibitions beyond disciplines, Routledge, London, pp. 49 - 59

Muller L, 2016, 'Brook Andrew - In This Case', in Matthews, Hannah (ed.), The Biography of Things, Australian Centre for Contemporary Arts, Melbourne

Muller L; Langill C, 2016, 'Curating Lively Objects: Post-disciplinary Affordances for Media Art Exhibition', in England D; Schiphorst T; Bryan-Kinns N (ed.), Curating the Digital: Space for art and interaction, edn. Cultural Computing, Springer International Publishing, Switzerland, pp. 31 - 49, http://dx.doi.org/10.1007/978-3-319-28722-5

Muller L, 2014, 'Collecting experience: the multiple incarnations of Very Nervous System', in Graham B (ed.), New Collecting: Exhibiting and Audiences after New Media Art, Ashgate Publishing, Ltd., pp. 183 - 202, http://virtueelplatform.nl/english/news/archive-2020-sustainable-archiving-of-born-digital-cultural-content/

Muller L, 2012, 'Learning from experience: a reflective curatorial practice', in Candy L; Edmonds E (ed.), Interacting: art, research and the creative practitioner, Libri Publishing, Faringdon, Oxfordshire, pp. 94 - 106, http://www.amazon.com/Interacting-Art-Research-Creative-Practitioner/dp/1907471480

Muller L, 2010, 'Oral history and the media art audience', in Dekker A (ed.), Archive2020: Sustainable archiving of born-digital cultural content, VBrtueel-Platform, Amsterdam, Netherlands, pp. 69 - 81, http://virtueelplatform.nl/english/news/archive-2020-sustainable-archiving-of-born-digital-cultural-content/

Edited Books

Muller L; Langill C, (ed.), 2021, Curating Lively Objects: Exhibitions Beyond Disciplines, Routledge, London, https://www.routledge.com/Curating-Lively-Objects-Exhibitions-Beyond-Disciplines/Muller-Langill/p/book/9780367148027

Edmonds E; Muller L; Tillman D, (eds.), 2006, Engage: Interaction, Art & Audience Experience, Creativity and Cognition Studios Press, Sydney, Australia, https://www.creativityandcognition.com/engage06/

Journal articles

Bennett J; Froggett L; Muller L, 2019, 'Psycho-social aesthetics and the art of lived experience', The Journal of Psychosocial Studies, vol. 12, pp. 185 - 201, http://dx.doi.org/10.1332/147867319X15608718111023

Bennett J; Froggett L; Kenning G; Manley J; Muller L, 2019, 'Memory Loss and Scenic Experience: An Arts Based Investigation', Forum: Qualitative Social Research/Forum Qualitative Sozialforschung, vol. 20, http://dx.doi.org/10.17169/fqs-20.1.3126

Froggett L; Muller L; Bennett J, 2019, 'The work of the audience: visual matrix methodology in museums', Cultural Trends, vol. 28, pp. 162 - 176, http://dx.doi.org/10.1080/09548963.2019.1617939

Muller L; Froggett L; Bennett J, 2018, 'Emergent Knowledge in the Third Space of Art-Science', Leonardo, vol. 53, pp. 321 - 326, http://dx.doi.org/10.1162/leon_a_01690

Muller L, 2018, '‘The Museum of Today’: Harald Szeemann’s Science Fiction', The Journal of Curatorial Studies, vol. 7, pp. 76 - 95, http://dx.doi.org/10.1386/jcs.7.1.76_1

Muller L, 2016, 'Book Review. Talking Contemporary Curating, Terry Smith. New York: Independent Curators International (2015).', Journal of Curatorial Studies, vol. 5, pp. 419 - 422, http://dx.doi.org/10.1386/jcs.5.3.419_5

Muller L, 2015, 'The Return of the Wonderful: Monanisms and the undisciplined objects of media art', Studies in Material Thinking, vol. 12, https://www.materialthinking.org/papers/185

Muller L; Dovey KA, 2011, 'Dangerous learning in edgy contexts: creativity and innovation in the South African arts domain', Internal Journal of Life Long Learning, vol. 30, pp. 613 - 629, http://dx.doi.org/10.1080/02601370.2011.611907

Edmonds E; Bilda Z; Muller L, 2009, 'Artist, evaluator and curator: three viewpoints on interactive art, evaluation and audience experience', Digital Creativity, vol. 20, pp. 141 - 151, http://dx.doi.org/10.1080/14626260903083579

Muller L; Jones C, 2008, 'Between real and ideal: documenting media art', Leonardo: Art Science and Technology, vol. 41, pp. 418 - 419, http://www.leonardo.info/isast/journal/toc414.html

Muller L; Edmonds E; Connell M, 2006, 'Living laboratories for interactive art', CoDesign, vol. 2, pp. 195 - 207, http://dx.doi.org/10.1080/15710880601008109

Conference Papers

Bartlett VC; Muller L, 2017, 'Curating/Containing: Exhibiting Digital Art About Mental Health', in Arango JJ; Bubarno A; Londoño F; Mauricio Mejía G (eds.), BIO-CREATION AND PEACE Proceedings, Department of Visual Design, Universidad de Caldas, Manizales, Colombia, pp. 279 - 288, presented at 23rd International Symposium on Electronic Art, Manizales, Colombia, 11 June 2017 - 18 June 2017, http://www.isea-archives.org/docs/2017/proceedings/ISEA2017_Proceedings.pdf

Muller L; Bennett J; Froggett L; Bartlett V, 2015, 'Understanding Third Space: Evaluating Art-Science Collaboration', in Shiphorst T; Pasquier P (ed.), Proceedings of the 21st International Symposium of Electronic Arts, ISEA 2015: Disruption, Simon Fraser University, Simon Fraser University, Vancouver, presented at ISEA 2015: Disruption, Simon Fraser University, Vancouver, 14 August 2015 - 19 August 2015, http://isea2015.org/publications/proceedings-of-the-21st-international-symposium-on-electronic-art/

Muller L, 2013, 'Speculative Objects: materialising science fiction', in Cleland K; Fisher L; Harley R (eds.), Proceedings of the 19th International Sympsoium on Electronic Art, ISEA International, the Australian Network for Art & Technology and the University of Sydney, Sydney, presented at ISEA 2013, Sydney, 07 June 2013 - 16 June 2013, http://ses.library.usyd.edu.au/handle/2123/9475

Muller L, 2012, 'Speculative Objects: Visual Arts and Science Fiction Futures', in Rosengren M; Kennedy C (ed.), SPECTRA: Images and Data in Art/Science the currency of Images in the studio and the laboratory : Proceedings from the symposium SPECTRA 2012, Adelaide : Australian Network for Art and Technology (ANAT), CSIRO Discovery Centre, presented at SPECTRA 2012, CSIRO Discovery Centre, 02 October 2012 - 06 October 2012, http://www.anat.org.au/wp-content/uploads/2014/05/SPECTRA-book-FINAL-low-res.pdf

Muller L; Jones C, 2010, 'Take part: participatory methods in art and design', in Robertson T; Bodker K; Bratteteig T; Loi D (eds.), Proceedings of the 11th Biennial Participatory Design Conference, ACM New York, Sydney, pp. 283 - 284, presented at 11th Biennial Participatory Design Conference, Sydney, 29 November 2010 - 03 December 2010, http://dx.doi.org/10.1145/1900441.1900509

Muller L; Ride P; Stern N; Kwastek K; Salter C, 2010, 'A-X: audience experience in media art research', in Funke J; Riekeles S; Broeckmann A; Hartware MediaKunstverein (eds.), Proceedings of the 16th International Symposium on Electronic Art, Revolver Publishing, Ruhr, pp. 310 - 315, presented at ISEA 2010, Ruhr, 20 August 2010 - 29 August 2010, http://www.isea2010ruhr.org/publications

Muller L; Bawa M, 2010, 'Evaluating first year experiences in design education using "first Year attributes"', in Thomas J (ed.), 13th Pacific Rim First Year in Higher Education Conference Proceedings, QUT Publishing, Adelaide, pp. 1 - 5, presented at 13th Pacific Rim First Year in Higher Education Conference, Adelaide, 27 June 2010 - 30 June 2010, http://fyhe.com.au/conference/past-papers/

Muller L; Jones C, 2009, 'An indeterminate archive for David Rokeby's Giver of Names', in Thomas P; Cubitt S (ed.), Re: Live 3rd International Conference on Media Arts Histories, Re: Live 2009, Melbourne, pp. 114 - 119, presented at Re: Live 2009, Melbourne, 27 November 2009 - 29 November 2009

Muller L; Edmonds EA; Bilda Z, 2009, 'Artist, evaluator and curator: three viewpoints on interactive art, evaluation and audience experience', in Boyd Davis S; Nuhn R (ed.), Completing the Circle Symposium: Creative Evaluation and the Digital, Completing the Circle Symposium, British Computer Society, The Davidson Building, London, presented at Completing the Circle Symposium, British Computer Society, The Davidson Building, London, 19 January 2009 - 19 January 2009

Conference Presentations

Muller L, 2014, 'Exiting the Spacecraft: Szeemann’s Science Fiction and the White Cube', presented at Conquest of Space, Sydney, 14 June 2014 - 14 June 2014

Conference Abstracts

Murray A; Muller L, (ed.), 2019, 'Under the dust and dirt : a discussion about architectural models with Allan Wexler', in Frascari Symposium IV: The Secret Lives of Architectural Drawings and Models; From Translating to Archiving, Collecting and Displaying, Department of Architecture and Landscape, Kingston School of Art (KSA) Kingston University - Knights Park Campus - Grange Road - Kingston upon Thames - KT1 2QJ, presented at Frascari Symposium IV: The Secret Lives of Architectural Drawings and Models; From Translating to Archiving, Collecting and Displaying, Department of Architecture and Landscape, Kingston School of Art (KSA) Kingston University - Knights Park Campus - Grange Road - Kingston upon Thames - KT1 2QJ, 27 June 2019 - 29 June 2019

Curatorial Outputs

Muller L; Dyer K, 2018, Human Non Human, exhibited at: Powerhouse Museum, Sydney, 07 August 2018 - 20 January 2019, https://maas.museum/event/human-non-human/

Muller L; Williams, H , 2017, A Working Model of the World, exhibited at: UNSW Galleries, Sydney, Sheila C Johnson Design Centre, The New School, New York, LifeSpace Dundee, 04 May 2017 - 22 September 2018, A Working Model of the World, http://www.workingmodeloftheworld.com/

Muller L; Muller L; Seck Langill C, 2015, Lively Objects: Enchantment and Disruption at the Museum of Vancouver, exhibited at: Vancouver, 16 August 2015 - 12 October 2015, Lively Objects: Enchantment and Disruption at the Museum of Vancouver, https://museumofvancouver.ca/exhibitions/exhibit/lively-objects

Muller L; Dean B, 2011, Awfully Wonderful: Science fiction in Contemporary Art, exhibited at: Performance Space, Sydney, 15 April 2011 - 14 May 2011, Awfully Wonderful: Science fiction in Contemporary Art, http://www.realtimearts.net/article/issue103/10352

Muller L; Loke L, 2010, The art of Participatory Design, exhibited at: UTS, Sydney, 30 November 2010 - 10 December 2010, The art of Participatory Design, http://architectureinsights.com.au/events/the-art-of-participatory-design/

Muller L; Cleland K, 2008, Mirror States, exhibited at: Campbelltown Art Centre, 16 May 2008 - 05 July 2008, Mirror States, http://www.realtimearts.net/article/issue87/9179

Creative Written Works

Muller L, 2017, A tree falls, Sounding the Future Exhibition Catalogue, Priest G, (ed.), UTS Gallery, http://www.soundingthefuture.com/epub/SoundingtheFuture_catalogue.pdf

Muller L, 2013, Experiencing Anish Kapoor, Anish Kapoor "Living Catalogue", McGregor EA, (ed.), Museum of Contemporary Art

Muller L; Dean B, 2011, Awfully wonderful: science fiction in contemporary art, Awfully wonderful: science fiction in contemporary art, Muller L; Dean B, (ed.), Performance Space

Muller L; Jones C, 2010, An indeterminate archive for David Rokeby’s Very Nervous System, An indeterminate archive for David Rokeby’s Very Nervous System, Daniel Langlois Foundation, http://www.fondation-langlois.org/html/e/page.php?NumPage=2186

Muller L, 2010, An interview with Raquel Ormella, Raquel Ormella: she went that way, Keehan R, (ed.), Artspace Visual Arts Centre

Muller L, 2010, Data flow, Column 5, Keehan R, (ed.), Artspace Visual Arts Centre

Muller L, 2010, The aesthetics of data flow, In the balance: art for a changing world, Kent R, (ed.), Museum of Contemporary Art

Muller L; Jones C, 2008, David Rokeby, The Giver of Names documentary collection, David Rokeby, The Giver of Names documentary collection, Daniel Langlois Foundation, http://www.fondation-langlois.org/html/e/page.php?NumPage=2121


Back to profile page