By Associate Professor Lizzie Muller

Book Chapters

Bennett J; Froggett L; Muller L, 2022, 'Facilitating environments: An arts-based psychosocial design approach', in Bennett J (ed.), The Big Anxiety: Taking Care of Mental Health in Times of Crisis, Bloomsbury Academic, London & New York, pp. 93 - 111, https://www.bloomsbury.com/au/big-anxiety-9781350297791/

Muller L, 2021, 'Appreciative systems in doing and supervising curatorial practice-based research', in Vear C; Candy L; Edmonds E (ed.), The Routledge International Handbook of Practice-Based Research, Routledge, London, pp. 267 - 276, http://dx.doi.org/10.4324/9780429324154-19

Muller L; Allas T, 2021, 'Digital-physical-emotional immersion in country: bearing withness to the Appin massacre', in Muller L; Langill C (ed.), Curating Lively Objects Exhibitions Beyond Disciplines, Routledge, London, pp. 214 - 224, https://www.routledge.com/Curating-Lively-Objects-Exhibitions-Beyond-Disciplines/Muller-Langill/p/book/9780367148027

Muller L; Langill C, 2021, 'Introduction: how lively objects disrupt disciplinary display', in Muller L; Langill C (ed.), Curating Lively Objects Exhibitions Beyond Disciplines, Routledge, London, pp. 1 - 19, https://www.routledge.com/Curating-Lively-Objects-Exhibitions-Beyond-Disciplines/Muller-Langill/p/book/9780367148027

Muller L; Dyer K, 2021, 'Objects, energies and curating resonance across disciplines', in Muller L; Langill C (ed.), Curating Lively Objects Exhibitions Beyond Disciplines, Routledge, London, pp. 179 - 194, https://www.taylorfrancis.com/chapters/edit/10.4324/9780429053481-15/objects-energies-curating-resonance-across-disciplines-katie-dyer-lizzie-muller

Muller L; Davis A, 2021, 'Troublemakers in the museum: robots, romance and the performance of liveliness', in Muller L; Langill C (ed.), Curating Lively Objects: exhibitions beyond disciplines, Routledge, London, pp. 49 - 59

Muller L, 2016, 'Brook Andrew - In This Case', in Matthews, Hannah (ed.), The Biography of Things, Australian Centre for Contemporary Arts, Melbourne

Muller L; Langill C, 2016, 'Curating Lively Objects: Post-disciplinary Affordances for Media Art Exhibition', in England D; Schiphorst T; Bryan-Kinns N (ed.), Curating the Digital: Space for art and interaction, edn. Cultural Computing, Springer International Publishing, Switzerland, pp. 31 - 49, http://dx.doi.org/10.1007/978-3-319-28722-5

Muller L, 2014, 'Collecting experience: the multiple incarnations of Very Nervous System', in Graham B (ed.), New Collecting: Exhibiting and Audiences after New Media Art, Ashgate Publishing, Ltd., pp. 183 - 202, http://virtueelplatform.nl/english/news/archive-2020-sustainable-archiving-of-born-digital-cultural-content/

Muller L, 2012, 'Learning from experience: a reflective curatorial practice', in Candy L; Edmonds E (ed.), Interacting: art, research and the creative practitioner, Libri Publishing, Faringdon, Oxfordshire, pp. 94 - 106, http://www.amazon.com/Interacting-Art-Research-Creative-Practitioner/dp/1907471480

Muller L, 2010, 'Oral history and the media art audience', in Dekker A (ed.), Archive2020: Sustainable archiving of born-digital cultural content, VBrtueel-Platform, Amsterdam, Netherlands, pp. 69 - 81, http://virtueelplatform.nl/english/news/archive-2020-sustainable-archiving-of-born-digital-cultural-content/

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