ORCID as entered in ROS

Select Publications
2017, Poetry, Modernism, and an Imperfect World, Cambridge University Press, Cambridge
,2011, W. B. Yeats, Ezra Pound and the Poetry of Paradise, Ashgate, Farnham, https://www.routledge.com/products/9781409406600
,2024, 'Introduction', in Pryor S (ed.), The Cambridge Companion to the Poem, Cambridge University Press, Cambridge, pp. 1 - 16, http://dx.doi.org/10.1017/9781009498852.001
,2024, 'Style', in Pryor S (ed.), The Cambridge Companion to the Poem, Cambridge University Press, Cambridge, pp. 196 - 210, http://dx.doi.org/10.1017/9781009498852.015
,2023, 'Modernism and the Hymn', in Hobson S; Radford A (ed.), The Edinburgh Companion to Modernism, Myth and Religion, Edinburgh University Press, Edinburgh, pp. 233 - 249
,2022, 'Canto 74', in Readings in the Cantos: Volume 2, Clemson University Press, Clemson, pp. 193 - 212
,2022, 'Historical Poetics', in Frow J (ed.), The Oxford Encyclopedia of Literary Theory, Oxford University Press, Oxford, pp. 1864 - 1878, http://dx.doi.org/10.1093/acrefore/9780190201098.013.1108
,2021, 'Poetry and Transition', in Purdon J (ed.), British Literature in Transition, 1900-1920 A New Age?, Cambridge University Press, Cambridge, pp. 244 - 259, http://dx.doi.org/10.1017/9781108648714
,2019, 'The Relation Between Poetry and Poems Is Political, Sometimes', in Communism and Poetry: Writing Against Capital, Palgrave Macmillan, pp. 37 - 52, http://dx.doi.org/10.1007/978-3-030-17156-8
,2018, 'A to Z of Key Terms', in Maude U; Nixon M (ed.), The Bloomsbury Companion to Modernist Literature, Bloomsbury Publishing, London, pp. 417 - 468, https://www.bloomsbury.com/uk/the-bloomsbury-companion-to-modernist-literature-9781780936413/
,2018, 'Canto 17', in Parker R (ed.), Readings in the Cantos, Clemson University Press, pp. 155 - 164, http://dx.doi.org/10.2307/j.ctt1ps31zp.17
,2017, 'Body and Soul: Modernism, Metaphysics, Rhyme', in Sounding Modernism Rhythm and Sonic Mediation in Modern Literature and Film, Edinburgh University Press, Edinburgh, pp. 149 - 163
,2016, 'Modernist Measure: Poetry and Calculation', in Pryor SB; Trotter D (ed.), Writing, Medium, Machine: Modern Technographies, Open Humanities Press, London, pp. 166 - 177, http://www.openhumanitiespress.org/books/titles/writing-medium-machine/
,2015, 'Some Thoughts on Refrigeration [on Ezra Pound and Keston Sutherland]', in Parker R (ed.), News from Afar: Ezra Pound and Some Contemporary British Poetries, Shearsman Books, pp. 273 - 280, http://www.shearsman.com/ws-shop/category/796-books/product/4789-richard-parker---news-from-afar-ezra-pound-and-some-contemporary-british-poetries
,2014, 'Late W. B. Yeats', in Oxford Handbooks Online, Oxford University Press, http://dx.doi.org/10.1093/oxfordhb/9780199935338.013.98
,2014, 'Making Evil, with Flann O'Brien', in Murphet ; McDonald ; Morrell (ed.), Flann O'Brien and Modernism, Bloomsbury, London, UK, pp. 11 - 26, http://www.bloomsbury.com/au/flann-obrien-modernism-9781623568757/
,2013, 'The Trust and the Mistrust: Ezra Pound in Italy', in Attridge J; Rosenquist R (ed.), Incredible Modernism: Literature, Trust and Deception, Ashgate, Farnham, pp. 163 - 179, http://www.ashgate.com/isbn/9781409439547
,2012, 'McCarthy's rhythm', in Murphet J; Steven M (ed.), Styles of Extinction: Cormac McCarthy's The Road, Continuum, New York, pp. 27 - 44
,2010, 'Anne Stevenson and the Poetry of Place', in Leighton A (ed.), Voyages Over Voices: Critical Essays on Anne Stevenson, Liverpool University Press, Liverpool, pp. 125 - 150
,2007, '‘Reported to me from Sydney, Australia’: Reading Eliot Down Under and in the Mother Country', in Däumer E; Bagchee S (ed.), The International Reception of T. S. Eliot, Continuum, London, pp. 284 - 291
,2007, 'Iconicity and the Divine in the Fin de Siècle Poetry of W. B. Yeats', in Tabakowska E; Ljungberg C; Fischer O (ed.), Insistent Images (Iconicity in Language and Literature), John Benjamins Publishing Co, Amsterdam, pp. 91 - 102
,Pryor S, (ed.), 2024, The Cambridge Companion to the Poem, Cambridge University Press, Cambridge, http://dx.doi.org/10.1017/9781009498852
Pryor S; Frow J; Byron M; Goulimari P; Rak J, (eds.), 2022, The Oxford Encyclopedia of Literary Theory, Oxford University Press, Oxford, https://global.oup.com/academic/product/the-oxford-encyclopedia-of-literary-theory-9780190699604?cc=au&lang=en&#
Pryor SB; Trotter D, (ed.), 2016, Writing, Medium, Machine: Modern Technographies, Open Humanities Press, London, http://www.openhumanitiespress.org/books/titles/writing-medium-machine/
2025, 'Modernism's Book of Scraps: Worldmaking and the Anthology as Medium in the Contact Collection of Contemporary Writers', English Studies, pp. 1 - 20, http://dx.doi.org/10.1080/0013838x.2024.2448471
,2021, 'Who Bought Paris? Hope Mirrlees, the Hogarth Press, and the Circulation of Modernist Poetry', ELH, 88, pp. 1055 - 1082, https://www.muse.jhu.edu/article/839962
,2021, 'Experiences Differ: A Reflection on Teaching Literary Studies', Australian Humanities Review, pp. 54 - 58, http://australianhumanitiesreview.org/2021/05/31/experiences-differ-a-reflection-on-teaching-literary-studies/
,2020, 'The Episode on the Staircase: Poetry, Energy, Space', Critical Quarterly, 61, pp. 91 - 99, http://dx.doi.org/10.1111/criq.12508
,2019, 'A poetics of occasion in Hope Mirrlees's Paris', Critical Quarterly, 61, pp. 37 - 53, http://dx.doi.org/10.1111/criq.12452
,2019, 'Historical poetics and the problem of exemplarity', Critical Quarterly, 61, pp. 3 - 17, http://dx.doi.org/10.1111/criq.12450
,2018, 'Yeats and Futurity', Essays in Criticism, 68, pp. 327 - 348, https://academic.oup.com/eic/article/68/3/327/5050219?guestAccessKey=5eec2426-74c3-4a09-a980-1fc2c470d04f
,2018, 'So Slow: Canto CVI', Glossator, 10, pp. 287 - 307, https://solutioperfecta.files.wordpress.com/2018/04/g10-106-pryor.pdf
,2016, 'Inhuman Words: Philology, Modernism, Poetry', Modernism/Modernity, 23, pp. 555 - 571, http://dx.doi.org/10.1353/mod.2016.0051
,2015, 'Stevenson among the Balladeers', Victorian Studies, 57, pp. 33 - 56, http://dx.doi.org/10.2979/victorianstudies.57.1.33
,2013, 'Ezra Pound's Adams Cantos', MODERNISM-MODERNITY, 20, pp. 615 - 617, http://dx.doi.org/10.1353/mod.2013.0090
,2013, 'Satyriast's Beatitudes: John Rodker's Hymns', Texas Studies in Literature and Language, 55, pp. 473 - 492, http://dx.doi.org/10.7560/TSLL55406
,2012, 'Poetry and Decision: F. T. Prince in September 1938', Review of English Studies, 63, pp. 818 - 840, http://dx.doi.org/10.1093/res/hgs001
,2011, 'Happiness and Happening in Harmonium', Wallace Stevens Journal, 35, pp. 174 - 187, http://dx.doi.org/10.1353/wsj.2011.0032
,2010, '"How Will You Know?": Paradise, Painting, and the Writing of Ezra Pound's Canto 3', PAIDEUMA - Studies in American and British Modernist Poetry, 37, pp. 267 - 292
,2010, 'Particularly Dangerous Feats: The Difficult Reader of the Difficult Late Cantos', PAIDEUMA - Studies in American and British Modernist Poetry, 36, pp. 27 - 45
,2002, 'Sex drives: Fantasies of fascism in literary modernism', MODERNISM-MODERNITY, 9, pp. 703 - 704, http://dx.doi.org/10.1353/mod.2002.0076
,2020, "Some Questions about the Use of Diction in Poetry", http://www.tupeloquarterly.com/sean-pryor/
,2020, Review of Oliver Tearle, The Great War, The Waste Land and the Modernist Long Poem, https://affirmationsmodern.com/articles/112/
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