By Associate Professor Sean Pryor

Journal articles

Pryor S, 2021, 'Who Bought Paris? Hope Mirrlees, the Hogarth Press, and the Circulation of Modernist Poetry', ELH, 88, pp. 1055 - 1082, https://www.muse.jhu.edu/article/839962

Pryor S, 2021, 'Experiences Differ: A Reflection on Teaching Literary Studies', Australian Humanities Review, pp. 54 - 58, http://australianhumanitiesreview.org/2021/05/31/experiences-differ-a-reflection-on-teaching-literary-studies/

Pryor S, 2020, 'The Episode on the Staircase: Poetry, Energy, Space', Critical Quarterly, 61, pp. 91 - 99, http://dx.doi.org/10.1111/criq.12508

Pryor S, 2019, 'A poetics of occasion in Hope Mirrlees's Paris', Critical Quarterly, 61, pp. 37 - 53, http://dx.doi.org/10.1111/criq.12452

Etherington B; Pryor S, 2019, 'Historical poetics and the problem of exemplarity', Critical Quarterly, 61, pp. 3 - 17, http://dx.doi.org/10.1111/criq.12450

Pryor S, 2018, 'Yeats and Futurity', Essays in Criticism, 68, pp. 327 - 348, https://academic.oup.com/eic/article/68/3/327/5050219?guestAccessKey=5eec2426-74c3-4a09-a980-1fc2c470d04f

Pryor S, 2018, 'So Slow: Canto CVI', Glossator, 10, pp. 287 - 307, https://solutioperfecta.files.wordpress.com/2018/04/g10-106-pryor.pdf

Pryor SB, 2016, 'Inhuman Words: Philology, Modernism, Poetry', Modernism/Modernity, 23, pp. 555 - 571, http://dx.doi.org/10.1353/mod.2016.0051

Pryor SB, 2015, 'Stevenson among the Balladeers', Victorian Studies, 57, pp. 33 - 56, http://dx.doi.org/10.2979/victorianstudies.57.1.33

Pryor S, 2013, 'Ezra Pound's Adams Cantos', MODERNISM-MODERNITY, 20, pp. 615 - 617, http://dx.doi.org/10.1353/mod.2013.0090

Pryor SB, 2013, 'Satyriast's Beatitudes: John Rodker's Hymns', Texas Studies in Literature and Language, 55, pp. 473 - 492, http://dx.doi.org/10.7560/TSLL55406

Pryor S, 2012, 'Poetry and Decision: F. T. Prince in September 1938', Review of English Studies, 63, pp. 818 - 840, http://dx.doi.org/10.1093/res/hgs001

Pryor S, 2011, 'Happiness and Happening in Harmonium', Wallace Stevens Journal, 35, pp. 174 - 187, http://dx.doi.org/10.1353/wsj.2011.0032

Pryor S, 2010, '"How Will You Know?": Paradise, Painting, and the Writing of Ezra Pound's Canto 3', PAIDEUMA - Studies in American and British Modernist Poetry, 37, pp. 267 - 292

Pryor S, 2010, 'Particularly Dangerous Feats: The Difficult Reader of the Difficult Late Cantos', PAIDEUMA - Studies in American and British Modernist Poetry, 36, pp. 27 - 45

Pryor S, 2002, 'Sex drives: Fantasies of fascism in literary modernism', MODERNISM-MODERNITY, 9, pp. 703 - 704, http://dx.doi.org/10.1353/mod.2002.0076

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