By Dr Manolete Mora

Journal articles

Mora M, 2020, '“This country of China is tough”: Nigerian immigrant music making in Guangzhou, China', African Music:2020 Journal of The International Library of African Music

Mora M, 2020, 'Rappers, rajas, and borderless spaces: urban musical practices in Kepri province’s 'Growth Triangle’, Indonesia.', Indonesia and the Malay World, 48, http://dx.doi.org/10.1080/13639811.2020.1729536.

Mora M, 2018, 'Response to 'Sounding the Spirit: The Life of the T’boli T’nonggong' by Earl Jimenez\. pp.51-55.', Sabangan, Vol II., pp. 51 - 55

Mora M, 2017, '“This country of China is tough”: African music making in Guangzhou, China', African Diaspora

Mora M, 2012, 'Tune and Textile: Interrelatedness in the Music and Weaving Arts of the T'boli, Philippines', Humanities Diliman, 9, pp. 1 - 31

Mora M, 2011, 'Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study', Perfect Beat - the Pacific Journal of Research into Contemporary Music and Popular Culture, 12, pp. 45 - 68, http://dx.doi.org/10.1558/prbt.v12i1.45

Mora M, 2010, 'Lutes, Gongs, Women and Men: (En)Gendering Instrumental Music in the Philippines', Ethnomusicology Forum, 17, pp. 225 - 247, http://dx.doi.org/10.1080/17411910802283900

Mora M; Bodomo AB, 2007, 'Documentation is Documentation and Theory is Theory: A Reply to Daniel Avorgbedor's Commentary on 'Documenting Spoken and Sung Texts of the Dagaaba of West Africa'', Empirical Musicology Review, 2, pp. 152 - 154

Bodomo AB; Mora M, 2007, 'Documenting Spoken and Sung Texts of the Dagaaba of West Africa', Empirical Musicology Review, 2, pp. 81 - 102

Mora M, 2005, 'Body, Mind, Spirit and Soul: A Filipino Epistemology of Adeptness in Musical Performance', Asian Music, 36, pp. 81 - 96, http://dx.doi.org/10.1353/amu.2005.0022

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