Select Publications
Creative Written Works
2024, I remember you, I remember you
,2022, How to Appear? A Genealogy for Nadia Hernández, Like a Wheel That Turns: The 2022 Macfarlane Commissions, Delany M; Kristensen A, (ed.), Australian Centre for Contemporary Art, https://shop.acca.melbourne/collections/home-page/products/like-a-wheel-that-turns-the-2022-macfarlane-commissions
,2021, Juan Dávila, Self-Portrait as Ingre's Violin (1984), Queer Readings of the Monash University Collection, Ratliff M; Parker FE, (ed.), Monash University Museum of Art, https://www.monash.edu/muma/collection/queer-readings-of-the-collection/queer-readings-of-the-collection/juan-davila
,2020, I, You, We, Together: For Juan, Paul and Paul, Thinking Business: Barbara Cleveland, Goulburn Regional Gallery
,2016, Border Thinking, Political: Campus in Campus Collective Dictionary, Campus in Camps , (ed.), Campus in Camps/BAK, http://www.campusincamps.ps/projects/political/
,2015, BDSM After Art History: My Safe Word is Performance (2014): In Conversation with Sarah Rodigari, My Safe Word is Performance, Barrett F, (ed.), Australian Experimental Art Foundation
,2014, The Displacements of Lynne Roberts-Goodwin, MORE THAN EVER, M Contemporary, http://trove.nla.gov.au/version/210606947
,2013, Act Natural, Going Down: An Anthology of Contemporary Feminist Sydney Performance, Rodigari S; Olivieri J, (ed.), ISCP, New York
,2009, Interview with Rosa Martinez, Whitehot Magazine of Contemporary Art, Whitehot Magazine of Contemporary Art, http://whitehotmagazine.com/articles/2009-interview-with-rosa-martinez/1704
,2008, History Will Repeat Itself: Inke Arns Interview, Whitehot Magazine of Contemporary Art, Whitehot Magazine of Contemporary Art, http://whitehotmagazine.com/articles/february-2008-inke-arns-interview/1147
,2006, Fe, Fie, Faux Femme, Feminist Actions, Nextwave Festival and Spacement Gallery
,2006, Spewtiful: Ali Sanderson, Studio 12: Ali Sanderson, Gertrude Contemporary Art Spaces, http://trove.nla.gov.au/version/32890785
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