ORCID as entered in ROS

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2018, Pedagogies for the Visual in Innovative Learning, Rourke AJ; Spehar B, (ed.), Transformative Pedagogies in the Visual Domain, Common grounds, Champaign, Illinois, http://dx.doi.org/10.18848/978-1-86335-108-9/CGP
,2019, 'The Sinai Light Show: Using Science to Tune Fractal Aesthetics', in The Frontiers Collection, Springer International Publishing, pp. 313 - 333, http://dx.doi.org/10.1007/978-3-030-27577-8_20
,2018, 'Decoding Visual Exploration in Static and Dynamic Visual Images', in Rourke A; Spehar B (ed.), PEDAGOGIES FOR THE VISUAL IN INNOVATIVE LEARNING, Common Ground Research Networks, Champaign, IL, pp. 5 - 16, http://dx.doi.org/10.18848/978-1-86335-108-9/CGP
,2018, 'Promoting Innovation in Learning and Teaching through the Use of Visuals in Teaching', in Rourke AJ; Rees V (ed.), Pedagogies for the Visual in Innovative Learning, edn. Trandformative Pedagogy in the Visual Domain, Common Grounds, Champaign, Illinois, pp. 1 - 4, http://dx.doi.org/10.18848/978-1-86335-108-9/CGP
,2017, 'The Wedding Cake Illusion', in The Oxford Compendium of Visual Illusions, Oxford University PressNew York, pp. 442 - 447, http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0059
,2016, 'Fractal Fluency: An Intimate Relationship Between the Brain and Processing of Fractal Stimuli', in DiIeva A (ed.), FRACTAL GEOMETRY OF THE BRAIN, edn. Springer Series in Computational Neuroscience, SPRINGER, pp. 485 - 496, http://dx.doi.org/10.1007/978-1-4939-3995-4_30
,2014, 'The Wanton Chase: Using Eye Tracking to Test Theories of Pictorial Composition in Landscape Painting', in Rourke, A; Rees V (ed.), Researching the Visual: Demystifying "The Picture That's Worth a Thousand Words", edn. 1, Common Ground Publishing, Champaign IL, USA, pp. 32 - 56, http://theimage.cgpublisher.com/product/pub.290/prod.2
,2013, 'The Aesthetic Appeal of Visual Qualities', in Albertazzi L (ed.), Handbook of Experimental Phenomenology: Visual Perception of Shape, Space and Appearance, Wiley Blackwell, London, pp. 395 - 414, http://dx.doi.org/10.1002/9781118329016.ch16
,2005, 'Fractals: A resonance between art and nature', in Emmer M (ed.), Mathematics & Culture II - Visual perfection: Mathematics and Creativity, edn. 1, Springer Publishing Company, Berlin, pp. 53 - 64
,Rourke A; Spehar B, (ed.), 2018, Pedagogies for the Visual in Innovative Learning, Common Ground Research Networks, Champaign, IL, http://dx.doi.org/10.18848/978-1-86335-108-9/CGP
2022, 'Feeling better but not thinking better: the effects of scene valence and category on restoration.', Journal of Vision, 22, pp. 3800 - 3800, http://dx.doi.org/10.1167/jov.22.14.3800
,2022, 'Fractal-Scaling Properties as Aesthetic Primitives in Vision and Touch', Axiomathes, 32, pp. 869 - 888, http://dx.doi.org/10.1007/s10516-019-09444-z
,2022, 'Editorial: Color and Space in Perception and Art', Gestalt Theory, 44, pp. 1 - 6, http://dx.doi.org/10.2478/gth-2022-0011
,2022, 'Nature in motion: The tuning of the visual system to the spatiotemporal properties of natural scenes', Journal of Vision, 22, pp. 7, http://dx.doi.org/10.1167/jov.22.6.7
,2022, 'Beyond Visual Aesthetics: The Role of Fractal-scaling Characteristics across the Senses<xref ref-type="fn" rid="jpi0141fn1"><sup>†</sup></xref>', Journal of Perceptual Imaging, 5, http://dx.doi.org/10.2352/j.percept.imaging.2022.5.000406
,2021, 'Experiences of Honours Research Students and Supervisors During the COVID-19 Pandemic: A Pilot Study Framed by Self-Determination Theory', Frontiers in Education, 6, http://dx.doi.org/10.3389/feduc.2021.758960
,2021, 'Determinants of visual discrimination, visual preference and perceived complexity of synthetic images varying in natural scene statistics', Journal of Vision, 21, pp. 2798 - 2798, http://dx.doi.org/10.1167/jov.21.9.2798
,2021, 'Measuring the 1/f spatiotemporal amplitude spectrum of the DynTex database', Journal of Vision, 21, pp. 2481 - 2481, http://dx.doi.org/10.1167/jov.21.9.2481
,2021, 'Semantic, statistical and aesthetic determinants of how natural and urban images make us feel', Journal of Vision, 21, pp. 2906 - 2906, http://dx.doi.org/10.1167/jov.21.9.2906
,2021, 'Aesthetics and Psychological Effects of Fractal Based Design', Frontiers in Psychology, 12, http://dx.doi.org/10.3389/fpsyg.2021.699962
,2021, 'Nice and slow: Measuring sensitivity and visual preference toward naturalistic stimuli varying in their amplitude spectra in space and time', Vision Research, 181, pp. 47 - 60, http://dx.doi.org/10.1016/j.visres.2021.01.001
,2021, 'Visual adaptation to natural scene statistics and visual preference', Vision Research, 180, pp. 87 - 95, http://dx.doi.org/10.1016/j.visres.2020.11.011
,2021, 'Expressive qualities of synthetic textures.', Psychology of Consciousness: Theory Research, and Practice, 8, pp. 217 - 234, http://dx.doi.org/10.1037/cns0000241
,2021, 'Beyond Visual Aesthetics: The Role of Fractal-scaling Characteristics across the Senses †', Journal of Perceptual Imaging, http://dx.doi.org/10.2352/j.percept.imaging.2021.4.3.030406
,2020, 'Viewing Art in Different Contexts', Frontiers in Psychology, 11, http://dx.doi.org/10.3389/fpsyg.2020.00569
,2020, 'The Embodied Gaze: Exploring Applications for Mobile Eye Tracking in the Art Museum', Visitor Studies, 23, pp. 82 - 100, http://dx.doi.org/10.1080/10645578.2020.1750271
,2019, 'Fractal statistics in the aesthetic appreciation of images, textures and sound', Journal of Vision, 19, pp. 97b - 97b, http://dx.doi.org/10.1167/19.10.97b
,2019, 'The critical reliance of early visual cortex on the fractal structure of natural scenes', Journal of Vision, 19, pp. 123 - 123, http://dx.doi.org/10.1167/19.10.123
,2019, 'Transitions and choices: Graduate student mentoring for psychology honours students. a practice report', Student Success, 10, pp. 147 - 154, http://dx.doi.org/10.5204/ssj.v10i1.648
,2018, 'The affordance of virtual reality to enable the sensory representation of multi-dimensional data for immersive analytics: from experience to insight', Journal of Big Data, 5, http://dx.doi.org/10.1186/s40537-018-0158-z
,2018, 'BOLD tuning of human visual cortex to natural statistical properties in space and time', Journal of Vision, 18, pp. 1245 - 1245, http://dx.doi.org/10.1167/18.10.1245
,2018, 'Preference for fractal-scaling properties across synthetic noise images and artworks', Frontiers in Psychology, 9, http://dx.doi.org/10.3389/fpsyg.2018.01439
,2017, 'Koffka’s aesthetic gestalt', Leonardo, 50, pp. 53 - 57, http://dx.doi.org/10.1162/LEON_a_01020
,2017, 'Seeing shapes in seemingly random spatial patterns: Fractal analysis of Rorschach inkblots', PLoS ONE, 12, http://dx.doi.org/10.1371/journal.pone.0171289
,2017, 'The tuning of human visual cortex to variations in the 1/fα amplitude spectra and fractal properties of synthetic noise images', NeuroImage, 146, pp. 642 - 657, http://dx.doi.org/10.1016/j.neuroimage.2016.10.013
,2016, 'Do sudden onsets need to be perceived as new objects to capture attention? The interplay between sensory transients and display configuration', Attention, Perception, and Psychophysics, 78, pp. 1916 - 1925, http://dx.doi.org/10.3758/s13414-016-1183-7
,2016, 'Created unequal: Temporal dynamics of modal and amodal boundary interpolation', Vision Research, 126, pp. 97 - 108, http://dx.doi.org/10.1016/j.visres.2015.10.006
,2016, 'Perceptual organization, visual attention, and objecthood', Vision Research, 126, pp. 34 - 51, http://dx.doi.org/10.1016/j.visres.2015.07.008
,2016, 'Taxonomy of individual variations in aesthetic responses to fractal patterns', Frontiers in Human Neuroscience, 10, http://dx.doi.org/10.3389/fnhum.2016.00350
,2015, 'Beauty and the beholder: The role of visual sensitivity in visual preference', Frontiers in Human Neuroscience, 9, http://dx.doi.org/10.3389/fnhum.2015.00514
,2014, 'Aesthetic and neural responses to synthetic images varying in their amplitude spectrum', PERCEPTION, 43, pp. 10 - 11, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000395028800030&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
,2014, 'Temporal dynamics of spatial frequency processing in infants', Journal of Experimental Psychology: Human Perception and Performance, 40, pp. 995 - 1008, http://dx.doi.org/10.1037/a0035440
,2013, 'Patronage medical care of persons with diabetes', Sestrinski glasnik/Nursing Journal, pp. 215 - 224, http://dx.doi.org/10.11608/sgnj.2013.18.050
,2013, 'Prevention of cardiovascular diseases in primary health care', Sestrinski glasnik/Nursing Journal, pp. 194 - 198, http://dx.doi.org/10.11608/sgnj.2013.18.046
,2013, '乳児の画像識別に対する画像持続時間と空間周波数成分の効果(日本基礎心理学会第31回大会,大会発表要旨)', 基礎心理学研究, 31, pp. 238, http://dx.doi.org/10.14947/psychono.kj00008685409
,2013, 'Fractals in art and nature: Why do we like them?', Proceedings of SPIE - The International Society for Optical Engineering,, 8651, http://dx.doi.org/10.1117/12.2012076
,2012, 'Anomalous motion illusion contributes to visual preference.', Frontiers in Psychology: Developmental Psychology, 3, pp. Article 528, http://dx.doi.org/10.3389/fpsyg.2012.00528
,2012, 'Perception of Mooney faces by young infants: The role of local feature visibility, contrast polarity and motion', Journal of Experimental Child Psychology, 111, pp. 164 - 179, http://dx.doi.org/10.1016/j.jecp.2010.10.014
,2012, 'When do luminance changes capture attention?', Attention, Perception, & Psychophysics, 74, pp. 674 - 690, http://dx.doi.org/10.3758/s13414-011-0266-8
,2011, 'Differential effect of contrast polarity reversals in closed squares and open L-junctions', Frontiers in Psychology: Developmental Psychology, 2, pp. 1 - 11, http://dx.doi.org/10.3389/fpsyg.2011.00047
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