By Professor Yi Zheng

Journal articles

Zheng Y, 2004, 'Personalized Writing and Chinese Feminist Criticism in the ‘Post’-New Era', Tulsa Studies in Womens Literature, 23, pp. 45 - 64

Zheng Y, 2004, 'The Figuration of a Sublime Origin: Guo Moruo’s Qu Yuan', Modern Chinese Literature and Culture, 16, pp. 153 - 198

Zheng Y, 2002, 'Ailing Zhang and Her Aesthetics of Existence', Annals of Scholarship, 14.3, pp. 151 - 168

Reports

Zheng Y, 2017, New program aims to make China a society of book readers, Asian Studies Association of Australia, Canberra, http://asaa.asn.au/new-program-aims-make-china-society-book-readers/

Other

Michelle Yeh, Zhangbin Li, Frank Stewart (ed.), 2023, "Guo Moruo: On Top of Fudetate Yama,” “Shanghai Impressions”, University of Washington Press, Seattle, https://uwapress.uw.edu/book/9780295751160/a-century-of-modern-chinese-poetry/

Zheng Y, 2017, Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture, http://u.osu.edu/mclc/book-reviews/yizheng/

Zheng Y, 2016, “Public Discourses of Contemporary China: The Narration of the Nation in Popular Literature, Film, and Television”, Contemporary China Centre, Australia National Univ

Zheng Y, 2011, “On Frederic E. Wakeman’s Telling Chinese History: A Selection of Essays”

Zheng Y, 2011, “On Yingjin Zhang’s Cinema, Space, and Polylocality in a Globalizing China,”

Zheng Y, 2008, “On Shu-Mei Shih’s Visuality and Identity: Sinophone Articulations across the Pacific”

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