By Associate Professor Caleb Kelly

Creative Written Works

Kelly C, 2020, Immateriality, Sound and the Art Gallery, AUDIOSPHERE: Social Experimental Audio, Reina Sofía National Museum of Contemporary Art, Spain, https://www.museoreinasofia.es/sites/default/files/audiosfera_ingles_26.10.20.pdf

Kelly C, 2019, Assembling Music, Angelica Mesiti, Assembly, Australian Pavilion at the Venice Biennale Catalogue, Australia Council for the Arts

Kelly C, 2018, Material Sound: Sound as more than Sound, Material Sound (catalogue), Murray Arts Museum Albury

Kelly C, 2017, Between Air and Electricity: Microphones and Loudspeakers as Musical Instruments., Journal of Sonic Studies, http://sonicstudies.org/eck2017

Kelly C, 2017, Everyday Materials: Ross Manning’s Dissonant Materiality, Dissonant Rhythms, Institute of Modern Art

Kelly C, 2015, Field Day, Listening and its not, Patrick Farmer , (ed.), SARU & Compost and Height

Kelly C, 2014, Materials, Das Super Paper, no.33, Kelly C, (ed.), http://bit.ly/2kEXyhx

Kelly C, 2014, Sound and Art, Oxford Art Online, Grove Dictionary of Art, Oxford University Press, http://www.oxfordartonline.com.wwwproxy1.library.unsw.edu.au/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000079882?rskey=9dlQPM&result=1

Kelly C, 2014, Thoughts on the Representation of Sound, Wolf Notes, http://compostandheight.com/Wolf_Notes_7.zip

Kelly C, 2013, Sound Full: Sound in Contemporary Australian and New Zealand Art, Sound Full: Sound in Contemporary Australian and New Zealand Art, Dunedin Public Art Gallery

Kelly C, 2012, Sound [is] in the visual arts, Sonic Spheres: TarraWarra Biennial 2012, Lynn V, (ed.), TarraWarra Museum of Art

Kelly C, 2010, supercool, Broadsheet, 39.2

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