Select Publications
Curatorial Outputs
2023, The Data Imaginary 2023, exhibited at: ANU School of Art & Design Gallery, Canberra, 28 September 2023 - 27 October 2023, https://thedataimaginary.com/
,2021, The Data Imaginary: Fears and Fantasies, exhibited at: Griffith University Art Museum, Brisbane, 02 May 2021 - 02 July 2021, http://dx.doi.org/10.26190/unsworks/28202
,2016, Climactic: Post Normal Design, exhibited at: Miller Gallery, Carnegie Mellon University, Pittsburgh, USA, 04 November 2016 - 11 December 2016, http://dx.doi.org/10.26190/unsworks/26333
,2015, Experimental Thinking / Design Practices, exhibited at: Griffith University Art Gallery, Brisbane, 18 September 2015 - 07 November 2015, http://dx.doi.org/10.26190/unsworks/26334
,2015, Experimental Practice: Provocations In and Out of Design, exhibited at: RMIT Design Hub, 11 May 2015 - 30 May 2015, http://dx.doi.org/10.26190/unsworks/25634
,2014, Feral Experimental, exhibited at: UNSW Galleries, 18 July 2014 - 30 August 2014, http://www.niea.unsw.edu.au/events/exhibition-feral-experimental
,2012, Cross-Pollination, exhibited at: COFA Exhibition Space; COFA UNSW Paddington, 05 June 2012 - 08 June 2012, Cross-Pollination, http://redobjects.unsw.edu.au/system/assets/275/original/Cross-Pollination_Catalogue_web.pdf
,2007, Connections: Experimental Design, exhibited at: Ivan Dougherty Gallery, 05 July 2007 - 21 July 2007
,Theses / Dissertations
2015, Affect and the experimental design of domestic products, University of New South Wales, Art & Design, https://www.academia.edu/35605876/affect_and_the_experimental_design_of_domestic_products
,2011, The relationship between experimental design and the artistic avant-gardes (1998 - 2007), College of Fine Arts Library, http://handle.unsw.edu.au/1959.4/51663
,Visual Arts
2007, Exhibited: Connections: Experimental Design at , Publication: Ivan Dougherty Gallery, Sydney, Curator/Editor: Moline K, publication category: Visual Arts
,Creative Written Works
2022, Changing the Rules of the Game: Making Menopause Cool Through Data, Codesign, Cultural Probes, and Ethnographic Surrealism Research Workshops, SAGE Research Methods: Doing Research Online, SAGE Research Methods, https://methods.sagepub.com/case/menopause-data-codesign-cultural-probes-ethnographic-surrealism-workshops?fromsearch=true
,2021, How we imagine data and data reimagines us, The Data Imaginary: Fears and Fantasies, Moline K, (ed.), Griffith University Art Museum
,2018, Three years of living with an Energy Babble, Energy Babble, Boucher A; Gaver W; Kerridge T; Michael M; Ovalle L; Wilkie A; Plummer-Fernandez M, (eds.), Mattering Press, https://www.matteringpress.org/books/energy-babble
,2017, Imagining the city: home, ruin, landscape, and playground, #KissingSydney, Historic Houses Association, National Trust Centre
,2016, Climactic: Post Normal Design, Climactic: Post Normal Design, Moline K; Ansari A; Butoliya D, (eds.), Miller Gallery, Carnegie Mellon University
,2015, Bringing Experimental Design Thinking and Practice Together, Experimental Thinking / Experimental Practices, Moline K; Hall P, (ed.), Griffith University Art Gallery, https://www.griffith.edu.au/visual-creative-arts/griffith-artworks/publications/on-line-publications
,2015, Experimental Practice: Provocations, Experimental Practice: Provocations In and Out of Design, Moline K; Haylock B; Vaughan L, (eds.), RMIT Design Hub, http://www.designhub.rmit.edu.au/docs/ep-catalogue-outer.pdf
,2014, Dingo Logic: Feral Experimental and New Design Thinking, Feral Experimental: New Design Thinking, UNSW Galleries, UNSW Australia Art & Design
,2009, Tensions Between Sustainability and Design: Third Time Lucky?, Sustain Me: Contemporary Design, Bamford R; Williamson L, (ed.), Ivan Dougherty Gallery
,2007, Connections: Experimental Design, Connections: Experimental Design, Moline K, (ed.), Ivan Dougherty Gallery
,2007, Integration: The Nature of Objects, Integration: The Nature of Objects, Williamson L, (ed.), Ivan Dougherty Gallery
,Recorded / Rendered Creative Works
2017, BIOdress (video projection), Editor(s): Davis R; Khut G; Moline K, digital projection, Published: 24 March 2017, Recorded / Rendered Creative Works, http://dx.doi.org/10.26190/unsworks/25802
,2016, BIOdress (video), Editor(s): Moline K; Ansari A; Butoliya D, Video, Published: 04 November 2016, Recorded / Rendered Creative Works, http://millergallery.cfa.cmu.edu/exhibitions/climacticpostnormal/
,2015, Myths of the Near Future: Future Tense, ABC Radio National, Brisbane, Editor(s): Funnell A, radio interview, Published: 01 November 2015, Duration: 00:06:42, Recorded / Rendered Creative Works, http://www.abc.net.au/radionational/programs/futuretense/myths-of-the-near-future/6888830
,2015, The BioDress; Video, Editor(s): Moline K; Davis B, Published: 19 September 2015, Recorded / Rendered Creative Works, https://www.griffith.edu.au/visual-creative-arts/griffith-artworks/exhibition-program/2015-exhibitions/experimental-thinking
,2015, BODYecology 2015 (digital video), Editor(s): Moline K, multimedia performance installation, Published: 18 September 2015, Recorded / Rendered Creative Works, https://app.secure.griffith.edu.au/news/2015/09/17/experimental-thinking-design-practices-exhibition-opening-at-griffith-university-art-gallery/
,2015, Myths of the Near Future 2: Equipment, Editor(s): Moline K; Hall P; Davis B, participatory art, sculpture, performance, Published: 18 September 2015, Recorded / Rendered Creative Works, https://www.griffith.edu.au/visual-creative-arts/griffith-artworks/exhibition-program/2015-exhibitions/experimental-thinking
,2014, Veloscape, Editor(s): Moline K, Published: 18 July 2014, Recorded / Rendered Creative Works, http://www.niea.unsw.edu.au/events/exhibition-feral-experimental
,2014, Double Fountain, Editor(s): Moline K, Published: 2014, Recorded / Rendered Creative Works, https://www.artdesign.unsw.edu.au/sites/default/files/atoms/files/feral_experimental_catalogue.pdf
,Creative Works (non-textual)
2023, What Colour is Menopause?, ADA x Health STORYBOX, UNSW Kensington, 16 October 2023 - 17 November 2023, at: https://www.unsw.edu.au/arts-design-architecture/our-research/ada-x-health
,2021, metaPLACE, The Data Imaginary: Fears and Fantasies, Griffiths University Art Museum, 01 July 2021 - 18 September 2021, medium: Online interactive and live data feed, at: http://thedataimaginary.com/
,2021, RAD (Research in Art & Design) Talks: Engagement, RAD (Research in Art & Design) Talks: Engagement, Creative Robotics Lab, University of NSW, Faculty of Art, Design and Architecture, 15 June 2021 - 15 June 2021
,2020, The Data Imaginary: Fears and Fantasies, Dark Eden, UNSW, 07 November 2020 - 07 November 2020
,2020, Expanding Experimental Aesthetics in the Social Imaginary: The Change at Work, 2020 ACUADS Conference: Crisis and Resilience, ACUADS Conference Proceedings 2020, 05 November 2020 - 05 November 2020, at: https://acuads.com.au/conference/article/changing-the-rules-of-the-game-data-and-ethnographic-surrealism/
,2015, Artists as agents in the era of surveillance: From the production of knowledge to the culture of control, Era of Surveillance/Persons of Interest, Fisher Library, University of Sydney, 02 November 2015 - 02 December 2015, at: https://www.facebook.com/fisherarium/?pnref=story
,2015, Redacted A frames, Persons of Interest Book 1 ASIO, Persons of Interest Book 2 Family and Persons of Interest Book 3 Cold War, Phone Tapping 1, Era of Surveillance/Persons of Interest, Ex Libris Fisherarium, Fisher Library, University of Sydney, 02 November 2015 - 02 December 2015, medium: installation and artists books, at: https://www.facebook.com/fisherarium
,2014, Myths of the Near Future: Social Experiences Mediated by Phone, Digital Ethnography Research Centre, RMIT City Campus, Design Hub, 11 June 2014 - 11 June 2014, medium: Workshop, at: http://www.digital-ethnography.net/
,2014, Asylum, Hot Hot Hot: Christopher Firmstone, Katherine Moline, Janet Burchill, Nigel Milsom, Robert MacPherson, Yuill Crowley Gallery, 18 April 2014 - 17 May 2014, medium: painting/sculpture
,2013, xxx, House Special: Katherine Moline, Christopher Firmstone, Sophie Coombs, Robert MacPherson, John Barbour, Nigel Milsom, Yuill Crowley Gallery, 13 November 2013 - 13 December 2013, medium: painting/sculpture
,2012, Ladenkastboekenplank, Black, Cross-Pollination, COFAspace, UNSW, 05 June 2012 - 08 June 2012, medium: bamboo ply, steel ball asters, nylon and polypropylene rails, copper handles, at: http://www.redobjects.unsw.edu.au/system/assets/275/original/Cross-Pollination_Catalogue_web.pdf
,2011, Equipment for the Actual Complexities and Intricacies of String: Super-Tube, Super-Suction, Super-String (2010-2011), RED Objects - Research in Experimental Design: Objects, COFASpace; College of Fine Arts, Paddington, 02 August 2011 - 06 August 2011, at: http://www.redobjects.unsw.edu.au/projects/equipment-for-the-actual-complexities-and-intricacies-of-string/
,2010, Art made the world, There is nothing new under the sun, ESD, 22 June 2010 - 29 July 2010, medium: sculpture
,2008, Cascade Room (Pattern of Sensation), Production Exemplar, Fashion v. Style (Losing the ability to say no), Crystalline, Identity and difference in varying proportions according to a commercial logic, How Art Made the World, Untitled, Yuill Crowley Gallery, 10 July 2008 - 02 August 2008, medium: Mixed Media
,2006, RE-FRAME
,2005, Sugarwalls
,2004, Open Season, Yuill Crowley Gallery; Surry Hills, 09 December 2004 - 18 December 2004
,2004, This Way
,2003, Complex Pleasures for Ana Mendieta, Outside In, Ivan Dougherty Gallery, - , medium: sculpture
,2003, Here
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