By Associate Professor Oliver Bown

Book Chapters

Bown O; Robinson F; Mikolajczyk K; Ferguson S, 2024, 'Managing complexity in multi-device environments', in The Routledge Handbook of Sound Design, pp. 77 - 94, http://dx.doi.org/10.4324/9781003325567-7

Robinson FA; Velonaki M; Bown O, 2023, 'Robot Sound in Distributed Audio Environments', in Sound and Robotics: Speech, Non-Verbal Audio and Robotic Musicianship, pp. 128 - 158, http://dx.doi.org/10.1201/9781003320470-7

Robinson FA; Bown O; Velonaki M, 2023, 'The Robot Soundscape', in Springer Series on Cultural Computing, pp. 35 - 65, http://dx.doi.org/10.1007/978-3-031-28138-9_3

Marynowski W; Knowles J; Bown O; Dunstan B, 2023, 'Sonic robotics: musical genres as platforms for understanding robotic performance as cultural events', in Dunstan B; Koh J; Turnbull Tilman D; Brown S (ed.), Cultural Robotics 2.0, Springer Nature, pp. 219 - 235, http://dx.doi.org/10.1007/978-3-031-28138-9_14

Bown O, 2021, 'Risk, creative spaces and creative identity in creative technologies research (or why it's okay for academic creative technology outputs to look scrappy and be buggy)', in The Routledge International Handbook of Practice-Based Research, Taylor & Francis, This is an Accepted Manuscript of a book chapter published by Routledge/CRC Press in The Routledge International Handbook of Practice-Based Research in 2021, available online: https://www.taylorfrancis.com/chapters/edit/10.4324/9780429324154-46/risk-creative-spaces-creative-identity-creative-technologies-research-oliver-bown, pp. 614 - 621, https://www.taylorfrancis.com/chapters/edit/10.4324/9780429324154-46/risk-creative-spaces-creative-identity-creative-technologies-research-oliver-bown

Bown O, 2021, 'Sociocultural and Design Perspectives on AI-Based Music Production: Why Do We Make Music and What Changes if AI Makes It for Us?', in Handbook of Artificial Intelligence for Music, Springer International Publishing, pp. 1 - 20, http://dx.doi.org/10.1007/978-3-030-72116-9_1

Bown O; Brown A, 2018, 'Interaction Design for Metacreative Systems', in Filimowicz M; Tzankova V (ed.), New Directions in Third Wave Human-Computer Interaction: Volume 1 - Technologies, Springer, pp. 67 - 87, http://dx.doi.org/10.1007/978-3-319-73356-2_5

Eldridge A; Bown O, 2018, 'Biologically Inspired and Agent-Based Algorithms for Music', in Dean RT; McLean A (ed.), The Oxford Handbook of Algorithmic Music, Oxford University Press, pp. 209 - 244, http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.18

Bown O; Gough P; Tomitsch M, 2017, 'Learning design through facilitating collaborative design: Incorporating service learning into a first year undergraduate design degree course', in Collaboration and Student Engagement in Design Education, pp. 209 - 229, http://dx.doi.org/10.4018/978-1-5225-0726-0.ch010

Bown O; Gemeinboeck P; Saunders R, 2014, 'The machine as autonomous performer', in Candy L; Ferguson S (ed.), Interactive Experience in the Digital Age, Springer, pp. 75 - 90, http://www.springer.com/computer/hci/book/978-3-319-04509-2

Bown O, 2012, 'Generative and adaptive creativity: A unified approach to creativity in nature, humans and machines', in Computers and Creativity, Springer Nature, pp. 361 - 381, http://dx.doi.org/10.1007/978-3-642-31727-9_14

Blackwell T; Bown O; Young M, 2012, 'Live algorithms: Towards autonomous computer improvisers', in Computers and Creativity, pp. 147 - 174, http://dx.doi.org/10.1007/978-3-642-31727-9_6

Blackwell T; Young M; Bown O, 2012, 'Live Algorithms: towards autonomous computer improvisers', in Computers and Creativity, Springer-Verlag Berlin Heidelberg, pp. 147 - 174, http://dx.doi.org/10.1007/978-3-642-31727-9

Bown O, 2012, 'Generative and Adaptive Creativity', in Computers and Creativity, Springer-Verlag Berlin Heidelberg, pp. 361 - 381, http://dx.doi.org/10.1007/978-3-642-31727-9

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