ORCID as entered in ROS

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2021, Beyond the Creative Species Making Machines That Make Art and Music, MIT Press
,2023, 'Sonic robotics: musical genres as platforms for understanding robotic performance as cultural events', in Dunstan B; Koh J; Turnbull Tilman D; Brown S (ed.), Cultural Robotics 2.0
,2021, 'Risk, creative spaces and creative identity in creative technologies research (or why it's okay for academic creative technology outputs to look scrappy and be buggy)', in The Routledge International Handbook of Practice-Based Research, pp. 614 - 621
,2021, 'Sociocultural and Design Perspectives on AI-Based Music Production: Why Do We Make Music and What Changes if AI Makes It for Us?', in Handbook of Artificial Intelligence for Music, Springer International Publishing, pp. 1 - 20, http://dx.doi.org/10.1007/978-3-030-72116-9_1
,2018, 'Interaction Design for Metacreative Systems', in New Directions in Third Wave Human-Computer Interaction: Volume 1 - Technologies, Springer, pp. 67 - 87, http://dx.doi.org/10.1007/978-3-319-73356-2_5
,2018, 'Biologically Inspired and Agent-Based Algorithms for Music', in Dean RT; McLean A (ed.), The Oxford Handbook of Algorithmic Music, Oxford University Press, pp. 209 - 244, http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.18
,2017, 'Learning design through facilitating collaborative design: Incorporating service learning into a first year undergraduate design degree course', in Collaboration and Student Engagement in Design Education, pp. 209 - 229, http://dx.doi.org/10.4018/978-1-5225-0726-0.ch010
,2014, 'The machine as autonomous performer', in Candy L; Ferguson S (ed.), Interactive Experience in the Digital Age, edn. Springer Series on Cultural Computing, Springer, pp. 75 - 90, http://www.springer.com/computer/hci/book/978-3-319-04509-2
,2012, 'Generative and adaptive creativity: A unified approach to creativity in nature, humans and machines', in Computers and Creativity, pp. 361 - 381, http://dx.doi.org/10.1007/978-3-642-31727-9_14
,2012, 'Live algorithms: Towards autonomous computer improvisers', in Computers and Creativity, pp. 147 - 174, http://dx.doi.org/10.1007/978-3-642-31727-9_6
,2012, 'Live Algorithms: towards autonomous computer improvisers', in Computers and Creativity, Springer-Verlag Berlin Heidelberg, pp. 147 - 174, http://dx.doi.org/10.1007/978-3-642-31727-9
,2012, 'Generative and Adaptive Creativity', in Computers and Creativity, Springer-Verlag Berlin Heidelberg, pp. 361 - 381, http://dx.doi.org/10.1007/978-3-642-31727-9
,Loke L, (ed.), 2015, Musify+Gamify Exhibition Catalogue
2023, 'Student responses to creative coding in biomedical science education', Biochemistry and Molecular Biology Education, 51, pp. 44 - 56, http://dx.doi.org/10.1002/bmb.21692
,2022, 'Crafting the Language of Robotic Agents: A vision for electroacoustic music in human-robot interaction', Organised Sound, 27, pp. 206 - 218, http://dx.doi.org/10.1017/S1355771822000358
,2022, 'Designing Sound for Social Robots: Candidate Design Principles', International Journal of Social Robotics, 14, pp. 1507 - 1525, http://dx.doi.org/10.1007/s12369-022-00891-0
,2021, 'Hacking the Medium: Shaping the creative constraints of network architectures in multiplicitous media artworks', Organised Sound, 26, pp. 305 - 316, http://dx.doi.org/10.1017/S135577182100039X
,2021, 'Supporting Creative Practice in Wireless Distributed Sound Installations Given Technical Constraints', JOURNAL OF THE AUDIO ENGINEERING SOCIETY, 69, pp. 757 - 767, http://dx.doi.org/10.17743/jaes.2021.0039
,2021, 'Preface', Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment, 8, pp. vii - vii, http://dx.doi.org/10.1609/aiide.v8i4.12568
,2021, 'Preface', Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment, 10, pp. vii - vii, http://dx.doi.org/10.1609/aiide.v10i5.12774
,2020, 'Rapid composition for networked devices: Happybrackets', Computer Music Journal, 43, pp. 89 - 108, http://dx.doi.org/10.1162/COMJ_a_00520
,2018, 'Understanding media multiplicities', Entertainment Computing, 25, pp. 62 - 70, http://dx.doi.org/10.1016/j.entcom.2017.11.001
,2018, 'Creative media + the internet of things = media multiplicities', Leonardo, 51, pp. 53 - 54, http://dx.doi.org/10.1162/LEON_a_01549
,2018, 'Performer interaction and expectation with live algorithms: experiences with Zamyatin', Digital Creativity, 29, pp. 37 - 50, http://dx.doi.org/10.1080/14626268.2018.1432663
,2018, 'Design and Evaluation of Agents that Sequence and Juxtapose Short Musical Patterns in Real Time', Computer Music Journal, 41, pp. 45 - 63, http://dx.doi.org/10.1162/comj_a_00439
,2017, 'Demo hour', Interactions, 24, pp. 10 - 13, http://dx.doi.org/10.1145/3044536
,2016, 'An introduction to musical metacreation', Computers in Entertainment, 14, http://dx.doi.org/10.1145/2930672
,2016, 'Special issue on musical metacreation, part I', Computers in Entertainment, 14, http://dx.doi.org/10.1145/3024062
,2016, 'Special issue on Musical Metacreation, part II', Computers in Entertainment, 14, http://dx.doi.org/10.1145/3029374
,2016, 'Data materialities art gallery curator', Leonardo, 49, pp. 352 - 374, http://dx.doi.org/10.1162/LEON_a_01289
,2015, 'Computational Social Creativity', Artificial Life, 21, pp. 366 - 378, http://dx.doi.org/10.1162/ARTL_a_00177
,2015, 'Computational Social Creativity', Artificial Life, 21, pp. 366 - 378, http://dx.doi.org/10.1162/ARTL_a_00177
,2014, 'An Album in 1,000 Variations: Notes on the Composition and Distribution of a Parametric Musical Work', Leonardo, 47, pp. 437 - 441, http://dx.doi.org/10.1162/LEON_a_00866
,2014, 'Ten Questions Concerning Generative Computer Art', Leonardo, 47, pp. 135 - 141, http://dx.doi.org/10.1162/LEON_a_00533
,2012, 'Reports on the 2012 AIIDE Workshops', AI Magazine, 34, pp. 90 - 90, http://dx.doi.org/10.1609/aimag.v34i1.2459
,2011, 'Experiments in modular design for the creative composition of live algorithms', Computer Music Journal, 35, pp. 73 - 85, http://dx.doi.org/10.1162/COMJ_a_00070
,2010, 'Taming nature: Tapping the creative potential of ecosystem models in the arts', Digital Creativity, 21, pp. 215 - 231, http://dx.doi.org/10.1080/14626268.2011.550029
,2009, 'From maladaptation to competition to cooperation in the evolution of musical behaviour', Musicae Scientiae, 13, pp. 387 - 411, http://dx.doi.org/10.1177/1029864909013002171
,2009, 'Understanding interaction in contemporary digital music: From instruments to behavioural objects', Organised Sound, 14, pp. 188 - 196, http://dx.doi.org/10.1017/S1355771809000296
,2023, 'The Human-Built Environment-Natural Environment Relation-An Immersive Multisensory Exploration with 'System of a Sound'', in International Conference on Intelligent User Interfaces, Proceedings IUI, ACM, pp. 8 - 11, presented at IUI '23: 28th International Conference on Intelligent User Interfaces, http://dx.doi.org/10.1145/3581754.3584119
,2023, 'Using GPT-3 to Achieve Semantically Relevant Data Sonificiation for an Art Installation', in Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), pp. 212 - 227, http://dx.doi.org/10.1007/978-3-031-29956-8_14
,2022, 'Mechanising Conceptual Spaces using Variational Autoencoders', in Proceedings of the 13th International Conference on Computational Creativity, Bolzano, Italy, pp. 287 - 290, presented at International Conference on Computational Creativity, Bolzano, Italy, 27 June 2022 - 01 July 2022, https://computationalcreativity.net/iccc22/wp-content/uploads/2022/08/ICCC22_proceedings.pdf
,2022, 'Towards Co-Creative Drawing Based on Contrastive Language-Image Models', in Proceedings of the 13th International Conference on Computational Creativity, Balzano, Italy, pp. 96 - 100, presented at International Conference on Computational Creativity, Balzano, Italy, 27 June 2022 - 01 July 2022, https://computationalcreativity.net/iccc22/wp-content/uploads/2022/08/ICCC22_proceedings.pdf
,2022, 'A Framework for Dialogue-Based Human-AI Creative Collaboration', in GenAICHI: CHI 2022 Workshop on Generative AI and HCI, New Orleans, LA, presented at GenAICHI: CHI 2022 Workshop on Generative AI and HCI, New Orleans, LA, 30 April 2022 - 06 May 2022
,2022, 'Buildings as Audio Visual Synthesisers: Experiments Performing Live Music on Wirelessly Networked Multi-Speaker Media Architectures', in Proceedings of the 2022 International Symposium on Electronic Art, Barcelona, presented at International Symposium on Electronic Art, Barcelona, - , http://dx.doi.org/10.7238/ISEA2022.Proceedings
,2021, 'Smooth operator: Tuning robot perception through artificial movement sound', in ACM/IEEE International Conference on Human-Robot Interaction, ACM, pp. 53 - 62, presented at HRI '21: ACM/IEEE International Conference on Human-Robot Interaction, http://dx.doi.org/10.1145/3434073.3444658
,2021, 'Sound in human-robot interaction', in ACM/IEEE International Conference on Human-Robot Interaction, ACM, pp. 706 - 708, presented at HRI '21: ACM/IEEE International Conference on Human-Robot Interaction, http://dx.doi.org/10.1145/3434074.3444871
,2020, 'A Speculative Exploration of the Role of Dialogue in Human-ComputerCo-creation', in Proceedings of the 11th International Conference on Computational Creativity, Coimbra, Portugal, presented at International Conference on Computational Creativity, Coimbra, Portugal, 07 September 2020 - 11 September 2020
,2020, 'Transparent Communication Within Multiplicities', in Bown O; Ferguson S (ed.), Trento, Italy, pp. 61 - 72, presented at 1st International Workshop on the Internet of Sounds, Trento, Italy, 07 September 2020 - 08 September 2020
,2020, 'Rapid Composition for a Multi-Device Networked Music Platform', in Spagnol S (ed.), Proceedings of the 17th Sound and Music Computing Conference, Torino, June 24th – 26th 2020, Torino, Italy, pp. 399 - 406, presented at Sound and Music Computing Conference, Torino, Italy, 24 June 2020 - 26 June 2020, http://dx.doi.org/10.5281/zenodo.3903573
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