By Professor Emery Schubert

Book Chapters

Schubert E, 2022, 'MUSICAL EXPRESSION', in The Oxford Handbook of Music Performance: Development and Learning, Proficiencies, Performance Practices, and Psychology: Volume 1, pp. 273 - 293, http://dx.doi.org/10.1093/oxfordhb/9780190056285.013.14

McPherson G; Schubert E, 2022, 'Enhancing Music Performance Appraisal', in The Oxford Handbook of Music Performance, Volume 2, http://dx.doi.org/10.1093/oxfordhb/9780190058869.013.7

Schubert E, 2021, 'Contemporary Research on Music and Emotion', in The Science and Psychology of Music: From Beethoven at the Office to Beyoncé at the Gym, pp. 233 - 238

Schubert E; Susino M, 2021, 'Music and Emotion across Cultures', in The Science and Psychology of Music: From Beethoven at the Office to Beyoncé at the Gym, pp. 243 - 248

De Poli G; Murari M; Canazza S; Rodà A; Schubert E, 2017, 'Beyond Emotion', in The Routledge Companion to Embodied Music Interaction, Routledge, pp. 78 - 86, http://dx.doi.org/10.4324/9781315621364-9

De Poli G; Murari M; Canazza S; Roda A; Schubert E, 2017, 'Beyond emotion: multi-sensory responses to musical expression.', in Lesaffre M; Maes P; Leman M (ed.), The Routledge Companion to Embodied Music Interaction, Routledge, pp. 78 - 86

Schubert E, 2017, 'Musical identity and individual differences in empathy', in MacDonald R; Hargreaves DJ; Dorothy Miell (ed.), Handbook of Musical Identities, pp. 322 - 342

Schubert E; Pearce M, 2016, 'A new look at musical expectancy: The veridical versus the general in the mental organization of music.', in Kronland-Martinet R; Ystad S; Aramaki M (ed.), Music, Mind, and Embodiment 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers, Springer, pp. 358 - 371

Stevens CJ; Dean RT; Vincs K; Schubert E, 2016, 'In the heat of the moment: Audience real-time response to music and dance performance', in Coughing and Clapping: Investigating Audience Experience, pp. 68 - 87, http://dx.doi.org/10.4324/9781315574455-15

Schubert E; McPherson GE, 2015, 'Underlying mechanisms and processes in the development of emotion perception in music', in McPherson GE (ed.), The Child as Musician A Handbook of Musical Development, Oxford University Press, Oxford, pp. 221 - 243

Fabian D; Timmers R; Schubert E, 2014, 'Afterthought', in , Oxford University PressOxford, pp. 352 - 356, http://dx.doi.org/10.1093/acprof:oso/9780199659647.005.0001

Goeble W; Dixon S; Schubert E, 2014, 'Quantitative methods: Motion analysis, audio analysis, and continuous response techniques', in Fabian D; Timmers R; Schubert E (ed.), Expressiveness in music performance: Empirical approaches across styles and cultures, Oxford University Press, pp. 221 - 239, http://ukcatalogue.oup.com/product/9780199659647.do

Stevens CJ; Dean RT; Vincs K; Schubert E, 2014, 'In the Heat of the Moment: Audience Real-time Response to Music and Dance Performance', in Burland K; Pitts S (ed.), COUGHING AND CLAPPING: INVESTIGATING AUDIENCE EXPERIENCE, ROUTLEDGE, pp. 69 - 87, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000402889400008&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Schubert E; Fabian D, 2014, 'A taxonomy of listeners' judgments of expressiveness in music performance', in Fabian D; Timmers R; Schubert E (ed.), Expressiveness in Music Performance, Oxford University Press, pp. 283 - 303

Stevens CJ; Dean RT; Vincs K; Schubert E, 2014, 'ln the Heat of the Moment: Audience Real-time Response to Music and Dance Performance', in Burland K; Pitts S (ed.), Coughing and Clapping: Investigating Audience Experience, pp. 69 - 88

Stevens CJ; Dean RT; Vincs K; Schubert E, 2014, 'ln the Heat of the Moment: Audience Real-time Response to Music and Dance Performance', in Burland K; Pitts S (ed.), Coughing and Clapping: Investigating Audience Experience, pp. 69 - 88

Schubert E, 2013, 'The role of inhibition and perception in artistic creativity: A cognitive explanation', in Chan J; Thomas K (ed.), Handbook of Research on Creativity, Edward Elgar, Cheltenham, UK, pp. 308 - 322, http://www.e-elgar.com/bookentry_main.lasso?id=14698

Schubert E; Farrar N; Taylor D; Ferguson S; McPherson GE, 2013, 'The six emotion-face clock as a tool for continuously rating discrete emotional responses to music', in From sounds to music and emotions, Springer, London, pp. 1 - 18, http://dx.doi.org/10.1007/978-3-642-41248-6_1

Schubert E, 2012, 'Spreading activation and dissociation: A cognitive mechanism for creative processing in music.', in Hargreaves DJ; Miell DE; MacDonald RAR (ed.), Musical Imaginations Multidisciplinary perspectives on creativity, performance, and perception, Oxford University Press, Oxford, pp. 124 - 140

Schubert E; McPherson GE, 2006, 'The perception of emotion in music', in The child as musician: A handbook of musical development, Oxford University Press, Oxford -- New York, pp. 193 - 212

Schubert E; Fabian DS, 2005, 'An experimental investigation of musical character portrayed by piano versus harpsichord performances of a J. S. Bach excerpt', in Mackinlay E; Collins D; Owens S (ed.), Aesthetics and Experience in Music Performance Proceedings of the Musicological Society of Australia National Workshop Brisbane October 2003, Cambridge Scholars Publishing, Newcastle, UK, pp. 70 - 84

Schubert E, 2004, 'D. Cope, Virtual Music: Computer Synthesis of Musical Style', in Psychology of Music, Society for Research in Psychology of Music & Musi, Manchester, England, pp. 118 - 129

McPherson GE; Schubert E, 2004, 'Measuring performance enhancement in music', in Williamson A (ed.), Musical Excellence: Strategies and techniques to enhance performance, Oxford University press, Oxford -- New York, pp. 61 - 82

Schubert E, 2001, 'Continuous measurement of self-report emotional response to music', in Juslin P; Sloboda J (ed.), Music and Emotion, Oxford University Press, Oxford, pp. 393 - 414

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