Select Publications
Journal articles
2024, 'Editorial: Preservation and exploitation of audio recordings: from archives to industries', Frontiers in Signal Processing, 4, http://dx.doi.org/10.3389/frsip.2024.1444405
,2024, 'Liking music with and without sadness: Testing the direct effect hypothesis of pleasurable negative emotion', PLoS ONE, 19, http://dx.doi.org/10.1371/journal.pone.0299115
,2024, 'Emotional Responses to Music: The Essential Inclusion of Emotion Adaptability and Situational Context', Empirical Studies of the Arts, http://dx.doi.org/10.1177/02762374241237683
,2024, 'The Aesthetic Emotion Lexicon: A Literature Review of Emotion Words Used by Researchers to Describe Aesthetic Experiences', Empirical Studies of the Arts, 42, pp. 3 - 37, http://dx.doi.org/10.1177/02762374221143728
,2023, 'Expressive goals for performing musicians: The case of clarinetists', Musicae Scientiae, 27, pp. 655 - 671, http://dx.doi.org/10.1177/10298649221122155
,2023, 'Recording and analysing physical control variables used in clarinet playing: A musical instrument performance capture and analysis toolbox (MIPCAT)', Frontiers in Signal Processing, 3, http://dx.doi.org/10.3389/frsip.2023.1089366
,2023, 'Involuntary, Limited, and Contiguously Repeating Musical Imagery (InLaCReMI): Reconciling Theory and Data on the Musical Material Acquired by Earworms', Music and Science, 6, http://dx.doi.org/10.1177/20592043231165661
,2023, 'Teachers' approaches to music performance anxiety management: a systematic review', Frontiers in Psychology, 14, http://dx.doi.org/10.3389/fpsyg.2023.1205150
,2023, 'Unexpected Aspects of Expectancy in Music: A Spreading Activation Explanation', Psihologijske Teme, 32, pp. 35 - 55, http://dx.doi.org/10.31820/pt.32.1.3
,2023, 'Tarot as affective cartography in the uneven Anthropocene', Journal of Visual Culture, 22, pp. 243 - 263, http://dx.doi.org/10.1177/14704129231196365
,2022, 'Musical features that aid sleep', Musicae Scientiae, 26, pp. 497 - 515, http://dx.doi.org/10.1177/1029864920972161
,2022, 'The Magnetic Urtext: Restoration as Music Interpretation', Frontiers in Psychology, 13, http://dx.doi.org/10.3389/fpsyg.2022.844009
,2022, 'A Special Class of Experience: Positive Affect Evoked by Music and the Arts', International Journal of Environmental Research and Public Health, 19, http://dx.doi.org/10.3390/ijerph19084735
,2022, 'Illuminating Music: Impact of Color Hue for Background Lighting on Emotional Arousal in Piano Performance Videos', Frontiers in Psychology, 13, http://dx.doi.org/10.3389/fpsyg.2022.828699
,2022, 'A Short Performance Anxiety Scale for Musicians', Frontiers in Psychology, 12, http://dx.doi.org/10.3389/fpsyg.2021.781262
,2022, 'Increasing Music Preference Through Guided Self-Framing: A Comparison of Historical and Imaginative Approaches', Psychology of Aesthetics, Creativity, and the Arts, http://dx.doi.org/10.1037/aca0000488
,2022, 'A Workflow and Digital Filters for Correcting Speed and Equalization Errors on Digitized Audio Open-Reel Magnetic Tapes', Journal of the Audio Engineering Society, 70, pp. 495 - 509, http://dx.doi.org/10.17743/jaes.2022.0009
,2021, 'Creativity Is Optimal Novelty and Maximal Positive Affect: A New Definition Based on the Spreading Activation Model', Frontiers in Neuroscience, 15, http://dx.doi.org/10.3389/fnins.2021.612379
,2021, 'Timbre Vibrato Perception and Description', Music Perception, 38, pp. 282 - 292, http://dx.doi.org/10.1525/MP.2021.38.3.282
,2021, 'Erratum: Multimedia Archives: New Digital Filters to Correct Equalization Errors on Digitized Audio Tapes (Advances in Multimedia (2021) 2021 (5410218) DOI: 10.1155/2021/5410218)', Advances in Multimedia, 2021, http://dx.doi.org/10.1155/2021/9845489
,2021, 'Multimedia archives: New digital filters to correct equalization errors on digitized audio tapes', Advances in Multimedia, 2021, http://dx.doi.org/10.1155/2021/5410218
,2020, 'Musical emotions in the absence of music: A cross-cultural investigation of emotion communication in music by extra-musical cues', PLoS ONE, 15, http://dx.doi.org/10.1371/journal.pone.0241196
,2020, 'Imaginative Enrichment Produces Higher Preference for Unusual Music Than Historical Framing: A Literature Review and Two Empirical Studies', Frontiers in Psychology, 11, http://dx.doi.org/10.3389/fpsyg.2020.01920
,2020, 'Music on Prescription to Aid Sleep Quality: A Literature Review', Frontiers in Psychology, 11, http://dx.doi.org/10.3389/fpsyg.2020.01695
,2020, 'Self-reported reasons for listening to music for sleep', Music and Medicine, 12, pp. 188 - 191, http://dx.doi.org/10.47513/mmd.v12i3.730
,2020, 'Aspects of Music Performance That Are Most Highly Related to Musical Sophistication', Psychomusicology Music Mind and Brain, 30, pp. 64 - 71, http://dx.doi.org/10.1037/pmu0000252
,2020, 'The definition of a musician in music psychology: A literature review and the six-year rule', Psychology of Music, 48, pp. 389 - 409, http://dx.doi.org/10.1177/0305735618804038
,2020, 'Empirical Test of Aesthetic Experience Using the Affect-Space Framework', Psychomusicology Music Mind and Brain, 30, pp. 28 - 36, http://dx.doi.org/10.1037/pmu0000248
,2019, 'Unusualness as a predictor of music preference', Musicae Scientiae, 23, pp. 426 - 441, http://dx.doi.org/10.1177/1029864917752545
,2019, 'What Works and What Doesn’t Work? A Systematic Review of Digital Mental Health Interventions for Depression and Anxiety in Young People', Frontiers in Psychiatry, 10, http://dx.doi.org/10.3389/fpsyt.2019.00759
,2019, 'How does music aid sleep? literature review', Sleep Medicine, 63, pp. 142 - 150, http://dx.doi.org/10.1016/j.sleep.2019.05.016
,2019, 'Young people's response to six smartphone apps for anxiety and depression: Focus group study', JMIR Mental Health, 6, http://dx.doi.org/10.2196/14385
,2019, 'Synaesthesia, Creativity and Obsessive-Compulsive Disorder: Is There a Link?', Creativity Research Journal, 31, pp. 329 - 334, http://dx.doi.org/10.1080/10400419.2019.1631637
,2019, 'A single item measure for identifying musician and nonmusician categories based on measures of musical sophistication', Music Perception, 36, pp. 457 - 467, http://dx.doi.org/10.1525/MP.2019.36.5.457
,2019, 'Cultural stereotyping of emotional responses to music genre', Psychology of Music, 47, pp. 342 - 357, http://dx.doi.org/10.1177/0305735618755886
,2019, 'Verbal and Cross-Modal Ratings of Music: Validation and Application of an Icon-Based Rating Scale', i-Perception, 10, http://dx.doi.org/10.1177/2041669519852643
,2019, 'Continuous self-report engagement responses to the live performance of an atonal, post-serialist solo marimba work', Psychology of Music, 47, pp. 109 - 131, http://dx.doi.org/10.1177/0305735617736378
,2019, 'Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics', EMPIRICAL MUSICOLOGY REVIEW, 14, pp. 2 - 15, http://dx.doi.org/10.18061/emr.v14i1-2.6376
,2019, 'Psycho-historical contextualization for music and visual works: A literature review and comparison between artistic mediums', Frontiers in Psychology, 10, pp. 182, http://dx.doi.org/10.3389/fpsyg.2019.00182
,2019, 'Which Nonvocal Musical Instrument Sounds Like the Human Voice? An Empirical Investigation', Empirical Studies of the Arts, 37, pp. 92 - 103, http://dx.doi.org/10.1177/0276237418763657
,2018, 'Using psychological principles of memory storage and preference to improve music recommendation systems', Leonardo Music Journal, 28, pp. 77 - 81, http://dx.doi.org/10.1162/lmj_a_01045
,2018, 'How >:(is Bizet? Icon ratings of music', Psychology of Music, 46, pp. 749 - 760, http://dx.doi.org/10.1177/0305735617729029
,2018, 'Attraction to sad music: The role of imagery, absorption, and rumination', Psychology of Aesthetics, Creativity, and the Arts, 12, pp. 251 - 258, http://dx.doi.org/10.1037/aca0000160
,2018, 'Emptying Rooms: When the Inverted-U Model of Preference Fails—An Investigation Using Music With Collative Extremes', Empirical Studies of the Arts, 36, pp. 199 - 221, http://dx.doi.org/10.1177/0276237417732683
,2017, 'Emotion appraisal dimensions inferred from vocal expressions are consistent across cultures: A comparison between Australia and India', Royal Society Open Science, 4, http://dx.doi.org/10.1098/rsos.170912
,2017, 'Back to the inverted-U for music preference: A review of the literature', Psychology of Music, 45, pp. 886 - 909, http://dx.doi.org/10.1177/0305735617697507
,2017, 'Brightness scaling of periodic tones', Attention, Perception, and Psychophysics, 79, pp. 1892 - 1896, http://dx.doi.org/10.3758/s13414-017-1394-6
,2017, 'The joy of heartfelt music: An examination of emotional and physiological responses', International Journal of Psychophysiology, 120, pp. 118 - 125, http://dx.doi.org/10.1016/j.ijpsycho.2017.07.012
,2017, 'Mood induction studies: Distinguishing between emotional response and long-term mood impacts of music', SAGE Research Methods Cases, http://dx.doi.org/10.4135/9781473974760
,2017, 'Algorithms can Mimic Human Piano Performance: The Deep Blues of Music', Journal of New Music Research, 46, pp. 175 - 186, http://dx.doi.org/10.1080/09298215.2016.1264976
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