Select Publications

Books

2002, Proceedings of the 7th International Conference on Music Perception and Cognition, Schubert E; McPherson GE; Renwick JM; Stevens C; Burnham DK, (eds.)

Book Chapters

De Poli G; Murari M; Canazza S; Rodà A; Schubert E, 2017, 'Beyond Emotion', in The Routledge Companion to Embodied Music Interaction, Routledge, pp. 78 - 86, http://dx.doi.org/10.4324/9781315621364-9

De Poli G; Murari M; Canazza S; Roda A; Schubert E, 2017, 'Beyond emotion: multi-sensory responses to musical expression.', in Lesaffre M; Maes P; Leman M (ed.), The Routledge Companion to Embodied Music Interaction, Routledge, pp. 78 - 86

Schubert E, 2017, 'Musical identity and individual differences in empathy', in MacDonald R; Hargreaves, David J. ; Dorothy Miell (ed.), Handbook of Musical Identities, pp. 322 - 342

Schubert E; Pearce M, 2016, 'A new look at musical expectancy: The veridical versus the general in the mental organization of music.', in Kronland-Martinet R; Ystad S; Aramaki M (ed.), Music, Mind, and Embodiment 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers, Springer, pp. 358 - 371

Stevens CJ; Dean RT; Vincs K; Schubert E, 2016, 'In the heat of the moment: Audience real-time response to music and dance performance', in Coughing and Clapping: Investigating Audience Experience, pp. 68 - 87, http://dx.doi.org/10.4324/9781315574455-15

Schubert E; McPherson GE, 2015, 'Underlying mechanisms and processes in the development of emotion perception in music', in McPherson GE (ed.), The Child as Musician A Handbook of Musical Development, Oxford University Press, Oxford, pp. 221 - 243

Goeble W; Dixon S; Schubert E, 2014, 'Quantitative methods: Motion analysis, audio analysis, and continuous response techniques', in Fabian D; Timmers R; Schubert E (ed.), Expressiveness in music performance: Empirical approaches across styles and cultures, Oxford University Press, pp. 221 - 239, http://ukcatalogue.oup.com/product/9780199659647.do

Stevens CJ; Dean RT; Vincs K; Schubert E, 2014, 'In the Heat of the Moment: Audience Real-time Response to Music and Dance Performance', in Burland K; Pitts S (ed.), COUGHING AND CLAPPING: INVESTIGATING AUDIENCE EXPERIENCE, ROUTLEDGE, pp. 69 - 87, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000402889400008&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Schubert E; Fabian D, 2014, 'A taxonomy of listeners' judgments of expressiveness in music performance', in Fabian D; Timmers R; Schubert E (ed.), Expressiveness in Music Performance, edn. 1, Oxford University Press, Oxford, pp. 283 - 303, http://ukcatalogue.oup.com/product/9780199659647.do

Stevens CJ; Dean RT; Vincs K; Schubert E, 2014, 'ln the Heat of the Moment: Audience Real-time Response to Music and Dance Performance', in Burland K; Pitts S (ed.), Coughing and Clapping: Investigating Audience Experience, edn. Sempre Studies in the Psychology of Music, Ashgate, Surrey, England, pp. 69 - 88, http://www.ashgate.com/isbn/9781409469810

Stevens CJ; Dean RT; Vincs K; Schubert E, 2014, 'ln the Heat of the Moment: Audience Real-time Response to Music and Dance Performance', in Burland K; Pitts S (ed.), Coughing and Clapping: Investigating Audience Experience, pp. 69 - 88

Schubert E, 2013, 'The role of inhibition and perception in artistic creativity: A cognitive explanation', in Chan J; Thomas K (ed.), Handbook of Research on Creativity, Edward Elgar, Cheltenham, UK, pp. 308 - 322, http://dx.doi.org/10.4337/9780857939814.00033

Schubert E; Farrar N; Taylor D; Ferguson S; McPherson GE, 2013, 'The six emotion-face clock as a tool for continuously rating discrete emotional responses to music', in From sounds to music and emotions, edn. Lecture Notes in Computer Science, Springer, London, pp. 1 - 18, http://dx.doi.org/10.1007/978-3-642-41248-6_1

Schubert E, 2012, 'Spreading activation and dissociation: A cognitive mechanism for creative processing in music.', in Hargreaves DJ; Miell DE; MacDonald RAR (ed.), Musical Imaginations Multidisciplinary perspectives on creativity, performance, and perception, Oxford University Press, Oxford, pp. 124 - 140, http://dx.doi.org/10.1093/acprof:oso/9780199568086.003.0008

Schubert E; McPherson GE, 2006, 'The perception of emotion in music', in The child as musician: A handbook of musical development, Oxford University Press, Oxford -- New York, pp. 193 - 212, http://dx.doi.org/10.1093/acprof:oso/9780198530329.003.0010

Schubert E; Fabian DS, 2005, 'An experimental investigation of musical character portrayed by piano versus harpsichord performances of a J. S. Bach excerpt', in Mackinlay E; Collins D; Owens S (ed.), Aesthetics and Experience in Music Performance Proceedings of the Musicological Society of Australia National Workshop Brisbane October 2003, edn. 1, Cambridge Scholars Publishing, Newcastle, UK, pp. 70 - 84

Schubert E, 2004, 'D. Cope, Virtual Music: Computer Synthesis of Musical Style', in Psychology of Music, edn. Original, Society for Research in Psychology of Music & Musi, Manchester, England, pp. 118 - 129

McPherson GE; Schubert E, 2004, 'Measuring performance enhancement in music', in Williamson A (ed.), Musical Excellence: Strategies and techniques to enhance performance, edn. 1, Oxford University press, Oxford -- New York, pp. 61 - 82

Schubert E, 2001, 'Continuous measurement of self-report emotional response to music', in Juslin P; Sloboda J (ed.), Music and Emotion, edn. First, Oxford University Press, Oxford, pp. 393 - 414

Edited Books

Fabian D; Timmer R; Schubert E, (eds.), 2014, Expressiveness in Music Performance: Empirical Approaches across Styles and Cultures, 1, Oxford University Press, USA, Oxford, UK, http://dx.doi.org/10.1093/acprof:oso/9780199659647.001.0001

Fabian D; Timmers R; Schubert E, (eds.), 2014, Expressiveness in music performance: Empirical approaches across styles and cultures, 1, Oxford University Press, Oxfrod, UK, http://ukcatalogue.oup.com/product/9780199659647.do

Journal articles

Schubert E, 2021, 'Creativity Is Optimal Novelty and Maximal Positive Affect: A New Definition Based on the Spreading Activation Model', Frontiers in Neuroscience, vol. 15, http://dx.doi.org/10.3389/fnins.2021.612379

Almeida A; Schubert E; Wolfe J, 2021, 'Timbre Vibrato Perception and Description', Music Perception, vol. 38, pp. 282 - 292, http://dx.doi.org/10.1525/MP.2021.38.3.282

Pretto N; Micheloni E; Chmiel A; Pozza ND; Marinello D; Schubert E; Canazza S, 2021, 'Multimedia archives: New digital filters to correct equalization errors on digitized audio tapes', Advances in Multimedia, vol. 2021, pp. 1 - 11, http://dx.doi.org/10.1155/2021/5410218

Susino M; Schubert E, 2020, 'Musical emotions in the absence of music: A cross-cultural investigation of emotion communication in music by extra-musical cues', PLoS ONE, vol. 15, pp. e0241196, http://dx.doi.org/10.1371/journal.pone.0241196

Chmiel A; Schubert E, 2020, 'Imaginative Enrichment Produces Higher Preference for Unusual Music Than Historical Framing: A Literature Review and Two Empirical Studies', Frontiers in Psychology, vol. 11, http://dx.doi.org/10.3389/fpsyg.2020.01920

Dickson GT; Schubert E, 2020, 'Music on Prescription to Aid Sleep Quality: A Literature Review', Frontiers in Psychology, vol. 11, http://dx.doi.org/10.3389/fpsyg.2020.01695

Dickson GT; Schubert E, 2020, 'Self-reported reasons for listening to music for sleep', Music and Medicine, vol. 12, pp. 188 - 188, http://dx.doi.org/10.47513/mmd.v12i3.730

Zhang JD; Susino M; McPherson GE; Schubert E, 2020, 'The definition of a musician in music psychology: A literature review and the six-year rule', Psychology of Music, vol. 48, pp. 389 - 409, http://dx.doi.org/10.1177/0305735618804038

Dickson GT; Schubert E, 2020, 'Musical Features that Aid Sleep', Musicae Scientiae, http://dx.doi.org/10.1177/1029864920972161

Zhang JD; Schubert E; McPherson GE, 2020, 'Aspects of music performance that are most highly related to musical sophistication.', Psychomusicology: Music, Mind, and Brain, vol. 30, pp. 64 - 71, http://dx.doi.org/10.1037/pmu0000252

Schubert E; Hargreaves DJ; North AC, 2020, 'Empirical test of aesthetic experience using the affect-space framework.', Psychomusicology: Music, Mind, and Brain, vol. 30, pp. 28 - 36, http://dx.doi.org/10.1037/pmu0000248

Chmiel A; Schubert E, 2019, 'Unusualness as a predictor of music preference', Musicae Scientiae, vol. 23, pp. 426 - 441, http://dx.doi.org/10.1177/1029864917752545

Garrido S; Millington C; Cheers D; Boydell K; Schubert E; Meade T; Nguyen QV, 2019, 'What Works and What Doesn’t Work? A Systematic Review of Digital Mental Health Interventions for Depression and Anxiety in Young People', Frontiers in Psychiatry, vol. 10, http://dx.doi.org/10.3389/fpsyt.2019.00759

Dickson GT; Schubert E, 2019, 'How does music aid sleep? literature review', Sleep Medicine, vol. 63, pp. 142 - 150, http://dx.doi.org/10.1016/j.sleep.2019.05.016

Garrido S; Cheers D; Boydell K; Nguyen QV; Schubert E; Dunne L; Meade T, 2019, 'Young people's response to six smartphone apps for anxiety and depression: Focus group study', JMIR Mental Health, vol. 6, pp. e14385, http://dx.doi.org/10.2196/14385

Wendler E; Schubert E, 2019, 'Synaesthesia, Creativity and Obsessive-Compulsive Disorder: Is There a Link?', Creativity Research Journal, vol. 31, pp. 329 - 334, http://dx.doi.org/10.1080/10400419.2019.1631637

Zhang JD; Schubert E, 2019, 'A single item measure for identifying musician and nonmusician categories based on measures of musical sophistication', Music Perception, vol. 36, pp. 457 - 467, http://dx.doi.org/10.1525/MP.2019.36.5.457

Susino M; Schubert E, 2019, 'Cultural stereotyping of emotional responses to music genre', Psychology of Music, vol. 47, pp. 342 - 357, http://dx.doi.org/10.1177/0305735618755886

Schubert E; Murari M; Rodà A; Canazza S; Da Pos O; De Poli G, 2019, 'Verbal and Cross-Modal Ratings of Music: Validation and Application of an Icon-Based Rating Scale', i-Perception, vol. 10, http://dx.doi.org/10.1177/2041669519852643

Broughton MC; Schubert E; Harvey DG; Stevens CJ, 2019, 'Continuous self-report engagement responses to the live performance of an atonal, post-serialist solo marimba work', Psychology of Music, vol. 47, pp. 109 - 131, http://dx.doi.org/10.1177/0305735617736378

Susino M; Schubert E, 2019, 'Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics', EMPIRICAL MUSICOLOGY REVIEW, vol. 14, pp. 2 - 15, http://dx.doi.org/10.18061/emr.v14i1-2.6376

Chmiel A; Schubert E, 2019, 'Psycho-historical contextualization for music and visual works: A literature review and comparison between artistic mediums', Frontiers in Psychology, vol. 10, http://dx.doi.org/10.3389/fpsyg.2019.00182

Schubert E, 2019, 'Which Nonvocal Musical Instrument Sounds Like the Human Voice? An Empirical Investigation', Empirical Studies of the Arts, vol. 37, pp. 92 - 103, http://dx.doi.org/10.1177/0276237418763657

Chmiel A; Schubert E, 2018, 'Using psychological principles of memory storage and preference to improve music recommendation systems', Leonardo Music Journal, vol. 28, pp. 77 - 81, http://dx.doi.org/10.1162/lmj_a_01045

Murari M; Schubert E; Rodà A; Da Pos O; De Poli G, 2018, 'How >:(is Bizet? Icon ratings of music', Psychology of Music, vol. 46, pp. 749 - 760, http://dx.doi.org/10.1177/0305735617729029

Schubert E; Halpern AR; Kreutz G; Garrido S, 2018, 'Attraction to sad music: The role of imagery, absorption, and rumination', Psychology of Aesthetics, Creativity, and the Arts, vol. 12, pp. 251 - 258, http://dx.doi.org/10.1037/aca0000160

Chmiel A; Schubert E, 2018, 'Emptying Rooms: When the Inverted-U Model of Preference Fails—An Investigation Using Music With Collative Extremes', Empirical Studies of the Arts, vol. 36, pp. 199 - 221, http://dx.doi.org/10.1177/0276237417732683

Nordström H; Laukka P; Thingujam NS; Schubert E; Elfenbein HA, 2017, 'Emotion appraisal dimensions inferred from vocal expressions are consistent across cultures: A comparison between Australia and India', Royal Society Open Science, vol. 4, http://dx.doi.org/10.1098/rsos.170912


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