By Professor Emery Schubert

Books

, 2002, Proceedings of the 7th International Conference on Music Perception and Cognition, Schubert E; McPherson GE; Renwick JM; Stevens C; Burnham DK, (eds.)

Book Chapters

Schubert E, 2022, 'MUSICAL EXPRESSION', in The Oxford Handbook of Music Performance: Development and Learning, Proficiencies, Performance Practices, and Psychology: Volume 1, pp. 273 - 293, http://dx.doi.org/10.1093/oxfordhb/9780190056285.013.14

McPherson G; Schubert E, 2022, 'Enhancing Music Performance Appraisal', in The Oxford Handbook of Music Performance, Volume 2, http://dx.doi.org/10.1093/oxfordhb/9780190058869.013.7

Schubert E, 2021, 'Contemporary Research on Music and Emotion', in The Science and Psychology of Music: From Beethoven at the Office to Beyoncé at the Gym, pp. 233 - 238

Schubert E; Susino M, 2021, 'Music and Emotion across Cultures', in The Science and Psychology of Music: From Beethoven at the Office to Beyoncé at the Gym, pp. 243 - 248

De Poli G; Murari M; Canazza S; Rodà A; Schubert E, 2017, 'Beyond Emotion', in The Routledge Companion to Embodied Music Interaction, Routledge, pp. 78 - 86, http://dx.doi.org/10.4324/9781315621364-9

De Poli G; Murari M; Canazza S; Roda A; Schubert E, 2017, 'Beyond emotion: multi-sensory responses to musical expression.', in Lesaffre M; Maes P; Leman M (ed.), The Routledge Companion to Embodied Music Interaction, Routledge, pp. 78 - 86

Schubert E, 2017, 'Musical identity and individual differences in empathy', in MacDonald R; Hargreaves DJ; Dorothy Miell (ed.), Handbook of Musical Identities, pp. 322 - 342

Schubert E; Pearce M, 2016, 'A new look at musical expectancy: The veridical versus the general in the mental organization of music.', in Kronland-Martinet R; Ystad S; Aramaki M (ed.), Music, Mind, and Embodiment 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers, Springer, pp. 358 - 371

Stevens CJ; Dean RT; Vincs K; Schubert E, 2016, 'In the heat of the moment: Audience real-time response to music and dance performance', in Coughing and Clapping: Investigating Audience Experience, pp. 68 - 87, http://dx.doi.org/10.4324/9781315574455-15

Schubert E; McPherson GE, 2015, 'Underlying mechanisms and processes in the development of emotion perception in music', in McPherson GE (ed.), The Child as Musician A Handbook of Musical Development, Oxford University Press, Oxford, pp. 221 - 243

Fabian D; Timmers R; Schubert E, 2014, 'Afterthought', in , Oxford University PressOxford, pp. 352 - 356, http://dx.doi.org/10.1093/acprof:oso/9780199659647.005.0001

Goeble W; Dixon S; Schubert E, 2014, 'Quantitative methods: Motion analysis, audio analysis, and continuous response techniques', in Fabian D; Timmers R; Schubert E (ed.), Expressiveness in music performance: Empirical approaches across styles and cultures, Oxford University Press, pp. 221 - 239, http://ukcatalogue.oup.com/product/9780199659647.do

Stevens CJ; Dean RT; Vincs K; Schubert E, 2014, 'In the Heat of the Moment: Audience Real-time Response to Music and Dance Performance', in Burland K; Pitts S (ed.), COUGHING AND CLAPPING: INVESTIGATING AUDIENCE EXPERIENCE, ROUTLEDGE, pp. 69 - 87, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000402889400008&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Schubert E; Fabian D, 2014, 'A taxonomy of listeners' judgments of expressiveness in music performance', in Fabian D; Timmers R; Schubert E (ed.), Expressiveness in Music Performance, Oxford University Press, pp. 283 - 303

Stevens CJ; Dean RT; Vincs K; Schubert E, 2014, 'ln the Heat of the Moment: Audience Real-time Response to Music and Dance Performance', in Burland K; Pitts S (ed.), Coughing and Clapping: Investigating Audience Experience, pp. 69 - 88

Stevens CJ; Dean RT; Vincs K; Schubert E, 2014, 'ln the Heat of the Moment: Audience Real-time Response to Music and Dance Performance', in Burland K; Pitts S (ed.), Coughing and Clapping: Investigating Audience Experience, pp. 69 - 88

Schubert E, 2013, 'The role of inhibition and perception in artistic creativity: A cognitive explanation', in Chan J; Thomas K (ed.), Handbook of Research on Creativity, Edward Elgar, Cheltenham, UK, pp. 308 - 322, http://www.e-elgar.com/bookentry_main.lasso?id=14698

Schubert E; Farrar N; Taylor D; Ferguson S; McPherson GE, 2013, 'The six emotion-face clock as a tool for continuously rating discrete emotional responses to music', in From sounds to music and emotions, Springer, London, pp. 1 - 18, http://dx.doi.org/10.1007/978-3-642-41248-6_1

Schubert E, 2012, 'Spreading activation and dissociation: A cognitive mechanism for creative processing in music.', in Hargreaves DJ; Miell DE; MacDonald RAR (ed.), Musical Imaginations Multidisciplinary perspectives on creativity, performance, and perception, Oxford University Press, Oxford, pp. 124 - 140

Schubert E; McPherson GE, 2006, 'The perception of emotion in music', in The child as musician: A handbook of musical development, Oxford University Press, Oxford -- New York, pp. 193 - 212

Schubert E; Fabian DS, 2005, 'An experimental investigation of musical character portrayed by piano versus harpsichord performances of a J. S. Bach excerpt', in Mackinlay E; Collins D; Owens S (ed.), Aesthetics and Experience in Music Performance Proceedings of the Musicological Society of Australia National Workshop Brisbane October 2003, Cambridge Scholars Publishing, Newcastle, UK, pp. 70 - 84

Schubert E, 2004, 'D. Cope, Virtual Music: Computer Synthesis of Musical Style', in Psychology of Music, Society for Research in Psychology of Music & Musi, Manchester, England, pp. 118 - 129

McPherson GE; Schubert E, 2004, 'Measuring performance enhancement in music', in Williamson A (ed.), Musical Excellence: Strategies and techniques to enhance performance, Oxford University press, Oxford -- New York, pp. 61 - 82

Schubert E, 2001, 'Continuous measurement of self-report emotional response to music', in Juslin P; Sloboda J (ed.), Music and Emotion, Oxford University Press, Oxford, pp. 393 - 414

Edited Books

Fabian D; Timmer R; Schubert E, (eds.), 2014, Expressiveness in Music Performance: Empirical Approaches across Styles and Cultures, Oxford University Press, USA, Oxford, UK, http://dx.doi.org/10.1093/acprof:oso/9780199659647.001.0001

Fabian D; Timmers R; Schubert E, (eds.), 2014, Expressiveness in music performance: Empirical approaches across styles and cultures, 1, Oxford University Press, Oxfrod, UK, http://ukcatalogue.oup.com/product/9780199659647.do

Journal articles

Canazza S; Pretto N; Bosi M; Schubert E, 2024, 'Editorial: Preservation and exploitation of audio recordings: from archives to industries', Frontiers in Signal Processing, 4, http://dx.doi.org/10.3389/frsip.2024.1444405

Schubert E, 2024, 'Liking music with and without sadness: Testing the direct effect hypothesis of pleasurable negative emotion', PLoS ONE, 19, http://dx.doi.org/10.1371/journal.pone.0299115

Susino M; Thompson WF; Schubert E; Broughton M, 2024, 'Emotional Responses to Music: The Essential Inclusion of Emotion Adaptability and Situational Context', Empirical Studies of the Arts, http://dx.doi.org/10.1177/02762374241237683

Schubert E, 2024, 'The Aesthetic Emotion Lexicon: A Literature Review of Emotion Words Used by Researchers to Describe Aesthetic Experiences', Empirical Studies of the Arts, 42, pp. 3 - 37, http://dx.doi.org/10.1177/02762374221143728

Almeida A; Li W; Schubert E; Smith J; Wolfe J, 2023, 'Expressive goals for performing musicians: The case of clarinetists', Musicae Scientiae, 27, pp. 655 - 671, http://dx.doi.org/10.1177/10298649221122155

Almeida A; Li W; Schubert E; Smith J; Wolfe J, 2023, 'Recording and analysing physical control variables used in clarinet playing: A musical instrument performance capture and analysis toolbox (MIPCAT)', Frontiers in Signal Processing, 3, http://dx.doi.org/10.3389/frsip.2023.1089366

Schubert E, 2023, 'Involuntary, Limited, and Contiguously Repeating Musical Imagery (InLaCReMI): Reconciling Theory and Data on the Musical Material Acquired by Earworms', Music and Science, 6, http://dx.doi.org/10.1177/20592043231165661

Mazzarolo I; Burwell K; Schubert E, 2023, 'Teachers' approaches to music performance anxiety management: a systematic review', Frontiers in Psychology, 14, http://dx.doi.org/10.3389/fpsyg.2023.1205150

Schubert E, 2023, 'Unexpected Aspects of Expectancy in Music: A Spreading Activation Explanation', Psihologijske Teme, 32, pp. 35 - 55, http://dx.doi.org/10.31820/pt.32.1.3

Murney A, 2023, 'Tarot as affective cartography in the uneven Anthropocene', Journal of Visual Culture, 22, pp. 243 - 263, http://dx.doi.org/10.1177/14704129231196365

Dickson GT; Schubert E, 2022, 'Musical features that aid sleep', Musicae Scientiae, 26, pp. 497 - 515, http://dx.doi.org/10.1177/1029864920972161

Canazza S; Schubert E; Chmiel A; Pretto N; Rodà A, 2022, 'The Magnetic Urtext: Restoration as Music Interpretation', Frontiers in Psychology, 13, http://dx.doi.org/10.3389/fpsyg.2022.844009

Schubert E, 2022, 'A Special Class of Experience: Positive Affect Evoked by Music and the Arts', International Journal of Environmental Research and Public Health, 19, http://dx.doi.org/10.3390/ijerph19084735

McDonald J; Canazza S; Chmiel A; De Poli G; Houbert E; Murari M; Rodà A; Schubert E; Zhang JD, 2022, 'Illuminating Music: Impact of Color Hue for Background Lighting on Emotional Arousal in Piano Performance Videos', Frontiers in Psychology, 13, http://dx.doi.org/10.3389/fpsyg.2022.828699

Mazzarolo I; Schubert E, 2022, 'A Short Performance Anxiety Scale for Musicians', Frontiers in Psychology, 12, http://dx.doi.org/10.3389/fpsyg.2021.781262

Chmiel A; Milne AJ; Dean RT; Schubert E, 2022, 'Increasing Music Preference Through Guided Self-Framing: A Comparison of Historical and Imaginative Approaches', Psychology of Aesthetics, Creativity, and the Arts, http://dx.doi.org/10.1037/aca0000488

Pretto N; Pozza ND; Padoan A; Chmiel A; Werner KJ; Micalizzi A; Schubert E; Roda A; Milani S; Canazza S, 2022, 'A Workflow and Digital Filters for Correcting Speed and Equalization Errors on Digitized Audio Open-Reel Magnetic Tapes', Journal of the Audio Engineering Society, 70, pp. 495 - 509, http://dx.doi.org/10.17743/jaes.2022.0009

Schubert E, 2021, 'Creativity Is Optimal Novelty and Maximal Positive Affect: A New Definition Based on the Spreading Activation Model', Frontiers in Neuroscience, 15, http://dx.doi.org/10.3389/fnins.2021.612379

Almeida A; Schubert E; Wolfe J, 2021, 'Timbre Vibrato Perception and Description', Music Perception, 38, pp. 282 - 292, http://dx.doi.org/10.1525/MP.2021.38.3.282

Pretto N; Micheloni E; Chmiel A; Dalla Pozza N; Marinello D; Schubert E; Canazza S, 2021, 'Erratum: Multimedia Archives: New Digital Filters to Correct Equalization Errors on Digitized Audio Tapes (Advances in Multimedia (2021) 2021 (5410218) DOI: 10.1155/2021/5410218)', Advances in Multimedia, 2021, http://dx.doi.org/10.1155/2021/9845489

Pretto N; Micheloni E; Chmiel A; Pozza ND; Marinello D; Schubert E; Canazza S, 2021, 'Multimedia archives: New digital filters to correct equalization errors on digitized audio tapes', Advances in Multimedia, 2021, http://dx.doi.org/10.1155/2021/5410218

Susino M; Schubert E, 2020, 'Musical emotions in the absence of music: A cross-cultural investigation of emotion communication in music by extra-musical cues', PLoS ONE, 15, http://dx.doi.org/10.1371/journal.pone.0241196

Chmiel A; Schubert E, 2020, 'Imaginative Enrichment Produces Higher Preference for Unusual Music Than Historical Framing: A Literature Review and Two Empirical Studies', Frontiers in Psychology, 11, http://dx.doi.org/10.3389/fpsyg.2020.01920

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