ORCID as entered in ROS
https://orcid.org/0000-0002-6541-8083
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Conference Papers
, 2023, 'Knocking on a yellow door: interactions among knocking sounds, colours, and emotions', in Proceedings of the 10th Convention of the European Acoustics Association Forum Acusticum 2023, European Acoustics Association, presented at
, 2021, 'A workflow and novel digital filters for compensating speed and equalization errors on digitized audio open-reel tapes', in ACM International Conference Proceeding Series, pp. 224 - 231, http://dx.doi.org/10.1145/3478384.3478409
, 2021, 'SLEEP through SURVEYED: USAGE and EFFICACY of STREAMED SOUNDSCAPES CREATED to HELP INFANTS SLEEP', in Proceedings of the Sound and Music Computing Conferences, pp. 253 - 260
, 2020, 'Key Clarity is Blue, Relaxed, and Maluma: Machine Learning Used to Discover Cross-Modal Connections Between Sensory Items and the Music They Spontaneously Evoke', in Advances in Intelligent Systems and Computing, pp. 214 - 223, http://dx.doi.org/10.1007/978-981-15-7801-4_22
, 2018, 'A simple algorithm for music recommendation, built on established psychological principles', in Ventura MD (ed.), New music concepts: 5th International conference, ICNMC, Abeditore, Italy, presented at
, 2018, 'Using the Three-Component Model of the Musician Definition, A Musician is Someone Who Has Six Years of Musical Expertise', in Proceedings of ICMPC15/ESCOM10, Graz, Montreal, La Plata, Sydney, presented at
, 2015, 'Mozart is still blue: a comparison of sensory and verbal scales to describe qualities in music', in Timoney J; Lysaght T (ed.), The 12th Sound and Music Computing Conference, Maynooth University, Maynooth, Co. Kildare, Ireland, pp. 351 - 358, presented at
, 2015, 'Toward a musical Turing test for automatic music performance', in Kronland-Martinet R; Ystad S; Aramaki M (eds.), 11th International Symposium on Computer Music Multidisciplinary Research (CMMR), Plymouth, UK, pp. 697 - 704, presented at
, 2015, 'Veridical Chaining: A case-based memory matching approach to the mental organization of music', in Aramaki M; Kronland-Martinet R; Ystad S (eds.), 11th International Symposium on Computer Music Multidisciplinary Research (CMMR), Plymouth, UK, pp. 428 - 440, presented at
, 2015, 'A new look at musical expectancy: The veridical versus the general in the mental organization of music', in Kronland-Martinet R; Aramaki M; Ystad S (eds.), Music, Mind, and Embodiment. CMMR 2015. Lecture Notes in Computer Science, vol 9617, Plymouth University, UK, pp. 358 - 370, presented at
, 2014, 'Open ended descriptions of computer assisted interpretations of musical performance: An investigation of individual differences', in Roda A; Canazza S (ed.), Proceedings of the 1st international workshop on computer and robotic Systems for Automatic Music Performance (SAMP14), Sound and Music Computing Group, Department of Information Engineering, University of Padova, Italy, Venice, Italy, presented at
, 2014, 'Music systemisers and music empathisers - Do they rate expressiveness of computer generated performances the same?', in Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos, pp. 223 - 227
, 2013, 'Doing without thinking? Aspects of musical decision-making revisited', in Williamon A; Goebl W (ed.), Proceedings of the International Symposium on Performance Science, European Association of Conservatoires (AEC), Utrecht, The Netherlands, pp. 201, presented at
, 2013, 'A Comparison between Continuous Categorical Emotion Responses and Stimulus Loudness Parameters', in 2013 FOURTH INTERNATIONAL CONFERENCE ON INFORMATION, INTELLIGENCE, SYSTEMS AND APPLICATIONS (IISA 2013), IEEE, GREECE, Piraeus, pp. 118 - 123, presented at
, 2012, 'Stable, quantised pitch in singing and instrumental music: signals, acoustics and possible origins', in Acoustics 2012 Fremantle: Acoustics, Development and the Environment, The Australian Acoustical Society, Western Australian Division, Perth, WA, pp. 332 - 336, presented at
, 2012, 'Using Affect Valence and Emotion Valence to Understand Musical Experience and Response: The case of hated music.', in Proceedings of the 30th ISME World Conference on Music Education, International Society for Music Education, Nedlands, Western Australia, pp. 317 - 324, presented at
, 2011, 'Sonification of Emotion I: Film Music', in The 17th International Conference on Auditory Display (ICAD-2011), International Community for Auditory Display (ICAD), Budapest, Hungary, presented at
, 2011, 'Personality and Computer Music', in Proceedings of the 8th Sound and Music Computing Conference (SMC Conference 2011), smcnetwork.org, Padova, Italy, pp. 1 - 6, presented at
, 2009, 'Analysing practice behaviour and cognition: The method of note-playing path', in Inaugural International Conference on Music Communication Science, ARC Research Network in Human Communication Science (HCSNet), Sydney, Australia, presented at
, 2009, 'Individual differences in cognitive styles of music listening: preferences and musical identity', in Inaugural International Conference on Music Communication Science, ARC Research Network in Human Communication Science (HCSNet), Sydney, Australia, presented at
, 2009, 'Methods for Measuring Audience Reactions', in Schubert E; Buckley K; Eliott R; Koboroff B; Chen J; Stevens C (eds.), Inaugural International Conference on Music Communication Science, ARC Research Network in Human Communication Science (HCSNet), Sydney, Australia, pp. 25 - 27, presented at
, 2009, 'Music Notation Software: Some Observations on its Effects on Compuser Creativity', in Inaugural International Conference on Music Communication Science, ARC Research Network in Human Communication Science (HCSNet), Sydney, Australia, presented at
, 2009, 'Real Time Cognitive Response recording', in Schubert E; Buckley K; Eliott R; Koboroff B; Chen J; Stevens C (eds.), Inaugural International Conference on Music Communication Science, ARC Research Network in Human Communication Science (HCSNet), Sydney, Australia, pp. 139 - 142, presented at
, 2009, 'Real Time Cognitive Response Recording', in Schubert E; Buckley K; Eliott R; Koboroff B; Chen J; Stevens C (eds.), Inaugural International Conference on Music Communication Science, ARC Research Network in Human Communication Science (HCSNet), Sydney, Australia, pp. 139 - 142, presented at
, 2009, 'When is an event in a time-series significant?', in Inaugural International Conference on Music Communication Science, ARC Research Network in Human Communication Science (HCSNet), Sydney, Australia, presented at
, 2008, 'PsySound3: a program for the analysis of sound recordings', in ACTA Acustica United With Acustica, S Hirzel Verlag, Stuttgart, Germany, presented at
, 2007, 'PsySound3: Software for Acoustical and Psychoacoustical Analysis of Sound Recordings', in Solomon R; Solomon J (ed.), 17th Annual Meeting of the International Association for Dance Medicine and Science, 17th Annual Meeting of the International Association for Dance Medicine and Science, Canberra, pp. 230 - 234, presented at
, 2007, 'Real Time Cognitive Response Recording', in Music and Identity. The German Society for Music Psychology 2007 Annual Conference, Music and Identity. The German Society for Music Psychology 2007 Annual Conference, Justus-Liebig University, Giessen, presented at
, 2007, 'Absolute Expression in Music as Mere Referentialism', in XVIth Conference of the International Society for Research on Emotions 2007 Queensland, XVIth Conference of the International Society for Research on Emotions 2007 Queensland, Sunshine Coast, Queensland, Australia, pp. 21 - 22, presented at
, 2007, 'The Auditory Mango: A Fundamental Function of Music that Distinguishes it from Language', in Cross I (ed.), Language and Music as Cognitive Systems, Language and Music as Cognitive Systems, University of Cambridge, UK, presented at
, 2006, 'A computational approach for measuring articulation', in Demorest SM; Morrison SJ; Campbell PS (eds.), ICMPC11 -- 11th International Conference of Music Perception and Cognition, Causal Productions, Seattle, Washington USA, pp. 429 - 430, presented at
, 2006, 'Cognitive and affective judgments of syncopated themes', in Demorest SM; Morrison SJ; Campbell PS (eds.), ICMPC11 -- 11th International Conference of Music Perception and Cognition, Causal Productions, Seattle, Washington USA, pp. 301 - 302, presented at
, 2006, 'Emotion in real and imagined music: Same or different?', in Demorest SM; Morrison SJ; Campbell PS (eds.), ICMPC11 -- 11th International Conference of Music Perception and Cognition, Causal Productions, Seattle, Washington USA, pp. 270 - 271, presented at
, 2006, 'Improving algorithmic music composition with machine learning', in Demorest SM; Morrison SJ; Campbell PS (eds.), ICMPC11 -- 11th International Conference of Music Perception and Cognition, Causal Productions, Seattle, Washington USA, pp. 557 - 557, presented at
, 2006, 'Parameters distinguishing Baroque and Romantic Performance', in Demorest SM; Morrison SJ; Campbell PS (eds.), ICMPC11 -- 11th International Conference of Music Perception and Cognition, Causal Productions, Seattle, Washington USA, pp. 226 - 227, presented at
, 2006, 'Quantification of Gabrielsson`s relationships between felt and expressed emotions in music', in Demorest SM; Morrison SJ; Campbell PS (eds.), ICMPC11 -- 11th International Conference of Music Perception and Cognition, Causal Productions, Seattle, Washington USA, pp. 153 - 153, presented at
, 2006, 'Perception of dotted rhythms: discovery of an auditory illusion', in Velichkovsky B; Chernigovskaya T; Alexandrov Y; Akhapkin D (eds.), 2nd Biennial Conference on Cognitive Science, 2nd Biennial Conference on Cognitive Science, St Petersburg, Russia, pp. 54 - 55, presented at
, 2006, 'Perception and psychoacoustics of tuning', in Sonic Connection, Sonic Connection, University of Wollongong, presented at
, 2005, 'Perceptual structure in fine line terrain', in Atherton M (ed.), College of Arts, Education and Social Sciences Inaugural Research Conference: Scholarship and Community, College of Arts, Education and Social Sciences Inaugural Research Conference: Scholarship and Community, University of Western Sydney, pp. 1 - 6, presented at
, 2005, 'Emotional dimensions perceived and felt in music: An exploration of responses from different age groups', in Chang S-H; Chong H-J (ed.), 2nd International Conference of Asia-Pacific Society for the Cognitive Science of Music (APSCOM2), 2nd International Conference of Asia-Pacific Society for the Cognitive Science of Music (APSCOM2), Seoul, South Korea, pp. 23 - 27, presented at
, 2005, 'Time shrinking as an explanation of the Kerning Illusion', in Chang S-H; Chong H-J (ed.), 2nd International Conference of Asia-Pacific Society for the Cognitive Science of Music (APSCOM2), 2nd International Conference of Asia-Pacific Society for the Cognitive Science of Music (APSCOM2), Seoul, South Korea, pp. 28 - 28, presented at
, 2005, 'New Directions in Measuring Emotion in Music', in Royal Australian and New Zealand College of Psychiatrists 40th Congress (RANZCP), RANZCP: 40th Congress Psychiatry in a Changing World, Sydney, pp. 10 - 10, presented at
, 2004, 'Performerd and perceived dotting are different: Implications for performance practice and pedagogy', in Parncutt R; Kessler A; Zimmer F (eds.), CIM04, CIM04, University of Graz, Graz, Austria, pp. 74 - 75, presented at
, 2004, 'Spectral centroid and timbre in complex, multiple instrumental textures', in Pennycook B; Costa-Giomi E (ed.), International Conference on Music Perception and Cognition, International Conference on Music Perception and Cognition 2004, Illinois, pp. 654 - 657, presented at
, 2003, 'Expressiveness in musical performance: comparison of novice and expert-listener perspectives', in ESCOM5: Experience Music in Science, Science in Music, ESCOM5: Experience Music in Science, Science in Music, Hanover, University of Music and Drama, presented at
, 2003, 'Resolving the historical dotting debate: How empirical investigations may inform performance practice', in ESCOM5: Experience Music in Science, Science in Music, ESCOM5: Experience Music in Science, Science in Music, Hanover, University of Music and Drama, presented at
, 2003, 'Moving average model of key change in the major key: implications for harmonic analysis', in Slezak PP (ed.), International Conference on Cognitive Science, International Conference on Cognitive Science, Univerisity of New South Wales, Sydney, pp. 160 - 161, presented at
, 2003, 'First blood: do tonal profiles bleed through unprepared modulations', in Australian Journal of Psychology, Taylor and Francis, University of Western Sydney--Bankstown Campus, pp. 79 - 79, presented at
, 2003, 'Measuring musical character: A prliminary investigation', in Australian Journal of Psychology, Taylor and Francis, University of Western Sydney--Bankstown Campus, pp. 91 - 91, presented at
, 2002, 'Listening to Bach: musical performance features and the perception of expressiveness in Baroque music.', in Stevens C; Burnham D; McPherson G; Schubert E; Renwick J (eds.), Proceedings of the 7th International Conference on Music Perception and Cognition, IAEA2002, Tarakazuka, Japan, pp. 463 - 468, presented at
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https://orcid.org/0000-0002-6541-8083