Select Publications
Journal articles
2013, 'Emotion in popular music: A psychological perspective', Volume !, 10, http://www.seteun.net/
,2011, 'Cognitive and Affective Judgements of Syncopated Musical Themes', Advances in Cognitive Psychology, 7, pp. 142 - 156, http://dx.doi.org/10.2478/v10053-008-0094-0
,2011, 'Analysing playing using the note-time playing path', Behavior Research Methods, 43, pp. 278 - 291, http://dx.doi.org/10.3758/s13428-010-0041-0
,2010, 'Comparing continuous subjective loudness responses and computational models of loudness for temporally varying sounds', 129th Audio Engineering Society Convention 2010, 2, pp. 857 - 864
,2010, 'A baroque traumerei: The performance and perception of two violin renditions', Musicology Australia, 32, pp. 27 - 44, http://dx.doi.org/10.1080/08145851003793986
,2010, 'Acoustics Australia: From the editors', Acoustics Australia, 38, pp. 5
,2010, 'Untitled', ACOUSTICS AUSTRALIA, 38, pp. 5 - 5, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000277368200002&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
,2010, 'Did non-vocal instrument characteristics influence modern singing?', Musica Humana, 2, pp. 121 - 138, http://www.phys.unsw.edu.au/jw/reprints/MusicaHumana.pdf
,2010, 'The fundamental function of music', Musicae Scientiae, 13, pp. 63 - 81, http://dx.doi.org/10.1177/1029864909013002051
,2009, 'Baroque expressiveness and stylishness in three recordings of the D minor Sarabanda for Solo Violin', Music Performance Research, 3, pp. 36 - 56, http://mpr-online.net/Issues/Volume%203%20%5B2009%5D/MPR0019%20Fabian%20&%20Schubert%20Final%20Web%20Version.pdf
,2008, 'PsySound3: An integrated environment for the analysis of sound recordings', Annual Conference of the Australian Acoustical Society, AAS'08, pp. 286 - 292
,2008, 'From the editors', Acoustics Australia, 36, pp. 45
,2008, 'Cognitive styles of music listening', Music Perception, 26, pp. 57 - 73
,2008, 'Musical character and the performance and perception of dotting, articulation and tempo in 34 recordings of Variation 7 from JS Bach`s Goldberg Variations (BWV 988)', Musicae Scientiae, 12, pp. 177 - 206
,2008, 'Relationships between expressed and felt emotions in music', Musicae Scientiae, 12, pp. 75 - 99, http://dx.doi.org/10.1177/102986490801200105
,2007, 'From the editors', Acoustics Australia, 35, pp. 39
,2007, 'Untitled', ACOUSTICS AUSTRALIA, 35, pp. 39 - 39, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000261498300002&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
,2007, 'The influence of emotion, locus of emotion and familiarity upon preference in music', Psychology of Music, 35, pp. 499 - 515, http://dx.doi.org/10.1177/0305735607072657
,2007, 'Analysis of Emotional Dimensions in Music Using Time Series Techniques', Context, 31, pp. 65 - 80
,2007, 'Locus of Emotion: The Effect of Task Order and Age on Emotion Perceived and Emotion Felt in Response to Music', Journal of Music Therapy, XLIV, pp. 344 - 368
,2007, 'The influence of emotion, locus of emotion and familiarity upon preference in music', Psychology of Music, 44, pp. 344 - 368
,2006, 'Does timbral brightness scale with frequency and spectral centroid?', ACTA Acustica United With Acustica, 92, pp. 820 - 825
,2006, 'The dimensions of baroque music performance: a semantic differential study', Psychology of Music, 34, pp. 573 - 587
,2006, 'The effect of implied harmony, contour and musical expertise on judgments of similarity of familiar melodies', Journal of New Music Research, 35, pp. 161 - 174
,2005, 'Acoustics Australia: From the editors', Acoustics Australia, 33, pp. 5
,2005, 'Differences in emotion observed and emotion felt in response to music', Australian Journal of Psychology, 57, pp. 71 - 71, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000234555700260&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a
,2004, 'Modeling perceived emotion with continuous musical features', Music Perception, 21, pp. 561 - 586
,2003, 'Expressive devices and perceived musical character in 34 performances of Variation 7 from Bach`s Goldberg Variations', Musicae Scientiae, Special, pp. 49 - 68
,2003, 'Update of Hevner`s adjective checklist', Perceptual and Motor Skills, 96, pp. 1117 - 1122
,2003, 'UPDATE OF THE HEVNER ADJECTIVE CHECKLIST', Perceptual and Motor Skills, 96, pp. 1117 - 1117, http://dx.doi.org/10.2466/pms.96.3.1117-1122
,2002, 'Correlation Analysis of Continuous Response: correcting for the effect of Serial correlation.', Musicae Scientiae, pp. 213 - 233
,2002, 'Preference and perception in dotted 6/8 patters by experienced and less experienced baroque music listeners.', Journal of Music Perception and Cognition, 7, pp. 113 - 132
,1999, 'Measuring emotion continuously:validity and reliability of the two-dimensional emotion-space', Australian Journal of Psychology, pp. 154 - 165
,1996, 'Enjoyment of negative emotions in music:an associative network explanation', Psychology of Music, pp. 18 - 28
,Conference Papers
2023, 'Knocking on a yellow door: interactions among knocking sounds, colours, and emotions', in Proceedings of the 10th Convention of the European Acoustics Association Forum Acusticum 2023, European Acoustics Association, presented at 10th Convention of the European Acoustics Association Forum Acusticum 2023, 11 September 2023 - 15 September 2023, http://dx.doi.org/10.61782/fa.2023.1213
,2021, 'A workflow and novel digital filters for compensating speed and equalization errors on digitized audio open-reel tapes', in ACM International Conference Proceeding Series, pp. 224 - 231, http://dx.doi.org/10.1145/3478384.3478409
,2021, 'SLEEP through SURVEYED: USAGE and EFFICACY of STREAMED SOUNDSCAPES CREATED to HELP INFANTS SLEEP', in Proceedings of the Sound and Music Computing Conferences, pp. 253 - 260
,2020, 'Key Clarity is Blue, Relaxed, and Maluma: Machine Learning Used to Discover Cross-Modal Connections Between Sensory Items and the Music They Spontaneously Evoke', in Advances in Intelligent Systems and Computing, pp. 214 - 223, http://dx.doi.org/10.1007/978-981-15-7801-4_22
,2018, 'A simple algorithm for music recommendation, built on established psychological principles', in Ventura MD (ed.), New music concepts: 5th International conference, ICNMC, Abeditore, Italy, presented at New music concepts: 5th International conference, ICNMC 2018, Italy, 17 March 2018, http://www.studiomusicatreviso.it/icnmc/library/Paper_54_2018.pdf
,2018, 'Using the Three-Component Model of the Musician Definition, A Musician is Someone Who Has Six Years of Musical Expertise', in Proceedings of ICMPC15/ESCOM10, Graz, Montreal, La Plata, Sydney, presented at ICMPC15/ESCOM10, Graz, Montreal, La Plata, Sydney
,2015, 'Mozart is still blue: a comparison of sensory and verbal scales to describe qualities in music', in Timoney J; Lysaght T (ed.), The 12th Sound and Music Computing Conference, Maynooth University, Maynooth, Co. Kildare, Ireland, pp. 351 - 358, presented at The 12th Sound and Music Computing Conference, Maynooth University, Maynooth, Co. Kildare, Ireland, 26 July 2015 - 01 August 2015
,2015, 'Toward a musical Turing test for automatic music performance', in Kronland-Martinet R; Ystad S; Aramaki M (eds.), 11th International Symposium on Computer Music Multidisciplinary Research (CMMR), Plymouth, UK, pp. 697 - 704, presented at 11th International Symposium on Computer Music Multidisciplinary Research (CMMR), Plymouth, UK, 16 June 2015 - 19 June 2015
,2015, 'Veridical Chaining: A case-based memory matching approach to the mental organization of music', in Aramaki M; Kronland-Martinet R; Ystad S (eds.), 11th International Symposium on Computer Music Multidisciplinary Research (CMMR), Plymouth, UK, pp. 428 - 440, presented at 11th International Symposium on Computer Music Multidisciplinary Research (CMMR), Plymouth, UK, 16 June 2015 - 19 June 2015
,2015, 'A new look at musical expectancy: The veridical versus the general in the mental organization of music', in Kronland-Martinet R; Aramaki M; Ystad S (eds.), Music, Mind, and Embodiment. CMMR 2015. Lecture Notes in Computer Science, vol 9617, Plymouth University, UK, pp. 358 - 370, presented at 11th International Symposium on Computer Music Multidisciplinary Research (CMMR), Plymouth University, UK, 16 June 2015 - 19 June 2015, http://dx.doi.org/10.1007/978-3-319-46282-0_23
,2014, 'Open ended descriptions of computer assisted interpretations of musical performance: An investigation of individual differences', in Roda A; Canazza S (ed.), Proceedings of the 1st international workshop on computer and robotic Systems for Automatic Music Performance (SAMP14), Sound and Music Computing Group, Department of Information Engineering, University of Padova, Italy, Venice, Italy, presented at Proceedings of the 1st international workshop on computer and robotic Systems for Automatic Music Performance (SAMP14), Venice, Italy, 18 July 2014 - 19 July 2014, http://samp.dei.unipd.it/proceedings/12_WSa1_07.pdf
,2014, 'Music systemisers and music empathisers - Do they rate expressiveness of computer generated performances the same?', in Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos, pp. 223 - 227
,2013, 'Doing without thinking? Aspects of musical decision-making revisited', in Williamon A; Goebl W (ed.), Proceedings of the International Symposium on Performance Science, European Association of Conservatoires (AEC), Utrecht, The Netherlands, pp. 201, presented at International Symposium on Performance Science, Vienna, 28 August 2013 - 31 August 2013
,2013, 'A Comparison between Continuous Categorical Emotion Responses and Stimulus Loudness Parameters', in 2013 FOURTH INTERNATIONAL CONFERENCE ON INFORMATION, INTELLIGENCE, SYSTEMS AND APPLICATIONS (IISA 2013), IEEE, GREECE, Piraeus, pp. 118 - 123, presented at 4th International Conference on Information, Intelligence, Systems and Applications (IISA), GREECE, Piraeus, 10 July 2013 - 12 July 2013, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000335680000021&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
,2012, 'Stable, quantised pitch in singing and instrumental music: signals, acoustics and possible origins', in Acoustics 2012 Fremantle: Acoustics, Development and the Environment, The Australian Acoustical Society, Western Australian Division, Perth, WA, pp. 332 - 336, presented at Acoustics 2012 Fremantle: Acoustics, Development and the Environment, Esplanade Hotel, Fremantle, 21 November 2012 - 23 November 2012, http://www.acoustics.asn.au/conference_proceedings/AAS2012/papers/p65.pdf
,2012, 'Using Affect Valence and Emotion Valence to Understand Musical Experience and Response: The case of hated music.', in Proceedings of the 30th ISME World Conference on Music Education, International Society for Music Education, Nedlands, Western Australia, pp. 317 - 324, presented at International Society for Music Education 30th World Conference on Music Education, Thessaloniki, Greece, 15 July 2012 - 20 July 2012
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