Select Publications
Journal articles
2020, 'Self-reported reasons for listening to music for sleep', Music and Medicine, 12, pp. 188 - 191, http://dx.doi.org/10.47513/mmd.v12i3.730
,2020, 'Aspects of Music Performance That Are Most Highly Related to Musical Sophistication', Psychomusicology Music Mind and Brain, 30, pp. 64 - 71, http://dx.doi.org/10.1037/pmu0000252
,2020, 'The definition of a musician in music psychology: A literature review and the six-year rule', Psychology of Music, 48, pp. 389 - 409, http://dx.doi.org/10.1177/0305735618804038
,2020, 'Empirical Test of Aesthetic Experience Using the Affect-Space Framework', Psychomusicology Music Mind and Brain, 30, pp. 28 - 36, http://dx.doi.org/10.1037/pmu0000248
,2020, 'Musical Features that Aid Sleep', Musicae Scientiae, http://dx.doi.org/10.1177/1029864920972161
,2019, 'Unusualness as a predictor of music preference', Musicae Scientiae, 23, pp. 426 - 441, http://dx.doi.org/10.1177/1029864917752545
,2019, 'What Works and What Doesn’t Work? A Systematic Review of Digital Mental Health Interventions for Depression and Anxiety in Young People', Frontiers in Psychiatry, 10, http://dx.doi.org/10.3389/fpsyt.2019.00759
,2019, 'How does music aid sleep? literature review', Sleep Medicine, 63, pp. 142 - 150, http://dx.doi.org/10.1016/j.sleep.2019.05.016
,2019, 'Young people's response to six smartphone apps for anxiety and depression: Focus group study', JMIR Mental Health, 6, http://dx.doi.org/10.2196/14385
,2019, 'Synaesthesia, Creativity and Obsessive-Compulsive Disorder: Is There a Link?', Creativity Research Journal, 31, pp. 329 - 334, http://dx.doi.org/10.1080/10400419.2019.1631637
,2019, 'A single item measure for identifying musician and nonmusician categories based on measures of musical sophistication', Music Perception, 36, pp. 457 - 467, http://dx.doi.org/10.1525/MP.2019.36.5.457
,2019, 'Cultural stereotyping of emotional responses to music genre', Psychology of Music, 47, pp. 342 - 357, http://dx.doi.org/10.1177/0305735618755886
,2019, 'Verbal and Cross-Modal Ratings of Music: Validation and Application of an Icon-Based Rating Scale', i-Perception, 10, http://dx.doi.org/10.1177/2041669519852643
,2019, 'Continuous self-report engagement responses to the live performance of an atonal, post-serialist solo marimba work', Psychology of Music, 47, pp. 109 - 131, http://dx.doi.org/10.1177/0305735617736378
,2019, 'Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics', EMPIRICAL MUSICOLOGY REVIEW, 14, pp. 2 - 15, http://dx.doi.org/10.18061/emr.v14i1-2.6376
,2019, 'Psycho-historical contextualization for music and visual works: A literature review and comparison between artistic mediums', Frontiers in Psychology, 10, pp. 182, http://dx.doi.org/10.3389/fpsyg.2019.00182
,2019, 'Which Nonvocal Musical Instrument Sounds Like the Human Voice? An Empirical Investigation', Empirical Studies of the Arts, 37, pp. 92 - 103, http://dx.doi.org/10.1177/0276237418763657
,2018, 'Using psychological principles of memory storage and preference to improve music recommendation systems', Leonardo Music Journal, 28, pp. 77 - 81, http://dx.doi.org/10.1162/lmj_a_01045
,2018, 'How >:(is Bizet? Icon ratings of music', Psychology of Music, 46, pp. 749 - 760, http://dx.doi.org/10.1177/0305735617729029
,2018, 'Attraction to sad music: The role of imagery, absorption, and rumination', Psychology of Aesthetics, Creativity, and the Arts, 12, pp. 251 - 258, http://dx.doi.org/10.1037/aca0000160
,2018, 'Emptying Rooms: When the Inverted-U Model of Preference Fails—An Investigation Using Music With Collative Extremes', Empirical Studies of the Arts, 36, pp. 199 - 221, http://dx.doi.org/10.1177/0276237417732683
,2017, 'Emotion appraisal dimensions inferred from vocal expressions are consistent across cultures: A comparison between Australia and India', Royal Society Open Science, 4, http://dx.doi.org/10.1098/rsos.170912
,2017, 'Back to the inverted-U for music preference: A review of the literature', Psychology of Music, 45, pp. 886 - 909, http://dx.doi.org/10.1177/0305735617697507
,2017, 'Brightness scaling of periodic tones', Attention, Perception, and Psychophysics, 79, pp. 1892 - 1896, http://dx.doi.org/10.3758/s13414-017-1394-6
,2017, 'The joy of heartfelt music: An examination of emotional and physiological responses', International Journal of Psychophysiology, 120, pp. 118 - 125, http://dx.doi.org/10.1016/j.ijpsycho.2017.07.012
,2017, 'Mood induction studies: Distinguishing between emotional response and long-term mood impacts of music', SAGE Research Methods Cases, http://dx.doi.org/10.4135/9781473974760
,2017, 'Algorithms can Mimic Human Piano Performance: The Deep Blues of Music', Journal of New Music Research, 46, pp. 175 - 186, http://dx.doi.org/10.1080/09298215.2016.1264976
,2017, 'Cross-cultural anger communication in music: Towards a stereotype theory of emotion in music', Musicae Scientiae, 21, pp. 60 - 74, http://dx.doi.org/10.1177/1029864916637641
,2016, 'Musical prescriptions for mood improvement: An experimental study', Arts in Psychotherapy, 51, pp. 46 - 53, http://dx.doi.org/10.1016/j.aip.2016.09.002
,2016, 'The role of trait and state absorption in the enjoyment of music', PLoS ONE, 11, pp. e0164029, http://dx.doi.org/10.1371/journal.pone.0164029
,2016, 'Does recall of a past music event invoke a reminiscence bump in young adults?', Memory, 24, pp. 1007 - 1014, http://dx.doi.org/10.1080/09658211.2015.1061014
,2016, 'Enjoying sad music: Paradox or parallel processes?', Frontiers in Human Neuroscience, 10, http://dx.doi.org/10.3389/fnhum.2016.00312
,2016, 'Pitch Error Coding the Sight Read, Practice, and Performance of an Elite Oboist', Music Perception: An Interdisciplinary Journal, 34, pp. 132 - 151, http://dx.doi.org/10.1525/mp.2016.34.2.132
,2016, 'Aesthetic Experience Explained by the Affect-Space Framework', Empirical Musicology Review, 11, pp. 330 - 345, http://dx.doi.org/10.18061/emr.v11i3-4.5115
,2016, 'Voicelikeness of musical instruments: A literature review of acoustical, psychological and expressiveness perspectives', Musicae Scientiae, 20, pp. 248 - 262, http://dx.doi.org/10.1177/1029864916631393
,2015, 'Practice thoughts and performance action: Observing processes of musical decision-making', Music Performance Research, 7, pp. 27 - 46, https://openmusiclibrary.org/article/160507/
,2015, 'Music and people with tendencies to depression', Music Perception, 32, pp. 313 - 321, http://dx.doi.org/10.1525/MP.2015.32.4.313
,2015, 'Moody melodies: Do they cheer us up? A study of the effect of sad music on mood', Psychology of Music, 43, pp. 244 - 261, http://dx.doi.org/10.1177/0305735613501938
,2015, 'Performing Lieder: Expert Perspectives and Comparison of Vibrato and Singer's Formant With Opera Singers', Journal of Voice, http://dx.doi.org/10.1016/j.jvoice.2014.10.020
,2015, 'Performing Lieder: Expert Perspectives and Comparison of Vibrato and Singer's Formant With Opera Singers', Journal of Voice, 29, pp. 645.e15 - 645.e32, http://dx.doi.org/10.1016/j.jvoice.2014.10.020
,2014, 'The role of individual difference in judging expressiveness of computer-assisted music performances by experts', ACM Transactions on Applied Perception, 11, http://dx.doi.org/10.1145/2668124
,2014, 'The rise of fixed pitch systems and the slide of continuous pitch: A note for emotion in music research about portamento', journal of interdisciplinary music studies, http://www.musicstudies.org/jims130712/Schubert_JIMS_13071201.pdf
,2014, 'Facilitators and impediments for elective music and sport in adolescent males', SAGE Open, 4, http://dx.doi.org/10.1177/2158244014529779
,2014, 'A spiral model of musical decision-making', Frontiers in Psychology, 5, pp. 1 - 11, http://dx.doi.org/10.3389/fpsyg.2014.00320
,2014, 'A dynamically minimalist cognitive explanation of musical preference: Is familiarity everything?', Frontiers in Psychology, 5, http://dx.doi.org/10.3389/fpsyg.2014.00038
,2014, 'Performing solo Bach: A case study of musical decision-making', Musicae Scientiae, 18, pp. 35 - 52, http://dx.doi.org/10.1177/1029864913509812
,2014, 'Are spiritual experiences through music seen as intrinsic or extrinsic?', Religions, 5, pp. 76 - 89, http://dx.doi.org/10.3390/rel5010076
,2014, ''Like Pots and Pans Falling Down the Stairs'. Experience of Music Composed for Listeners with Cochlear Implants in a Live Concert Setting', Journal of New Music Research, 43, pp. 237 - 249, http://dx.doi.org/10.1080/09298215.2014.910235
,2014, 'Dynamic dance warping: Using dynamic time warping to compare dance movement performed under different conditions', ACM International Conference Proceeding Series, pp. 94 - 99, http://dx.doi.org/10.1145/2617995.2618012
,2013, 'A comparison between continuous categorical emotion responses and stimulus loudness parameters', IISA 2013 - 4th International Conference on Information, Intelligence, Systems and Applications, pp. 112 - 117, http://dx.doi.org/10.1109/IISA.2013.6623697
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