ORCID as entered in ROS
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Select Publications
2018, 'Moving Data: Artistic tendencies in visualising human and non-human movement', in Bowen JP; Weinel J; Diprose G; Lambert N (eds.), Moving Data: Artistic tendencies in visualising human and non-human movement, BCS Learning & Development Ltd, British Computer Society, London, UK, pp. 180 - 187, presented at Electronic Visualisation and the Arts, British Computer Society, London, UK, 09 July 2018 - 13 July 2018, http://dx.doi.org/10.14236/ewic/EVA2018.35
,2016, 'Keynote Address:Collectivation in TechnoAnimalities: The Case of the Monkey Selfie’,', University of Konstanz, Germany, presented at Technocollectivities,, University of Konstanz, Germany, 09 June 2016 - 11 June 2016, https://mediaandparticipation.com/techno-collectivities/
,2015, 'Keynote Address, ‘Tuning in to the Signaletic: Experiments with the Imperceptible of Real time’,', in Keynote Address, ‘Tuning in to the Signaletic: Experiments with the Imperceptible of Real time’,, Tuning Speculation: III,, Toronto, Canada, presented at Tuning Speculation: III,, Toronto, Canada, 20 November 2015 - 22 September 2016
,2015, 'The Feeling of the Wave (in 5 movements)', in Perception, Movement, Image – always more than human, Université du Québec à Montréal, Canada, presented at Media Art Histories: Re-Create 2015, Université du Québec à Montréal, Canada, 05 November 2015 - 08 November 2015, http://www.mediaarthistory.org/recreate-2015
,2014, 'Struck and the medicalised body', in Struck and the medicalised body, Ultimo Science Festival, Powerhouse Museum, presented at Ultimo Science Festival, Powerhouse Museum, 11 September 2014 - 11 September 2014, https://sydneyscience.com.au/
,2013, 'Perception and the nonhuman', in Struck, MOCA Taipei, Museum of Contemporary Art, Taipei, pp. 84 - 87, presented at Post-Humanist Desire, Museum of Contemporary Art, Taipei, 23 November 2013 - 24 November 2013, http://www.mocataipei.org.tw/index.php/2012-01-12-03-36-46/past-exhibitions/173-exhibition-review-2013/974-post-humanist-desire
,2012, 'Keynote Address: Tranmateriality', in Milne E (ed.), Keynote Address: Tranmateriality, CODE 2012, presented at CODE 2012, 21 November 2012 - 23 November 2012, http://code2012.wikidot.com/
,2012, 'Keynote Address: Transversal Interference', in Transversal Interference, Transdisciplinary Imaging Conference, Melbourne, pp. 25 - 36, presented at Interference: Second International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture, Melbourne, 22 June 2012 - 23 June 2012, http://blogs.unsw.edu.au/tiic/files/2013/03/Transimage_conference_proceedings2012.pdf
,2012, 'HokusPokus: the magic and science of perception', in Hokus Pokus, Watermans International Festival of Digital Art, Watermans Gallery, London, presented at Watermans International Festival of Digital Art, Watermans Gallery, London, 21 April 2012 - 21 April 2012, http://www.digitalmeetsculture.net/article/watermans-international-festival-of-digital-art/
,2010, 'The mutable face: From Electrocution to microexpression in facial regimes', in The mutable face: From Electrocution to microexpression in facial regimes, National Portrait Gallery, Canberra, presented at Imaging Identity: Media, Memory and Visions of Humanity in the Digital Present, National Portrait Gallery, Canberra, 15 July 2010 - 17 July 2010
,2006, 'Comments on `New Languages: Communicating with the Public`', in New Constellations: Art Science and Society, New Constellations: Art Science and Society, Museum of Contemporary Art, Sydney, presented at New Constellations: Art Science and Society, Museum of Contemporary Art, Sydney, 17 March 2006 - 19 March 2006
,2001, 'Net Affects: Responding to Shock on Internet Time', in Brown H; Lovink G; Merrick H; Rossiter N; Teh D; Willson M (eds.), politics of a Digital Present, Fibreculture Publications, Australia, pp. 9 - 17, presented at Politics od a Digital Present, Melbourne, 06 December 2001 - 08 December 2001
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